Ghosts ‘n’ Stuff – Navigating the Ethereal Journey of Existence


You can view the lyrics, alternate interprations and sheet music for deadmau5 Feat. Rob Swire's Ghosts 'n' Stuff at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Odyssey of Consciousness in Electronic Hues
  5. Navigating the Labyrinth of Self and Solitude
  6. The Hidden Meaning: An Allegory for Artistic Creation
  7. The Ephemeral Dancefloor: A Microcosm of Life
  8. Memorable Lines: Echoes of Our Ethereal Journey

Lyrics

It’s been so long I’ve been out of my body with you
I feel alone feel at home feel like nothing is true
You take me to a place where my senses gave way
Turn it round shut it down what the people say
Climbing up coming down gonna give you some
Take my hand and let it come let it come let it

Take it back when she knows that you’re doing it right
‘Cause everybody else knows what they’re taking tonight

But I just wanna play it right
We we’re gonna get there tonight

It’s been so far I’ve been walking the line on my own
Lift me up to the stars we are coming home
I know we had a chase but we’re out of time
We have sold in the cold physical design
Set me free set me out on the run lift me up to the sun to the sun to the

When you’re burning down when you’re burning down
It’s the way that you fake it I know it’s too late

But I just want to play it right
We we’re gonna get there tonight
I just want to take you down
We we’re gonna bring you round

But I just want to play it right
We we’re gonna get there tonight

Full Lyrics

As the synthesized chords of deadmau5’s ‘Ghosts ‘n’ Stuff’ featuring Rob Swire pulsate through our eardrums, listeners are transcended beyond the corporeal world into a maze of introspection and metaphysical dance. The track, which has solidified its status as an electronic classic, remains rich soil for analytical minds seeking to unearth the deeper narrative woven through its haunting beats and poignant lyrics.

Exploring the dualities of presence and absence, ‘Ghosts ‘n’ Stuff’ wraps the listener in a paradox of feeling ‘alone’ yet ‘at home,’ a sentiment that echoes the complexities of the human condition and the search for genuine connection in a dissonant world. But what subtleties lie beneath the surface of this anthemic melody? Let’s dissect the spiritual anatomy of this spectral tune.

The Odyssey of Consciousness in Electronic Hues

The dynastic beat that forms the backbone of ‘Ghosts ‘n’ Stuff’ is not merely a call to the dance floor; it’s an anthem for the soul’s odyssey. ‘It’s been so long, I’ve been out of my body with you,’ croons Swire, drawing us into a voyage that transcends physical being, much like the very ghosts the title alludes to. The concept of an out-of-body experience takes on a literal and figurative dimension, suggesting the deep connection we search for in others and within ourselves.

Music has the power to transport us to realms untethered by earthly bounds, and this is a track that exploits that phenomenon to the hilt. Through its sonic landscape, ‘Ghosts ‘n’ Stuff’ becomes a vessel for listeners to journey within, to places untouched and altered by external perceptions. It’s an exploration of the self that only music, in its purest form, can facilitate.

Navigating the Labyrinth of Self and Solitude

The stark contrast painted by feeling ‘alone’ in the presence of another resonates with the existential angst of modernity. Swire reveals a sense of isolation that cuts through shared space, challenging what it means to be connected in a world often deemed hyper-connected. ‘I feel alone, feel at home, feel like nothing is true,’ he reflects ā€“ a sentiment emblematic of the digital age’s disquieting quiet.

In the labyrinth of ‘Ghosts ‘n’ Stuff,’ we confront the specters of solitude that dwell among company. It is a profound reminder that presence is not merely physicality but an emotional and spiritual connection. The song then, in a sense, becomes a spiritual echo chamber, amplifying the dualities of our digital existence and the longing to break through its veneer to something real, something felt.

The Hidden Meaning: An Allegory for Artistic Creation

There’s a subtle cue hidden within the melody’s unyielding crescendo and Swire’s deliberate cadence – an allegory for the creative process itself. ‘Lift me up to the stars, we are coming home,’ implies a journey back to the origin, back to the creative muse that sparks art’s very existence. For deadmau5 and Swire, the studio is both a sanctum and a playground, where the ethereal is made tangible through music.

Perhaps the ‘ghosts’ represent the elusive muse that artists chase, the ‘stuff’ the raw material sculpted into creation. The pursuit of creative fulfillment is laden with ghosts – ideas that flicker and haunt, yet elusive in their grasp. And it is in the ‘play’ – another word for the craft of artistry – where salvation lies. ‘But I just want to play it right,’ Swire sings, alluding to the divine discontent of artists striving for that perfect note, the flawless beat, the song that will echo through eternity.

The Ephemeral Dancefloor: A Microcosm of Life

If a song could capture the lightness of being and the weight of existence in unison, ‘Ghosts ‘n’ Stuff’ strikes that perplexing note. Each synth and beat, a metaphorical footstep on the dancefloor of life, where every moment is fleeting and yet infinitely significant. ‘We’re gonna get there tonight,’ is more than a hopeful outlook on a night out – it’s a mantra for seizing the transient now before it slips away, ghostlike, through our fingers.

It is in the temporality of the dance, the impermanence of the ‘stuff’ we accumulate – experiences, pleasures, sorrows – that the song finds its hypnotic resonance. Like the pulse of the night, life itself is a series of ephemeral encounters and passionate pursuits, all played out on a stage that fades with the morning light.

Memorable Lines: Echoes of Our Ethereal Journey

Certain songs have lines that encapsulate their spirit, and within ‘Ghosts ‘n’ Stuff,’ there is a haunting echo found in ‘When you’re burning down, when you’re burning down, it’s the way that you fake it I know it’s too late.’ In these words, there’s an acceptance of the inevitable end – an acknowledgment of time’s unstoppable march.

Yet, there is also an admonishment against pretense, a call to authenticity in the face of oblivion. What we remember of ‘Ghosts ‘n’ Stuff’ beyond its driving rhythm and electronic verve, are these lyrical snippets that evoke the dance we all partake in with our own shadows, the performance we all play in the grand theater of existence – and the hope that, when the final curtain descends, we played it right.

Leave a Reply

Your email address will not be published. Required fields are marked *