Do You Believe In God? by $uicideboy$ Lyrics Meaning – Exploring the Darkness in Subcultures
Lyrics
Three, four, better lock your door
Five, six, grab your crucifix
Seven, eight, gonna stay up late
Nine, ten, never sleep—
FUCKTHEPOPULATION
(Aye, aye, aye, aye)
Pulling up with the pump (yeah!)
Slugs that’ll make you slumped
Drugs always keep me numb
Wake up in the morning just to pop some
Bitch, it′s FUCKTHEPOPULATION
Bodies in my basement
Lord of the forsaken, watching bitches fornicating (shit!)
Lucifer, Beelzebub, Satan
Triple six be my language
Smoking on something that’s flagrant
Shooting up something that’s tainted
Raindrops cover my dreadlocks
Mood 21 Savage, that Red Opps
Might get my face tatted with a tear drop
Shell-shocked leaving bodies on the sidewalk
Six days ′til my death, on the seventh let me be
Lower level dwelling, now the devil rocking FTP
Ruby setting trends but in the end, he wants his breath to cease
Leopard print all on his body, body hanging off the Sphinx
Ruby got a plan involving firestorms thinning out the herd
Ruby got a plan to see the locusts swarm, poisoning the dirt
Ruby going to find his death and flirt
Ruby got his motherfucking heart torn, cut up into thirds
Ruby got a broken oath he once swore, take him back to church
Ruby bloody fist up her skirt
Descending into the blistering underworld of $uicideboy$’ ‘Do You Believe In God?’ feels akin to participating in a ritualistic uncovering of the inner demons that plague contemporary society. The New Orleans duo, consisting of Ruby da Cherry and $crim, is known for their visceral lyricism that intertwines desolation, occult imagery, and raw emotion, unveiling the dark layers of human existence.
This track is not an exception but rather an invitation to the macabre dance of nihilism and self-destruction, cloaked in aggressive beats and haunting samples. As we parse through the morbidly fascinating verses, one can’t help but be entranced by the $uicideboy$’ provocative inquiry to not just the existence of a higher power, but to the nature of belief itself amidst a world riddled with chaos.
Nightmares and Nihilism: An Eerie Anthology
The introduction of ‘Do You Believe In God?’ samples the eerie children’s rhyme from the classic horror film ‘A Nightmare on Elm Street.’ Immediately, it establishes an atmosphere steeped in horror and suspense. But this is not just a nod to Freddy Krueger; it is a symbolic representation of the intrusion of fear and the inevitability of facing one’s own dark psyche. The $uicideboy$ are not running from their fears; they are instead inviting them in, creating music that acts as a conduit for their darkest thoughts.
In this track, the chorus ‘FUCKTHEPOPULATION’ rings out as a war cry against conformism and the societal herd mentality. It’s a bleak worldview that embraces individuality and solitude over the noise and hypocrisy of the collective masses. This sentiment echoes through the genre of horrorcore, where the exploration of human darkness is not only a theme but a catharsis.
Satanic Symbolism and Self-Sabotage
The lyrics of the song drop names like Lucifer, Beelzebub, and Satan, with the number ‘triple six’ – commonly associated with the devil – underscoring their language. Yet, this is less about the worship of these entities and more about the kinship the $uicideboy$ feel with the outcasts and the damned. It’s a raw reflection of their own self-destruction and addiction that they see mirrored in the adversarial figures of religious folklore.
Through potent imagery of doing drugs to numb the pain and leaving ‘bodies on the sidewalk,’ the song paints a portrait of violence toward oneself and the outside world. It’s a metaphorical violence, expressing the internal battles fought daily, and the external presentation of those struggles through tattoos, attire, and lifestyle. The use of these stark, satanic symbols acts as a shield, a declaration of difference from the mainstream.
The Irreversible Descent into Madness
The $uicideboy$ often weave tales of their flirtation with death, and in this track, Ruby’s verses encapsulate this recurring leitmotif. Speaking of ‘six days ’til my death’ and dwelling with the devil, he confronts the mortality that haunts all humans, yet he does so by wrapping it in an acceptance of his fate. The mention of his lower level dwelling signifies a descent not just to death, but to an underworld of his own making.
His verses carry reflections of a disturbed mind bordering on insanity, an advocate of chaos willing to witness the world burn. For Ruby, the plan involving ‘firestorms thinning out the herd’ and ‘locusts swarm, poisoning the dirt’ is a metaphoric cleanse, a necessary destruction for the renaissance of the disturbed soul. In this artistic narrative, we see the embracing of one’s end not as a tragedy, but as a part of an intricate and destructive design.
Memorable Lines Carved with Despair
Amongst the chilling lines of ‘Do You Believe in God?’ lie verses that cut deep into the psyche—’Ruby bloody fist up her skirt.’ The lyrical choice is graphic, jarring, and arguably offensive. It is not meant to be comfortable; it is purposely designed to jar the listener out of complacency, forcing an encounter with the uncomfortable.
These words are not just profane; they are a symbol of the raw aggression and unchecked emotion that permeate the track. For the $uicideboy$, these memorable lines serve as a testament to the pain, anger, and defiance that define their music and their message. The visceral impact of such lines ensures they linger long after the song has ended.
The Hidden Meaning: A Cry for Understanding
Embedded within the grim and often shocking verses of ‘Do You Believe in God?’ is a plea for understanding rather than judgment. The song is a narrative of marginalization and the grief that often accompanies life on the fringes of society.
By sharing their stories of addiction, apathy, and the embrace of devilish iconography, $uicideboy$ are not advocating for chaos or violence but rather painting the picture of their struggle for authenticity in a world that shuns the raw and real. The question posed in the song title becomes rhetorical—an introspective look at what people consider their ‘god’ or guiding principle, and whether that belief can coexist with the harsh realities the $uicideboy$ depict.
