We Built This City by Starship Lyrics Meaning – How a Pop-Rock Anthem May Just Define a Generation


Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

We built this city
We built this city on rock and roll
Built this city
We built this city on rock and roll

Say you don’t know me or recognize my face
Say you don’t care who goes to that kind of place
Knee-deep in the hoopla, sinking in your fight
Too many runaways eating up the night

Marconi plays the mamba
Listen to the radio
Don’t you remember?
We built this city
We built this city on rock and roll

We built this city
We built this city on rock and roll
Built this city
We built this city on rock and roll

Someone always playing corporation games
Who cares, they’re always changing corporation names
We just want to dance here, someone stole the stage
They call us irresponsible, write us off the page

Marconi plays the mamba
Listen to the radio
Don’t you remember?
We built this city
We built this city on rock and roll

We built this city
We built this city on rock and roll
Built this city
We built this city on rock and roll

It’s just another Sunday
In a tired old street
Police have got the chokehold (oh)
Then we just lost the beat
Who counts the money underneath the bar?
Who writes the wrecking ball into our guitars?
Don’t tell us you need us ’cause we’re the ship of fools
Looking for America, coming through your schools

(I’m looking out over that Golden Gate bridge)
(On another gorgeous sunny Saturday)
(And I’m seein’ that bumper to bumper traffic)
Don’t you remember (remember), ‘member (‘member)
(It’s your favorite radio station in your favorite radio city)
(The city by the bay, the city that rocks, the city that never sleeps)

Marconi plays the mamba
Listen to the radio
Don’t you remember?
We built this city
We built this city on rock and roll

We built this city
We built this city on rock and roll
Built this city
We built this city on rock and roll
Built this city (ooh, ooh)
We built this city on rock and roll
Built this city
We built this city on rock and roll

We built, we built this city, yeah
(Built this city) we built, we built this city
We built, we built this city, yeah
(Built this city) we built, we built this city
We built, we built this city, yeah
(Built this city) we built, we built this city
We built, we built this city, yeah
(Built this city) we built, we built this city

Full Lyrics

Starship’s chart-topping hit ‘We Built This City’ is not just a catchy pop-rock refrain from the mid-’80s—it’s a cultural artifact, a snapshot in time highlighting the tensions and transitions of an era when music and identity were intrinsically woven. Released in 1985, at the height of Reagan-era fervor, the song captures a moment when ‘rock and roll’ was not merely a genre but a way of being, a fight against the corporate mundanity threatening the colorful tapestry that musicians and fans alike had painted on the canvas of society.

But what lies beneath the synth-heavy production and powerful vocals is often debated. Some view it as an anthem for artistic integrity, while others deem it a reflection on the corporatization of music. To understand the full depth of ‘We Built This City,’ one must dive into the layers of its lyrics, historical context, and the polarizing reactions it has elicited from generation to generation.

The Anthem Against the Corporate Takeover

Beneath the undeniably infectious chorus lies a narrative of frustration aimed at the corporate giants who, in the eyes of the artists, began invading the sanctity of the music world. Lines like ‘Someone always playing corporation games’ and ‘Who cares, they’re always changing corporation names’ serve as pointed critiques of the perceived commercialization of music—where passion and creativity take a backseat to the relentless pursuit of profit.

By declaring that they built the city ‘on rock and roll,’ Starship is staking a claim not just in the architectural, but the spiritual foundation of their culture. It’s a defense of the artistic community’s contributions to society and a critique against those who would seek to undermine or monetize it for personal gain.

Unearthing the Song’s Hidden Meaning Through Contextual Clues

At first glance, ‘Marconi plays the mamba’ may seem like a cryptic line, but it harkens back to Guglielmo Marconi, a pioneer of wireless radio communication. By referencing Marconi, the song evokes the sentiment that broadcasting is, at its core, a musical medium, and one that rock and roll ruled. It’s a hidden homage to the power of the airwaves and their role in cementing rock music as a cultural keystone.

Coupled with the repetition of ‘Listen to the radio’ comes a push for remembrance and recognition for the medium that elevated rock music to its throne. It reminds the listener of the times when the radio was a sacred space for the rebels, dreamers, and revolutionaries—a space that is under threat of losing its soul to commercialization.

Societal Disillusionment Wrapped in Melodic Contrasts

Though sonically up-tempo, the song’s lyrics paint a picture of disenchantment, particularly with lines like ‘Too many runaways eating up the night.’ This imagery suggests a generation in peril, perhaps hinting at the homelessness crisis of the ’80s, and explores the grim reality faced by many youths amidst the bright lights and promises of the rock and roll lifestyle.

The narrative thread of societal disillusion extends with references to police chokeholds and being labeled as ‘the ship of fools.’ It paints a portrait of societal unrest and conflict, conveying a deep skepticism about the authority figures and institutions that seem to have taken control over the foundational aspects of the community’s identity.

Decoding the Sunday Metaphor – More Than Just a Day of Rest

The mention of ‘It’s just another Sunday’ stands as more than a temporal marker; it’s a metaphor for the routine and ordinariness that seemed to loom over a once-vibrant scene. In an era where weekdays were dominated by the 9-to-5 grind, Sunday traditionally allowed for an escape into music and relaxation. Yet, in ‘We Built This City,’ even Sundays have fallen prey to the same forces of corporatization and loss of spirit.

Diving deeper into the symbolic, ‘In a tired old street’ sings of the depersonalization and weariness felt in the face of modernity’s relentless march, where authenticity is drowned out by the hum of insidious uniformity, further challenging the listener to stand up for the unique and defiant character of rock culture.

Iconic Lines That Shaped a Generation’s Resolve

Certain lines from ‘We Built This City’ have resonated so deeply that they transcend the song itself. ‘We just want to dance here, someone stole the stage’ isn’t a mere complaint; it’s a rallying cry for the freedom to express, to exist without the looming shadows cast by the ‘suits.’ It encapsulates the intrinsic need for a place to belong, to create, to rebel.

Another memorable line, ‘Don’t tell us you need us ’cause we’re the ship of fools,’ exemplifies a distrust in the establishment, essentially calling out the hypocrisy of institutions that marginalize subcultures only to co-opt them when convenient. And yet, despite this condemnation, there’s a defiance, a declaration that the rock and roll community will endure, bricks of resistance cemented into the very foundations of their city.

1 Response

  1. Steve Joyce says:

    You might look back further into when the majority of Starship was Jefferson Airplane. A pretty radical group. Also look at the Blows Against the Empire album

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