Agoraphobia – Unraveling the Echoes Within Concrete Walls

You can view the lyrics, alternate interprations and sheet music for Deerhunter's Agoraphobia at
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Concrete Cravings: The Paradox of Seeking Enclosure
  5. Surveillance & Surrender: The Self under Scrutiny
  6. Tales of Fading: The Desire for Invisibility
  7. Blinding Visions: Sight as a Psychological Prison
  8. Echoless Existence: Silence in the Void


Comfort me you cover me
Comfort me, comfort me
Cover me cover me
Comfort me, comfort me

I had a dream no longer to be free
I want only to see four walls made of concrete
Six by six enclosed
See me on video oh oh oh
Feed me twice a day
I want to fade away, away

Cover me cover me
Comfort me, comfort me
Cover me cover me
Comfort me, comfort me

And after some time I know I would go blind
But seeing only binds the vision to the eye
I lose my voice, I know
But I’ve nothing left to say
(Nothing left to pray)
No echo in this place

Full Lyrics

In the labyrinthine corridors of indie rock, a song sometimes emerges as a poignant mirror, reflecting complex psychological landscapes. ‘Agoraphobia’ by Deerhunter is one such track that delves deep into the psyche, pulling listeners into a paradoxical desire for isolation as much as it craves the warmth of comfort. The song, nestled within the album ‘Microcastle,’ serves not merely as an auditory experience but as a canvas for abstract emotional expression.

The intricate layers that compose ‘Agoraphobia’ are much like the walls of the maze the title suggests—walls not just physical but of the mind. In peeling back these layers, listeners might find themselves entwined with sentiments that are all at once evasive and overwhelmingly present. Even as the lyrics serenade the surface with simple pleas for comfort, the deeper dive unveils profound commentary on freedom, perception, and human existence.

Concrete Cravings: The Paradox of Seeking Enclosure

The song opens with a stark declaration of a dream—a dream paradoxically centered around the yearning for confinement within ‘four walls made of concrete.’ Here, ‘Agoraphobia’ meta-phorically maps out a terrain that’s less about the fear of open spaces and more about an insatiable desire for a controlled, predictable environment. The lyrics reflect an internal struggle, an escape from the inexhaustible possibilities of freedom that often escort anxiety.

This revelation runs counter to the ingrained human passion for liberation, suggesting that within the lines of this song, freedom isn’t the divine sanctuary many chase, but rather a space that is, perhaps, too exposed to the chaos of the world. The walls, in their cold, damp permanence, offer a respite from the overwhelming stimuli that blade through the senses in the boundless ‘outside.’

Surveillance & Surrender: The Self under Scrutiny

The peculiar invocation to ‘See me on video oh oh oh’ throws open the doors to various interpretations, the most striking of which might be the conscious surrender to surveillance—self-imposed or otherwise. In this line, there’s a sense of resignation to the panoptic gaze, a voyeuristic world where privacy is relinquished for the sake of being ‘seen’ even in isolation.

This reflects a modern phenomenon where the bounds of personal space and public display blur, where the comfort sought after might be that of predictability, of routine observations and the pressure of a watchful eye. The ‘twice a day’ feeding underlines a ritualistic existence, one devoid of autonomy, where choices are limited or non-existent, pointing towards a scenario where the character in the song might be craving dehumanization and depersonalization.

Tales of Fading: The Desire for Invisibility

The visceral refrain ‘I want to fade away, away’ echoes a devastating longing for disappearance, a retreat into nothingness where societal expectations and individual disappointments vanish. In the relentless loop of seeking ‘comfort’ and ‘cover,’ there’s an evident wish to dissolve into the fabric of an uncaring universe—perhaps a testament to the overwhelming nature of modern existence.

Here, Deerhunter harnesses the power of lyrical repetition to convey more than mere words—it’s the repetition of desire, the repetition of a mental mantra that seeks to overcome the discomforts of being acutely individual and sentient in a world synonymous with collective chaos.

Blinding Visions: Sight as a Psychological Prison

In the prophetic confession ‘And after some time I know I would go blind,’ singer Bradford Cox reveals a deeper layer of the song’s hidden meaning. While blindness is typically feared, here it is anticipated as a release from the constraints of sight, suggesting that our senses enchain us to the very world from which we seek respite.

The statement ‘seeing only binds the vision to the eye’ unravels an existential truth that vision limits perception to the corporeal, anchoring our consciousness to the tangible and perhaps blinding us to the transcendental. The song posits the idea that true freedom might lie beyond the realm of the visual, in the unseeable landscapes of the mind and spirit.

Echoless Existence: Silence in the Void

True to the song’s internal struggle, the absence of echo underscores the profound silence of isolation, a silent cry in the concrete void. ‘No echo in this place’ leaves us pondering the reality of sound—and its absence—within the metaphorical walls of our own design. It delves into the human fear of being unheard, unacknowledged, and fundamentally alone, even as it muses on the solace that such a space can offer.

In ‘Agoraphobia,’ Deerhunter muses on the duality of existence—the need to be concealed and the deep-seated yearning for recognition. The silence that saturates the song is both a canvas for the art of loneliness and a haunting reminder that in seeking shelter, we might also be walling off the echoes of our own voices, desperate to reverberate in the vast hall of human connection.

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