Biscuit Town by King Krule Lyrics Meaning – Navigating the Murky Waters of Modern Melancholy
Lyrics
In fact, we made a pact, but now I think it’s over
Red on white but he sipped on KA soda
Fuck, that’s Coca-Cola, as TV sports the Olympic ebola
I think we might be bipolar, I think she thinks I’m bipolar
He left the crime scene without the Motorola
Still had dreams of being young Franco Zola
For at least for now, it’s all over
Yeah, at least for now, it’s all over
I seem to sink lower
In biscuit town, in biscuit town
You’re shallow waters, I’m the deep seabed
And I’m the reason you flow
I got more moons wrapped around my head and Jupiter knows
Whilst you orbit with some stupider hoes
Only a slacker would know tryna get up and group home
Tryna eat from the same bowl, in my troopers abode
I seem to sink lower
In biscuit town, in biscuit town, ah-huh
I seem to sink lower
In biscuit town, in biscuit town (biscuit town)
And now I’m caught up by the taste in her mouth
As she whistles all about
She gonna miss her match deep down south
And no more wheelers dealers creeping about
At least none that she knows
Thrown away so much till I’m rolled up in the same old dutch
Need a touch of thought for my libido
And now she’s nearly hitting speed cones
As we proceed to her street dome, in her body not a weak bone
Strong mind, but she still got sight for a peep hole
Not that she knows, that’s what he knows
In biscuit town, ah-huh
I seem to sink lower
In biscuit town, in biscuit town
In biscuit town, in biscuit town
In biscuit town, in biscuit town
You best get down
In an era where the music scene brims with artists constantly redefining genres and emotions, King Krule’s ‘Biscuit Town’ stands tall as a testament to the gritty, raw expression of urban ennui. It’s a track hailing from his 2017 album ‘The OOZ’ that encapsulates a beautifully solemn journey through the mind of its creator. With haunting melodies and visceral lyrics, King Krule, also known as Archy Marshall, pulls listeners into the depths of an intricate emotional landscape.
The song’s title itself, ‘Biscuit Town,’ conjures up imagery of fragility and brittleness—perhaps a metaphor for the foundation on which the narrator’s life is built. More than just a set of verses and a chorus, ‘Biscuit Town’ serves as a landscape painting of Marshall’s own inner turmoil, societal observations, and the universal struggle with personal relationships and identity.
Sunken Dreams in Solar Beams: A Dive into Despondency
The song initiates with a candid admission of a soul sinking, caught in a relentless gaze into ‘the rays of the solar.’ This powerful imagery is a gateway to the narrator’s existential crisis, reflecting the burning intensity of life’s pressures. The song implies a struggle to stay afloat in the overwhelming brightness of a world that demands constant illumination from its inhabitants—a pact made with society that seems to have run its course.
The narrator’s confession of feeling ‘bipolar’ becomes a double entendre, leading one to reflect on not only the psychological strain but also the fluctuating nature of one’s identity and relationships within the modern social fabric. The song refuses to shy away from confronting the multifaceted aspects of mental health and the loneliness that can come from sensing one’s own otherness.
The Allure and Bitterness of Biscuit Town
The repeating lines ‘I seem to sink lower, in biscuit town’ echo like a choked siren’s call, pulling the listener into the stagnancy and defeat experienced by the narrator. Biscuit Town doesn’t just refer to a specific place but rather stands as a metaphorical location where dreams and realities crumble, leaving the inhabitants in a perpetual state of sinking.
King Krule’s grooming in the grimy glamour of South London arguably lends to the atmosphere of ‘Biscuit Town,’ embedding in it a gritty texture that is at once specific in its setting but universal in its sentiment. It’s a commonality that many can relate to—feeling submerged in the sediment of one’s own making or societal design.
Navigating the Shallows and Depths of Intimacy
The track subtly juxtaposes the shallow with the profound through the imagery of shallow waters and the deep seabed. This serves not only as a vivid picture of the distance and differences in a relationship but also alludes to the narrator’s depth of feeling and understanding—a depth unperceived or unappreciated by the other.
The lyric ‘I’m the reason you flow’ profoundly expresses the narrator’s sense of being a foundational force in a partner’s life, yet unacknowledged. The surrounding lines entangle the listener in a web of celestial metaphors and earthly dramas, pointing to the complex nature of human relationships, where outer space reflects inner pace.
The Sweet Seduction of Escape and Resignation
Throughout the song, there’s an undercurrent of yearning for release—whether from the confines of a troubling relationship or the broader context of a dispassionate world. The characters within ‘Biscuit Town’ are caught between indulgence and toxicity, depicted through motifs like ‘the taste in her mouth’ and ‘she’s nearly hitting speed cones’.
Even as the song conveys the crumbling district of life and love, it presents a seductive allure to the chaos and a resignation to the loop of destructive behavior. It blurs the line between the sweetness of vices and the bitterness of reality.
‘The Wheelers Dealers’: A Line That Defines an Era
One cannot overlook the song’s striking line, ‘And no more wheelers dealers creeping about.’ This line encapsulates an entire narrative of unwanted presence and influence, painting a sinister element lurking within Biscuit Town. It speaks to the motif of transactional relationships, where human interaction sometimes feels as soulless as commerce.
Yet, it’s in this line that the song suggests a turning point or perhaps an end to such an era—a glimpse of hope or the start of a new chapter free from the leeching hands of the past, despite the shackles of a seemingly inevitable cycle.
Unwrapping the Esoteric Twilight of ‘Biscuit Town’
A duality exists within ‘Biscuit Town,’ lying beneath the bittersweet surface are the silent shouts of profound life queries. The song’s hidden meaning unfolds like an introspective noir narrative where the external world and internal psyche blend into a dark whimsical brew.
The song is less of an anthem and more of a subdued soliloquy—one that resonates with the part of us that resides in the shadows of our own Biscuit Towns. The poignant refrains and allusions give voice to an esoteric experience that doesn’t seek resolution, but rather understanding and coexistence with the paradoxes of the self.
