BLOODMONEY – Deciphering the Duality of Virtue and Vice


You can view the lyrics, alternate interprations and sheet music for Poppy's BLOODMONEY at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Mask of Sanctity: Virtue’s Versus
  5. The Exorcism of Hypocrisy
  6. A Dance with the Devil
  7. Echoes of the Damned: The Song’s Most Memorable Lines
  8. Unveiling the Song’s Hidden Meaning

Lyrics

What do you believe?
When everyone is watching, what do you believe?
What do you believe?
When nobody is watching, what do you believe?

Keep telling yourself that you’ve been playing nice
And go beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ
Keep telling yourself that you’ve been playing nice
And go beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ

I know what it feels like
To have my soul sucked out of my body
I finally know what it feels like
To be dead

Your soul can’t be saved for all the sins you’ve ignored
And the devil is well aware he is adored
Never forget the excess of a man
Because the grabbing hands always grab what they can

What do you believe?
When everyone is watching, what do you believe?
What do you believe?
When nobody is watching, what do you believe?

Keep telling yourself that you’ve been playing nice
And go beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ
Keep telling yourself that you’ve been playing nice
And go beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ
Beg for forgiveness from Jesus the Christ

What do you believe when no one is around?
What do you believe when no one is around?
What do you believe when no one is around?
What do you believe when no one is around?

Full Lyrics

In a landscape of neon-lit electronic beats and dark introspective lyrics, Poppy’s ‘BLOODMONEY’ emerges as a serpentine track that delves deep into the chasm between public piety and personal iniquity. Lingering on the fringe of the pop and nu-metal genres, this single is an audio assault on hypocrisy, a scathing critique of the moral facade often upheld for the world’s gaze versus the personal truths lurking in the shadows.

Delving beneath the surface of her industrial-infused soundscapes, ‘BLOODMONEY’ is more than just an auditory experience; it’s a mirror held up to society’s skewed moral compass. The track begs the listener to confront not just the lyrics spelled out but also the unspoken indictment of an era where image is everything, and substance, unfortunately, seems to play second fiddle.

Mask of Sanctity: Virtue’s Versus

The haunting repetition of ‘What do you believe?’ sets the stage for an inquisition not of the divine but of the self. With everyone watching, the query implies a performative aspect to faith, suggesting we may wear our virtues like armor, shielding our true selves from the world’s judgment.

In contrast, as the eyes turn away, we are left with our own beliefs, unpolished and perhaps unsavory. Poppy does more than insinuate that our true self may be at odds with our public persona; she slices open the idea, laying bare the notion that in solitude, without the need to play a role, we might be strangers to the convictions we loudly announce.

The Exorcism of Hypocrisy

Through a gritty blend of electronic and heavy metal elements, Poppy brings forth the concept of soul-searching by tipping a halo to reveal the horns beneath. The line ‘Your soul can’t be saved for all the sins you’ve ignored’ hits with the force of a gavel, a damning judgment for those who believe their outward actions can absolve their inner transgressions.

The track doesn’t pause there; it digs its claws into the duality of man’s excess and the insatiable nature of greed. ‘Because the grabbing hands always grab what they can,’ not only does it highlight the depths of avarice but also insinuates that the sin lies not in the act but in the excess.

A Dance with the Devil

Poppy sows an uncomfortable truth – flattery towards darkness ultimately empowers it. ‘And the devil is well aware he is adored’ could be taken as a metaphor for society’s infatuation with self-gratification, fame, and power, often at the expense of virtuous living. This adoration breeds an intimacy with the devil, personifying the sins we commit in pursuit of these earthly rewards.

It’s a sharp critique of the culture that romanticizes the ruthless climb to the top, often littered with moral casualties. The singer’s blunt acknowledgment of this adoration serves as a chilling reminder that, to some extent, we all may dance with the devil under the guise of chasing success.

Echoes of the Damned: The Song’s Most Memorable Lines

Lyrics such as ‘Keep telling yourself that you’ve been playing nice’, and ‘go beg for forgiveness from Jesus the Christ’ resonate like mantras for the damned – those adhering to the cultural script of pretended righteousness merely for appearance’s sake. These lines, delivered with a mix of derision and existential dread, insinuate that seeking redemption might be the last refuge for the deceitful.

They paint a picture not just of individuals but of a society begging for absolution without true change – a superficial plea to be scrubbed clean without altering the behaviors that stained their conscience in the first place.

Unveiling the Song’s Hidden Meaning

At first glance, ‘BLOODMONEY’ may seem to rail against personal hypocrisy, yet layers unfold to expose communal deceit and societal self-deception. It is less about individual sin and more about the collective soul of our era, corrupted by the worship of false idols – be they wealth, influence, or even the self.

The song could also be interpreted as a comment on the artist’s personal experiences in the music industry, where sincerity is often second to spectacle, and artists are judged by their ability to sell rather than the authenticity of their art. Poppy, therefore, uses her platform not just to expose but to challenge, questioning the listener’s integrity as much as her own.

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