Bodysnatchers by Radiohead Lyrics Meaning – Unraveling the Veiled Protest in Melody

You can view the lyrics, alternate interprations and sheet music for Radiohead's Bodysnatchers at
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning


I do not
What it is
I’ve done wrong
Full of holes
Check for pulse
Blink your eyes
One for yes
Two for no

I have no idea what I am talking about
I’m trapped in this body and can’t get out
Oh, oh
Oh, oh

You killed the sound
Removed backbone
Pale imitation
With the edges all
Sawn off

I have no idea what you are talking about
Your mouth moves only with someone’s hand up your arse
Oh, oh

Has the light gone out for you?
Because the light’s gone for me
It is the 21st century
It is the 21st century
It can follow you like a dog
It brought me to my knees
They got a skin and they put me in
They got a skin and they put me in
All the lines wrapped around my face
All the lines wrapped around my face
And for anyone else to see
And for anyone else to see

I’m alive

I’ve seen it coming
I’ve seen it coming
I’ve seen it coming
I’ve seen it coming

Full Lyrics

Radiohead has a reputation for crafting songs that are as enigmatic as they are evocative. ‘Bodysnatchers,’ a track from their 2007 album ‘In Rainbows,’ is no exception. This guitar-driven frenzy of sound seems to reflect a struggle against existential dread and the shackles of societal norms.

Thom Yorke’s haunting vocals and the band’s layered instrumentals coalesce into a murky pool of meaning that listeners have been diving into for years. The song’s true essence seems to transcend the bounds of its own verses, teasing the mind with themes of alienation, control, and the loss of identity.

An Electric Shock to the Senses: Dissecting the Sonic Landscape

Opening with a guitar riff that feels like a live wire, ‘Bodysnatchers’ drags you into its frenetic energy without a moment’s hesitation. There’s an urgency in the melody that mirrors the lyrical confusion and sense of entrapment. Amidst this turbulent soundscape, you can almost physically feel the holes full of emptiness that Yorke describes.

The steady build of the track culminates with an all-out assault on the senses that’s not just sonic in nature—it’s a full-on emotional, psychological bombardment. The instrumentation by the likes of Jonny Greenwood and the rest of Radiohead creates a claustrophobic wall of sound, trapping the listener in the very body that Yorke laments being unable to escape.

A Puppeteer’s Dance: Control and Autonomy Lost

The line, ‘Your mouth moves only with someone’s hand up your arse,’ is a telling blow aimed at figures of authority or perhaps the music industry itself. Here, Yorke paints a grotesque picture of ventriloquism that strips away autonomy, suggesting a manipulation so deep that the individual’s voice is no longer their own.

This theme of control, or rather the lack of it, pervades the song. Like a modern-day Faust, the lyrics toy with the idea of being trapped in a transaction where the very essence of self has been forfeited, leaving behind a ‘pale imitation’ of what once was a person with their own thoughts, their own backbone.

The 21st Century Disillusionment: An Epoch of Descent

When Yorke repeats, ‘It is the 21st century,’ he isn’t just stating a fact; he’s mourning the state of a world where humanity seems to be at the mercy of unseen forces, be they technology, politics, or corporatism. The ‘light,’ likely a metaphor for hope or clarity, has seemingly been extinguished.

The repetition becomes a hypnotic incantation, emphasizing the relentlessness of time and the unyielding progression of the century, which brings its own darkness—a world where the technological marvels that were supposed to liberate humanity have instead bound it in new ways.

Wrapped in Lines: The Tangible Marks of an Intangible Prison

The vivid image of lines wrapping around one’s face can be interpreted both literally and figuratively. On a surface level, they may represent age or worry—signs of life’s pressures. Yet, they also evoke a sense of being confined; lines like bars on a prison or a spider’s web, ensnaring the individual.

The phrase suggests visibility and exposure—these marks aren’t just perceived by the self, but by ‘anyone else to see.’ It highlights a vulnerability, the bareness of being on display, judged, and defined by the lines that life, society, and perhaps psychological torment have etched upon us.

Ironically Alive: The Revival Within Bodysnatchers

Despite the overtones of alienation and loss, there’s a sudden, stark assertion: ‘I’m alive.’ Among the song’s more abstract musings, this line arrives like a gasp for air. It is an affirmation, or perhaps a denial, that amidst the chaos and control, there remains a stubborn spark of vitality.

In this declaration, there may lie the song’s hidden meaning—the relentless human spirit. No matter how much one may feel like a ‘skin’ that someone else has been put into, there is still an essence, a core of life, that is vehemently ‘coming.’ In the end, Thom Yorke’s cryptic lyrics leave us pondering, but it is the infectious energy of the song that keeps us coming back for more, searching for the revolution within the melody.

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