Butterfly by Jason Mraz Lyrics Meaning – Unfolding the Wings of Desire
Lyrics
I’m your pole and all you’re wearing is your shoes
You got soul, you know what to do to turn me on until I write a song about you
And you have your own engaging style
And you’ve got the knack to vivify
And you make my slacks a little tight
You may unfasten them if you like
That’s if you crash and spend the night
But you don’t fold, you don’t fade
You got everything you need, especially me
Sister, you’ve got it all
You make the call to make my day
In your message say my name
Your talk is all the talk
Sister, you’ve got it all
You got it all
Curl your upper lip up and let me look around and
Ride your tongue along your bottom lip then bite down and
Bend your back and ask those hips if I can touch
‘Cause they’re the perfect jumping off point
Getting closer to your butterfly
Will you float on by?
Oh, kiss me with your eyelashes tonight
Or Eskimo, your nose real close to mine
And let’s mood the lights and finally make it right
But you don’t fold, you don’t fade
You got everything you need, especially me
Sister, you’ve got it all
You make the call to make my day
In your message say my name
Your talk is all the talk
Sister, you’ve got it all
You got it all, you got it all, you got it all
You got it all, you got it all, you got it all
You got it all, woo, hey baby, uh
You’ve got it all
Doll, I need to see you pull your knee socks up
Let me feel you upside down, slide in, slide out
Slide over here, climb into my mouth now child
Butterfly, well, you landed on my mind
Damn right, you landed on my ear and then you crawled inside
And now I see you perfectly behind closed eyes
I want to fly with you and I don’t want to lie to you
‘Cause I, ’cause I can’t recall a better day
So I’m coming to shine on the occasion
You’re an open-minded lady, you’ve got it all
And I never forget a face
Except for maybe my own, I have my days
And let’s face the fact here
It’s you who’s got it all
You know that fortune favors the brave
Well, let me get paid while I make your breakfast
The rest is up to you, you make the call
You make the call to make my day
In your message say my name
Your talk is all the talk
Sister, you’ve got it all
I can’t recall a better day
So I’m coming to shine on the occasion
Hey sophisticated lady, oh, you got it all
You got it all, you got it all
You got it all, you got it all, you got it all
You got it all, you got it all, you got it all
You got it all, hey! You got it all, woo
You got it all, hey
You got it all
Butterfly, baby, well, you got it all
In the pantheon of modern lyricists, Jason Mraz has cemented his reputation as a craftsman of heartfelt, evocative music. ‘Butterfly’, a track that flutters with sensuality and sophisticated wordplay, is no exception. Straying from the simplicity of romantic serenades, this song drips with the nectar of flirtation and nuanced expressions of desire.
As ‘Butterfly’ hovers through the airwaves, listeners are entranced by the euphonic display of seduction and soulfulness. It’s a dexterous interplay of metaphor and invitation, an auditory dance that captivates the senses. Beneath the surface of its seemingly playful tone, the song carries a profound interpretation of human connection and artistic inspiration.
The Dance of Intimacy: A Lyrical Tango
Mraz opens with a charged invitation, evoking imagery of an abstract dance of intimacy. Referencing a pole, shoes, and eventually the shedding of slacks, there’s a visceral sense of undressing – be it literal or metaphoric – that tempts the imagination. The first verse sets the stage for a private performance where both participants are keenly aware of their roles and the tension between them.
The artist’s use of ‘pole’ not only alludes to physical allure but also suggests a central support to which everything else revolves. Therein lies the duality; it is about the power dynamics of relationships and how lovers can simultaneously be supports and centers of each other’s universes.
Sartorial Seduction: Fashioning Desire
Clothing, or the lack thereof, plays a pronounced role in ‘Butterfly’. It’s a song that understands the power of what covers us and what happens when we choose to uncover. As the second stanza unfolds with the mention of a lady’s style and the resulting tightness in the narrator’s slacks, it speaks to the physical reaction that one’s presence can provoke.
This isn’t just a song about physical attraction, though; it’s also about the intellectual and emotional unraveling that occurs when someone captivates your every fiber. Unfastening slacks could be seen as granting vulnerability and comfort, allowing oneself to be taken by the other’s enthralling essence fully.
Unleashing the Metaphorical Butterfly
The recurring imagery of the butterfly is a compelling metaphor for transformation and ephemeral beauty. It’s no random creature that Mraz has chosen; butterflies symbolize change and evolution. In the context of attraction and love, it could represent the blossoming of feelings or the delicate game of courtship that flutters from one moment to the next.
Lyrically, getting ‘closer to your butterfly’ evokes a desire for nearness and intimacy, of wanting to delve deeper beyond superficial allure to something more substantive and profound. It’s the climax of the song, illuminating the chase and ultimate yearning to connect with one’s partner on a level that transcends the physical realm.
Eternal Echoes: Memorable Lines that Resonate
‘Will you float on by? Oh, kiss me with your eyelashes tonight’ is among the distinct lines that stay with listeners, echoing long after the song concludes. Mraz expertly blends tenderness with sensuous hope, crafting a plea for affection that is delicate as it is passionate.
The mention of ‘kiss me with your eyelashes’ is a poetic expression, distilling passion into its softest, most touching form. It suggests a type of intimacy so fine and gentle; it could be symbolized by the light brush of eyelashes against skin—a whisper of connection that’s almost ethereal.
The Hidden Meanings Behind the Groove
Amidst the sultry surface, there’s a layer of ‘Butterfly’ that extends its reach to the recognition of talent and independence. When Mraz sings, ‘Sister, you’ve got it all,’ he’s acknowledging the woman’s full autonomy and capability. It’s a modern ode to a partner who is viewed not just as a romantic interest but as a whole person with agency and an engaging lifestyle.
The choice of words like ‘sophisticated lady’ and honors her depth, dispelling any notion that this interaction is solely about the narrator’s desire. It’s a consensual exchange of admiration and empowerment, wrapped in the sweet package of a catchy melody and entrancing rhythm.
