Come Up and Get Me – The Climate of Raw Introspection


You can view the lyrics, alternate interprations and sheet music for Death Grips's Come Up and Get Me at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Trapped Within The Mind’s Maze
  5. Courting the Cosmic and the Chaotic
  6. Reckoning with a World of Adversaries
  7. Dissecting the Hidden Meaning Beyond the Rage
  8. Reciting the Lines that Cut the Deepest

Lyrics

My stone wall it’s on dog gaze duct taped to the ceiling
Stucco cave make me illi okay okay feel me
I’m in an eight high abandoned building
No daylight one midnight lamp lit twenty four seven
Murdered out windows two exits
Street or nosedive to the next life in seconds
And suicide ain’t my stallion
So I’m surrounded
Geiger count it not goin’ out shit’s ’bout ta get kamikaze
Fuck a Nazi
When the world comes knocking
Fuck the world fuck this body
Know it won’t be long be now
Feel my nerves wet my brown
Mood in my tomb red moon heavy
Sling jaw shot out the window and yell
Come up and get me

I’m epiphanic amnesia
I’m in Jimmy Page’s castle
I’m off the planet
Echo astral
Final lasso
The Sacto asshole
I’m not down for anything
Fuck around and say anything

My stone wall it’s on dog gaze duct taped to the ceiling
Stucco cave make me illi okay okay feel me
I’m in an eight high abandoned building
No daylight one midnight lamp lit twenty four seven
Murdered out windows two exits
Street or nosedive to the next life in seconds
And suicide ain’t my stallion
So I’m surrounded
Geiger count it not goin’ out shits ’bout to get kamikaze
Fuck a Nazi

Come up and get me
My life is a fuck
Ain’t one thing I don’t hate
Tell me my times almost up
I will say I can’t wait
Put your gun to my head
I’ll blow smoke in your face
Think you got what it takes
Come up and get me

Can’t tell hell in my head
Thirteenth bell am I dead
Or in asylum pill force fed
Lyin’ to myself all by myself
Strapped down to my bed
Tongue cut out the mouth of reason
And chucked off the rivers edge
Think fast is it tear gas or fear masked
By figments of my fragmented mind
Who’s my enemy them or me
Step to me and you’ll die
Grand delusions magnified
Fuck the truth wastes my time
It’s all good bet what’s that
Footsteps on the stairs
Never could rest they’re always there
Who are they? I don’t care
I just know they’re tryin’ to X me
Give a fuck, come up and get me

Full Lyrics

Piercing through the veil of conventional music, Death Grips has always stood as the anomaly in hip-hop, stretching the genre’s limitations with their abrasive sound and visceral lyrical content. ‘Come Up and Get Me,’ a track from their second studio album ‘No Love Deep Web,’ is no exception; providing a glimpse into a psyche under siege, an anthem for those enclosed by the walls of their own trepidation.

This intense number, vividly illustrates a confrontation with the self, the system, and the surreal. It’s a masterclass in lyrical nihilism, drenched in paranoia, anger, and contemplative depth. We shall peel back the layers of this aural enigma, delving into the crevices of each line to uncover the profound narrative that Death Grips expertly weaves.

Trapped Within The Mind’s Maze

The lyrics paint with the imagery of confinement, opening with a reference to a ‘stone wall’ and a ‘stucco cave,’ symbolizing a mental prison McGill finds himself in. The feeling of illness, perhaps a reference to the discomfort of existing within societal structures or his own skin, sets the stage for a track where struggle is omnipresent.

The ‘eight high abandoned building’ with ‘no daylight’ might be perceived as a metaphor for the mind’s labyrinth where escape routes are as daunting as they are definitive. Every line screams of an internal battleground, a place where one’s darkest thoughts echo off the walls with the persistent hum of a ‘midnight lamp.’

Courting the Cosmic and the Chaotic

The anthem skews the celestial, including imagery such as ‘Jimmy Page’s castle’ and ‘<span>astral</span> final lasso,’ weaving grandiose, otherworldly illusion with the song’s motifs of entrapment and chaos. This juxtaposition brings listeners into a quasi-fantasy realm, hinting perhaps that escapism is found not on earth, but in a boundless yet stifling mind.

Echoing through the verses, Death Grips encapsulates a defiance to be ‘down for anything’ or ‘say anything,’ suggesting an existential rebellion. The existential angst rings true for those who find themselves incompatible with, and even repulsive to, the structured narratives of society.

Reckoning with a World of Adversaries

A thread of defiance weaves through ‘Come Up and Get Me,’ encapsulated by the challenge to faceless enemies: ‘Come up and get me.’ This is less an invitation and more a war cry, a brash declaration of war against the nebulous ‘they’ perceived as ever-present threats—whether they be societal expectations, antagonists, or the menacing shadows of one’s own mind.

The line ‘When the world comes knocking — [expletive] the world [expletive] this body’ resonates as a subversive confrontation with mortality. Every utterance exudes the essence of a standoff — with his surroundings, with an oppressive regime symbolized by ‘Nazis,’ or with the looming, specter of death itself.

Dissecting the Hidden Meaning Beyond the Rage

In analyzing Death Grips’ raw outrage, observers might notice the strategically crafted deeper meaning. The song manifests as a personal insurrection, a fight for identity against a system designed to breed conformity and suppress individual thought. The ‘Geiger count’ could be interpreted as the internal ticking, a foreshadowing crescendo of a looming, self-detonation — both metaphorical and potentially literal.

The recurrent theme of kamikaze-style retaliation speaks to the notion of embracing annihilation as a form of resistance. Here, the explosive references might be the ultimate gesture of reclaiming autonomy over one’s destiny, even in the most destructive, disruptive capacity.

Reciting the Lines that Cut the Deepest

‘My life is a [expletive] / Ain’t one thing I don’t hate’—so pits the chorus with a resounding echo of the philosophy of hate over indifference. This reflection extends beyond mere self-loathing; it’s a scathing critique of existence itself. In stark opposition to society’s portrayal of life as precious, Death Grips delivers a sonic discourse on embracing the antithesis.

The line ‘Put your gun to my head, I’ll blow smoke in your face’ encapsulates the album’s audacious essence, marrying the macabre with rebellion. It’s a profound deviation from rap’s traditional bravado, immersing instead in an unadulterated examination of mortality and fortitude in the face of looming violence.

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