Cut Here – Exploring the Haunting Elegy of Missed Opportunities

You can view the lyrics, alternate interprations and sheet music for The Cure's Cut Here at
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. A Lament of Lost Connections: Understanding ‘Cut Here’
  5. The Ticking Clock – ‘Until Later’ That Never Comes
  6. The Dance and the Singer – Symbols of the Irreversible
  7. The Chorus of Regret: ‘I Miss You’ Echoes
  8. The Haunting Ominousness of ‘If Only’: The Song’s Hidden Anguish


“So we meet again!” and I offer my hand
All dry and English slow
And you look at me and I understand
Yeah it’s a look I used to know
“Three long years and your favorite man
Is that any way to say hello?”
And you hold me like you’ll never let me go

“Oh c’mon and and have a drink with me
Sit down and talk a while…”
“Oh I wish I could and I will!
But now I just don’t have the time”
And over my shoulder as I walk away
I see you give that look goodbye
I still see that look in your eye

So dizzy Mr Busy, too much rush to talk to Billy
All the silly frilly things have to first get done
In a minute sometime soon, maybe next time, make it June
Until later doesn’t always come

It’s so hard to think “It ends sometime
And this could be the last
I should really hear you sing again
And I should really watch you dance”
Because it’s hard to think
“I’ll never get another chance
To hold you to hold you”

But chilly Mr Dilly, too much rush to talk to Billy
All the tizzy fizzy idiot things must get done
In a second, just hang on, all in good time, won’t be long
Until later

I should’ve stopped to think, I should’ve made the time
I could’ve had that drink, I could’ve talked a while
I would’ve done it right, I would’ve moved us on
But I didn’t, now it’s all too late
It’s over, over
And you’re gone

I miss you, I miss you, I miss you
I miss you, I miss you, I miss you so much

But how how many times can I walk away and wish “If only”
But how many times can I talk this way and wish “If only”
Keep on making the same mistake
Keep on aching the same heartbreak
I wish “If only”

But “If only”
Is a wish too late

Full Lyrics

In the ebb and flow of The Cure’s eclectic discography, ‘Cut Here’ stands out as a poignant reflection on regret and the human condition. Like a lingering shadow that dances at the edge of our consciousness, the 2001 single encapsulates a narrative that is both deeply personal and universally familiar.

This exploration dares to dive beneath the melancholic waves of the song’s synth-driven melody to unearth the lyrical depth of Robert Smith’s introspective storytelling. The tale of a missed chance and a final goodbye serves as a stark reminder of time’s relentless march and the painful wisdom that often comes too late.

A Lament of Lost Connections: Understanding ‘Cut Here’

At its core, ‘Cut Here’ strings together a tapestry of a forsaken rendezvous. It captures the story of a reunion tarnished by the rush of life, where the protagonist, embodied by Smith, encounters a former confidant. The handshake that begins the encounter represents not just a physical connection lost to time, but also a chasm of emotional disconnect that has widened with the passage of years.

Smith’s vocal delivery is rife with a poignant resignation that colors the track with a hue of inevitable sorrow. The emphasis on ‘too much rush to talk to Billy’ pinpoints our universal guilt of allowing life’s frenetic pace to overshadow the need for heartfelt interaction, leaving us with nothing but the echo of what could have been.

The Ticking Clock – ‘Until Later’ That Never Comes

In what can be described as a sardonic waltz with procrastination, the repeating motif of ‘until later’ in ‘Cut Here’ is a haunting refrain that casts a spotlight on the ironies of postponement. The song reflects the irony that later is a hope that is not always honored, and ‘make it June’ becomes a postponed promise that is eternally delayed.

Smith’s wit in crafting these lines serves as a sharp, incisive commentary on the self-assuredness with which we treat time as an infinite commodity. This delay, a seemingly benign transgressor, becomes the very thief that robs us of the moments we yearn to reclaim in hindsight.

The Dance and the Singer – Symbols of the Irreversible

The evocative imagery of hearing a song and watching a dance taps into the central theme of ephemeral beauty in ‘Cut Here’. These moments tie into the transience of joy and connection which is taken for granted, but once lost, becomes achingly precious.

Such a simple desire encapsulates an entire spectrum of human longing, to relive and cherish the transient pleasures that define our relationships. Through the frame of a dance remembered and a song unsung, Smith expresses a yearning that resonates with the hearer, transporting them to their own troves of forsaken memories.

The Chorus of Regret: ‘I Miss You’ Echoes

As the song culminates into a repeated chorus of ‘I miss you’, the conviction in Smith’s voice is palpable, drilling into the emotional core of loss. The simplicity of this lament highlights its true power. The phrase itself is a stark, raw ribbon tying together the narrative, imprinting the weight of remorse and the finality of absence.

The repetition becomes a mantra, a rhythmic catharsis that allows the pain of regret to exhale into the open, a collective mourning that listeners can’t help but join in, as their own ‘I miss you’s’ rise to the surface of their thoughts.

The Haunting Ominousness of ‘If Only’: The Song’s Hidden Anguish

The concluding verse exposes the crux of ‘Cut Here’, where the torturing ‘if only’ becomes a gaze into the abyss of lost potential. ‘If only’ emerges as the anthem of missed chances, a heart-wrenching eulogy to every opportunity we let slip in the naivety of believing in infinite tomorrows.

These words, freighted with the wisdom of looking back, remind listeners of life’s cruel truth: time is the one path we walk just once. ‘Cut Here’ implores us not only to find solace in our shared experiences of regret but also to heed its warning – to savour the now before it fragments into the painful might-have-beens.

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