Depreston – Unpacking the Suburban Malaise in Modern Australia


You can view the lyrics, alternate interprations and sheet music for Courtney Barnett's Depreston at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Lattes, Savings, and the Suburban Dream
  5. First Impressions and the Ghosts of the Past
  6. A House, Not Just a Structure
  7. The Hidden Meaning: Rebuilding More Than Just Houses
  8. Memorable Lines That Echo in the Hallways of Thought

Lyrics

You said we should look out further
I guess it wouldn’t hurt us
We don’t have to be around all these coffee shops

Now we’ve got that percolator
Never made a latte greater
I’m saving 23 dollars a week

We drive to a house in Preston
We see police arresting
A man with his hand in a bag

Hows that for first impressions
This place seems depressing
It’s a Californian bungalow in a cul-de-sac

It’s got a lovely garden
A garage for two cars to park in
Or a lot of room for storage if you’ve just got one

And it’s going pretty cheap you say
Well it’s a deceased estate
Aren’t the pressed metal ceilings great?

Then I see the handrail in the shower
A collection of those canisters for coffee tea and flour
And a photo of a young man in a van in Vietnam

And I can’t think of floorboards anymore
Whether the front room faces south or north
And I wonder what she bought it for

If you’ve got a
Spare half a million

You could knock it down
And start rebuilding

If you’ve got a
Spare half a million

You could knock it down
And start rebuilding

If you’ve got a
Spare half a million

You could knock it down
And start rebuilding

If you’ve got a
Spare half a million

You could knock it down
And start rebuilding

Full Lyrics

At first listen, ‘Depreston’ may seem like a simple ballad about house hunting in a Melbourne suburb. Yet, Australian indie-rock singer-songwriter Courtney Barnett has a knack for weaving intricate narratives into her music, layers of meaning nestled in laconic vocals and steady guitar strums. ‘Depreston’ is no different—a suburban odyssey that delves deep into the heart of gentrification, existence, and the everyday mundane turned profound.

Dissecting the layers, one finds ‘Depreston’ is more than a story of a couple considering a move for a cheaper lifestyle. It transforms into a poignant commentary on life’s transience and the memories that turn houses into homes, all under the guise of an estate agent’s tour. Barnett’s stoic delivery punctuates the song with an understated emotional heft, making ‘Depreston’ a quiet anthem for a generation pondering the material and the meaningful.

Lattes, Savings, and the Suburban Dream

Courtney Barnett sets the scene with thrift and domesticity, contrasting urban coffee culture against the allure of suburban savings. ‘Depreston’ begins on a light note—the sacrifices of city living versus the practicality of moving. The mention of a percolator and weekly savings paints a picture of suburban pragmatism which underlies much of the song’s initial allure.

The percolator serves as a symbol of self-sufficiency, a life perhaps less glamorous than the latte-sipping cityscape but rooted in a realism that speaks to many struggling with the cost of modern living. Barnett taps into the yearning for simplicity and financial security that propels the narrative forward.

First Impressions and the Ghosts of the Past

In a stark shift from the mundane to the distressing, Barnett’s lyrics abruptly take us from the trappings of the bungalow’s perks to a police scene—jarring first impressions of Preston. This sudden image sets an undercurrent of tension, weaving the personal and the societal into the home’s narrative fabric.

Barnett cleverly uses the phrase ‘first impressions’ to highlight the dichotomy between the observer’s surface level judgments and the deeper, perhaps darker realities of suburban life. ‘This place seems depressing’, Barnett muses, hinting at the layers of life and loss that houses quietly contain.

A House, Not Just a Structure

Underneath discussions of materialism and property features lies Barnett’s most poignant aspect—imbuing the house with personhood. The canisters, the handrail, and the photograph hold the weight of lived experience, culminating in a reflection so tangible that Barnett ‘can’t think of floorboards anymore’.

These artifacts offer a silent testimony to the house’s previous occupant, and with them, Barnett subtly acknowledges the inherent value in the often-overlooked fixtures of life. The handrail in the shower, likely adapted for an aging person, confronts the listener with the unspoken chapters of human vulnerability that each home witnesses.

The Hidden Meaning: Rebuilding More Than Just Houses

As Barnett repeats the option to ‘knock it down and start rebuilding’, the lyrics morph from literal property renovations to metaphorical life choices. ‘Depreston’ then takes on the hidden meaning of reassessment—of one’s life direction, of societal values, and of the recognition that with time everything must be reconstructed, homes and selves alike.

This refrain becomes a haunting meditation on our relationship with change, both personal and collective. The spare half a million represents more than currency; it is the potential energy of a new beginning, the daunting possibility contained in the rubble of the old.

Memorable Lines That Echo in the Hallways of Thought

Among the most resonant lines, ‘I wonder what she bought it for’ evokes the universal question of purpose. In the context of a real estate viewing, it’s a practical curiosity. Yet, Barnett imbues it with a meditative quality that compels listeners to ponder beyond the bricks and mortar to the reasons we seek a place to call home.

‘Depreston’ serves lines like this against a backdrop of poignant melody and monotone delivery, allowing the subtle profundity to linger long after the song ends. Barnett has the unique ability to take the ordinary and render it extraordinary, and in doing so, invites a introspection that reaches far beyond the scope of a suburban house tour.

Leave a Reply

Your email address will not be published. Required fields are marked *

You may also like...