D’Evils – Unraveling the Conscious Haze of Hip-Hop’s Meditative Anthem


You can view the lyrics, alternate interprations and sheet music for Sir's D'Evils at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Evasive Serenity: One Spliff a Day
  5. Between Floating and Flying: The Struggle to Ascend
  6. A Sonic Journey Through Life in Slow Motion
  7. Imagery of Elevation: Breaking Free from Mundanity
  8. The Hidden Meaning: Company and Dreams as Sanctuary

Lyrics

One spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away

Tell me who that nigga if it ain’t me
If it ain’t a party, then it’s finna be
Never had a problem that I couldn’t solve
It must be official if I get involved
Quarter pound of fire burnin’ daily
Harder to remember
Gettin’ harder to remember
I’ve been through enough to drive me crazy
I don’t think my mama’s gonna save me
Maybe I’m not flyin’, but I’m floatin’
If we’re not headed to the top
Where we goin’? Two miles-an-hour
Can you picture me rollin’?
‘Cause life is so much better when
You live in slow motion

Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
(Slow motion)
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away

Pardon me while I elevate
May not be on time, but I’m never late
Blazin’ like the player that you wanna be
Flavor like your baby mama cup of tea
You see the company I’m keepin’ now
Feelin’ like I’m dreamin’
I keep feelin’ like I’m dreamin’
Don’t come around if you don’t be around
I been the man you believe me now

Maybe I’m not flyin’, but I’m floatin’
If we’re not headed to the top
Where we goin’? Two miles an hour
Can you picture me rollin’?
‘Cause life is so much better when
You live in slow motion

Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
(Slow motion)
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away
Ca one spliff a day’ll keep the evil away

Full Lyrics

In the landscape of modern hip-hop, where bravado and opulence often take center stage, SiR’s ‘D’Evils’ emerges as a meditative soliloquy that fuses the contemplative with the chill. The track from the artist’s acclaimed 2018 album ‘November’ offers a nuanced examination of coping mechanisms, self-reflection, and existential navigation through the smoky lens of marijuana-induced tranquility.

Beyond its hazy beat and soothing melodies, the song’s repetitive mantra-like chorus becomes a cipher concealing layers of meaning. Like the gentle unfurling of smoke, ‘D’Evils’ delivers its wisdom in ethereal waves, prompting listeners to dive deeper into the narrative SiR weaves with melodic threads that bind together a tapestry of lyrical complexity.

The Evasive Serenity: One Spliff a Day

The central refrain of ‘D’Evils,’ ‘Ca one spliff a day’ll keep the evil away,’ operates both as a grounding motif and a suggested antidote to the unnamed ‘evils’ the song subtly hints at. On one level, it’s an easy nod to cannabis culture and its reputed calming effects. On another, it points to the daily rituals we all adopt to stave off the creeping anxieties of our lives.

This chant-like chorus invites a state of introspection, urging the listener to question what ‘evils’ they are warding off in their own lives. SiR doesn’t preach; instead, he offers a shared experience—a communal inhale and exhale that unites listeners in a common yet intimate struggle against inner demons.

Between Floating and Flying: The Struggle to Ascend

In ‘D’Evils,’ SiR captures the tension between ambition and contentment, questioning the direction of one’s journey with, ‘Maybe I’m not flyin’, but I’m floatin’/If we’re not headed to the top, where we goin’?’ There’s an acknowledgment of progress without the heady rush of rapid ascent—the ‘two miles-an-hour’ pace that underscores a measured, reflective approach to success.

Here, SiR sketches a character deeply aware of their own movement through life, cautious of the destination but curious about the path. The artist examines the concept of movement not as an objective metric measured by external standards but as a subjective experience valued by inner peace and understanding.

A Sonic Journey Through Life in Slow Motion

‘Cause life is so much better when/You live in slow motion’ is not just a memorable line; it’s SiR’s ode to mindfulness amidst the background noise of haste and urgency that defines modern living. The song’s tempo, akin to a leisurely cruise, reinforces this message, casting a hypnotic spell that induces the listener to slow down mentally even if they can’t physically.

‘D’Evils’ extends an invitation to savor each moment and thought, to dwell in the details that faster lives overlook. SiR’s proposition is an attractive one: a world where patience is not a lost virtue but a savored quality that enhances our perception and appreciation of the journey.

Imagery of Elevation: Breaking Free from Mundanity

‘Pardon me while I elevate’ is not just a statement of SiR’s physical state but also an expression of his aspirations to transcendence. Elevation here suggests a detachment from the petty and mundane, an acknowledgment that growth—personal, spiritual, or creative—requires a certain distance from earthly concerns.

These lines paint the picture of an artist in a constant state of ascension, albeit on his own terms and in his own time—’May not be on time, but I’m never late.’ SiR recognizes the individualistic nature of success and elevation, implying that there’s no universal timetable for reaching one’s zenith.

The Hidden Meaning: Company and Dreams as Sanctuary

In ‘You see the company I’m keepin’ now/Feelin’ like I’m dreamin’,’ SiR subtly touches on the influence of surroundings and the people one chooses to keep close. The dream-like state may be an allusion to his cautious distancing from past associations or circumstances that might have been in discord with his current path.

The subtext is a suggestion that who you surround yourself with can either contribute to the ‘evils’ or be part of the ritual that keeps them at bay. In this introspective moment, the artist acknowledges the value of fostering a supportive network—a sanctuary wherein one can float without the gravity of negativity pulling them down.

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