Escort – The Unspoken Translation of Desire and Deception


You can view the lyrics, alternate interprations and sheet music for Chase Atlantic's Escort at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Dissecting Shadows: A Journey Through the Darkest Roads
  5. In the Arms of Commerce: The Economy of Affection
  6. A Luminescent Lie: The Allure of Free Love
  7. Circling Vultures: The Weight of Old Ghosts and New Greeds
  8. The Drifting Dream: Escaping the Chains of Reality

Lyrics

She’s been down the darkest roads
She’s been all alone, yeah
Strangers seem to come and go
Helps her business grow, yeah
Daddy didn’t want your love
He fucked you up
He lost your love
He took your heart, yeah, yeah
She put a price on that body
You want it, you pay it, yeah, yeah
A trip to Dubai or Miami
Just so she can lay up, yeah, yeah

Well, business is business
And girl, I know you’re on your way up
Baby, wait up
If you’re gonna fuck him for money
Make sure he don’t play up

She said
Baby, come and work for me
I can give you love for free, yeah
Baby, come and work for me
I can give you love for free, yeah
You’re doing acrobatics with your body
Let the money fall like those leaves, yeah
You told me that you’re done with this life
But your friends all disagree, yeah, oh-oh

I can give you love for free, yeah, yeah
She said, “Babe, I can give you love for free,” yeah, yeah
She said, “Yeah, I can give you love for free,” no-no, oh, yeah
Girl, I got what you need, no, oh-oh

The penthouse we rented
Said, “I love you,” I meant it
The view was expensive
So you show me affection
And I knw you stuck in your ways
Usually wanna get paid
Usually nothing to say
Usually grams to the face, but
Old friend, new friend
Where the fuck’s the balance? Yeah
Backstabbing, black hearts
Followed you from Dallas, yeah

But business is business
And girl, you know you’re on your way up
Baby, wait up
If you’re gonna fuck him for money
Make sure he don’t play up

She said
Baby, come and work for me
I can give you love for free, yeah
Baby, come and work for me
I can give you love for free, yeah
You’re doing acrobatics with your body
Let the money fall like those leaves, yeah
You told me that you’re done with this life
But your friends all disagree, yeah, oh-oh

I can give you love for free, yeah, yeah
She said, “Babe, I can give you love for free,” yeah, yeah
She said, “Yeah, I can give you love for free,” no-no, oh, yeah
Girl, I got what you need, no, oh-oh

Driftin’ away
Driftin’ away
She’s sick of this place
New man every day
She wants a new life to live
She wants to feel safe, yeah

Driftin’
One needle is enough to make a difference
She needs me more than love
She needs commitment
I’ll sail you away, babe
Let’s fuck off this place, yeah
And we could keep on driftin’

Driftin’
Driftin’
Driftin’
Yeah

Full Lyrics

Chase Atlantic’s ‘Escort’ is not just another entry into their discography; it’s a foray into the labyrinth of human vulnerability and the complexity of transactional relationships. The track’s hypnotic beat and seductive lyrics draw a fine line between empowerment and exploitation, nuanced by the voices of those who have traversed the darkest roads of intimate commerce.

As the song weaves through the facets of desire wrought from pain and the economy of affection, the Australian trio force listeners to confront uncomfortable truths. Through analysis of the song’s poignant lyrics, we unearth a deeper narrative — one where liberation mingles with confinement, and where love is, paradoxically, both expensive and free.

Dissecting Shadows: A Journey Through the Darkest Roads

The opening lines set a tone of isolation and abandonment – familiar themes for many souls who find themselves at the margins of society’s romantic landscapes. The protagonist’s story begins with a grim backdrop, alluding to a past where love was expected but denied, tracing the path that led her to assign a price tag to her affection.

This points to a deeper examination of how familial relationships, or the lack thereof, can dictate the routes we take, often determining the value we place on ourselves and the way we search for validation through the gaze of strangers.

In the Arms of Commerce: The Economy of Affection

Chase Atlantic doesn’t just sing about the physicality of the escort’s work; they highlight the business-like nature of her intimacy. The lyrics ‘Well, business is business and girl, I know you’re on your way up’ emphasize her agency within her profession. Yet, they also serve to remind her (and the listener) of the inherent risks involved when emotions intertwine with transactions.

In recognizing her ambitions to ascend beyond her current position, the song grapples with the notion of love as a luxury purchased and the inherent conflict when the personal becomes commodified.

A Luminescent Lie: The Allure of Free Love

The refrain ‘I can give you love for free,’ when juxtaposed with the protagonist’s livelihood, becomes an ironic anthem. It provokes a question about the authenticity of love within a dynamic that is inherently transactional, even predatory at times.

By repeating this promise, the song hints at a desire for genuine connection that remains unfulfilled. It portrays the hidden pain behind the façade of control in choosing who to love, and at what price.

Circling Vultures: The Weight of Old Ghosts and New Greeds

The third verse of ‘Escort’ dives into the emotional depths of the narrator’s life — the luxury of the penthouse, the confession of love. But it also alludes to a darker world of ‘backstabbing’ and ‘black hearts.’

In referencing the protagonist’s past, particularly the ominous figures ‘Followed you from Dallas,’ the song depicts a struggle to move forward, to find equilibrium between the allure of wealth and the need for emotional sincerity.

The Drifting Dream: Escaping the Chains of Reality

As the song reaches its climax, the recurring theme of ‘drifting’ emerges as both a metaphor for detachment and an expression of a yearning to be free. The escort dreams of a life removed from her current realities, an existence where her safety and desire to be loved are no longer pawns in a game of survival.

In the stark realization that ‘one needle is enough to make a difference,’ there is a plea for something more substantial than physical love — a need for commitment that goes beyond temporary escape.

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