Gimme The Mic by Limp Bizkit Lyrics Meaning – Deciphering the Call for Authenticity in Nu Metal


You can view the lyrics, alternate interprations and sheet music for Limp Bizkit's Gimme The Mic at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Hold up
It’s the motherfuckin’ concrete, suicidal nightshift
Loaded with a vice grip, poppin’ all you copies who keep waterin’ down shit
Thinking you can rap with that artificial outfit
Your baggy pants and your bottle of crack hits

Fuck all of that shit
Fuck all you posers, let go of the mic, kid
And step into a world that you never seen
When I’m fiendin’ for a microphone, I’m a microphone fiend

Bring on the motherfuckin’ cutthroat, territorial piss off
Spit the deadly and ready for lift-off
Who’s getting their shit tossed?
Is it the one kid running his mouth that he’s sucking his thumb with?

You’re damn straight I’ll put it right in ’em
No anti-venom for the buck-buck
See a world that you never seen
When I’m fiendin’ for a microphone, I’m a microphone fiend

Gimme a motherfuckin’ mic, y’all, gimme a mic, y’all
Gimme a mic so I can rock it right, y’all
I’m out of sight, y’all, I’m out of sight, y’all
I’m out of sight when I’m blowin’ up the mic, y’all
You know it
You know it

Hold up
Check out the motherfuckin’ TV
The same songs, same bands everyday, fuck that
I’ll blow those motherfuckers away
You wantin’ to hear some
Heavy ass metal that can penetrate deep into your ear drums?

Turn it up, motherfucker
Turn it up, motherfucker
Turn it up
And step into a world that you never seen
When I’m fiendin’ for a microphone, I’m a microphone fiend

Gimme a motherfuckin’ mic, y’all, gimme a mic, y’all
Gimme a mic so I can rock it right, y’all
I’m out of sight, y’all, I’m out of sight, y’all
I’m out of sight when I’m blowin’ up the mic, y’all
You know it
You know it

It’s a crazy, crazy world playin’ crazy, crazy shit
On this crazy radio, I’m really sick of it
I’m a crazy, crazy man with a crazy, crazy plan
To destroy all you crazy ass wannabe ba-ba-ba-bands, ha-ha

Gimme a motherfuckin’ mic, y’all, gimme a mic, y’all
Gimme a mic so I can rock it right, y’all
I’m out of sight, y’all, I’m out of sight, y’all
I’m out of sight when I’m blowin’ up the mic, y’all

Gimme a mic, y’all (yeah), gimme a mic, y’all (yeah)
Gimme a mic so I can rock it right, y’all (yeah)
I’m out of sight, y’all (What?), I’m out of sight, y’all (What?)
I’m out of sight when I’m blowin’ up the mic, y’all
You know it

Full Lyrics

In the hyper-charged track ‘Gimme The Mic,’ Limp Bizkit proclaims a raw manifesto demanding the return of true artistry to the music scene, particularly in the realm of metal and hip-hop. Frontman Fred Durst bellows a visceral cry for authenticity, crafting a battle cry that resonates with the frustrated listener.

As a juggernaut of the nu metal genre, Limp Bizkit uses this song to both reflect on the state of the music industry and to assertively make its place within it. The lyrics serve as a blunt instrument, swinging at the manufactured and diluted sounds polluting the airwaves, while also revealing a deeper yearning for artistic integrity.

Unmasking the Posers: A Rallying Cry for Authenticity

‘Gimme The Mic’ serves as a brash denunciation of what Durst views as the faux musicians that have infiltrated the industry. The lyrical assault targets those ‘copying’ and ‘watering down’ the scene, indicating a palpable contempt for mass-produced music.

Limp Bizkit channels the frustrations of many fans who feel alienated by the cookie-cutter bands that filled airwaves during the turn of the millennium. By choosing frank language and aggressive delivery, Durst positions himself as a guardian of the pure form of expression that music once was, adamantly excluding pretenders.

The Passionate Plight of the ‘Microphone Fiend’

Durst’s self-identification as a ‘microphone fiend’ is pivotal in understanding the depth of his dedication to the craft. The term reminisces Rakim’s own use in hip-hop—an acknowledgment of an artist’s undying thirst to express and perform.

This tracks serves not just as a platform for denigration of Durst’s contemporaries but as a self-reflective journal entry testifying to his raw need to create, to exist substantively within a domain cluttered with the inauthentic.

Amplifying the Outcry Against Radio Monotony

Durst’s lament extends to the mediums which perpetuate musical monotony. By aiming squarely at ‘the motherfuckin’ TV’ and ‘crazy radio,’ he spotlights the complicity of music channels and radio stations in endorsing a bland, repetitive soundtrack to modern life.

It’s more than a tirade against individual artists—it’s an impassioned critique of the system that upholds certain voices while silencing the diverse, the unique, and the genuine. The call for volume, ‘Turn it up, motherfucker,’ is a literal and metaphorical plea to amplify those neglected frequencies.

Decoding the Pinnacle Lines: ‘Gimme the Mic’

The chorus, a simple and direct request—’Gimme the mic’—becomes a profound statement under Durst’s raw delivery. It underscores the foundational need for expression and recognition within the marketplace of music, advocating for an artist’s right to represent their unfettered selves.

When stripped of its explosive surrounding context, the phrase also stands as a universal demand for opportunity. The desire to ‘rock it right’ is shared by many, and Durst’s growling solicitation seems to tap into that communal hunger for the chance to prove one’s worth.

Unveiling the Song’s Secret: A Call to Arms for the Fans

At first listen, ‘Gimme The Mic’ may come off as self-aggrandizing or egoistical. But the hidden meaning within these potent verses isn’t just about Limp Bizkit’s own claim to the mic—it’s a call to arms for listeners to demand more from their music heroes, and perhaps, to become heroes themselves.

The resonance it finds in its audience speaks to a shared experience—a collective tiredness of the banal and a yearning to restore a sense of danger and excitement to music. Durst’s lyrics invite fans to join the fight, not as passive consumers, but as active participants in the shaping of their sonic landscape.

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