GOOD BOY – Unraveling the Anthem of Dual Persona


You can view the lyrics, alternate interprations and sheet music for GD X TAEYANG's GOOD BOY at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Duality of a ‘Good Boy’: Unmasking the Persona
  5. Defying Public Opinion: A Manifesto for Authenticity
  6. The Sartorial Metaphor: Dressing the Partition of Personality
  7. Fairy Tales and Good Boys: Analysing the Dreamy Imagery
  8. Echoing Ad Libs and Memorable Lines: The Infectious Hook That Speaks Volumes

Lyrics

Put your hands in the air
How y’all feeling out there
We gon’ party over here
modu gati sing it let me hear you say
La la la la la la la la la la la la la la la la
La la la la la la la la la la la la la la la la la
I am a good boy I am a good good I am a good boy
eodil gana jureul seo yeojadeureun nal bomyeon nune bureul kyeo
najeneun lil hamster but, bame sarangeul nanul ttaen gangster
dajeong dagamhan nunbit (jayeonseureoun skin ship) neon umjjil heumchit halgeol
nega mwol wonhaneunji mal an haedo dwae gudi nunchiro da ara
Eh eh eh bogiwaneun dareuge
I don’t play play play neol gajgo jangnan an hae
saramdeureun malhae na gateun namjareul josimharago
neomu mitji mara bonamana ppeonhadago
What you know about me nega nal anyago
I am a good boy I am a good good I am a good boy
Everyday fresh han ot charime banjeondoeneun simhan naccgarim
daman saljjak jisneun nunuseume juwi saramdeul eoreo jugeum
but I don’t really care and I don’t need that
(nan neoman isseumyeon dwae naege gidae)
ige geimiramyeon yet I’m a player and you could be my coach (love affair)
Eh eh eh bogiwaneun dareuge
I don’t play play play neol gajgo jangnan an hae
saramdeureun malhae na gateun namjareul josimharago
neomu mitji mara bonamana ppeonhadago
What you know about me nega nal anyago
I am a good boy I am a good good I am a good boy
Hey nawa gati chumeul chwo bam saewo donghwa gateun kkumeul kkwo
Hey nan baekma tan wangja neoneun gudureul ilheobeorin eoyeoppeun nangja
baby where u at nae soneul jaba wiheomhanikka
where u at neol haneullo deryeoga jul tenikka
Put your hands in the air
How y’all feeling out there
We gon’ party over here
modu gati sing it let me hear you say
La la la la la la la la la la la la la la la la
La la la la la la la la la la la la la la la la la
I am a good boy I am a good good I am a good boy

Full Lyrics

A power-packed collaboration between two luminaries of Korean pop music, G-Dragon and Taeyang, ‘GOOD BOY’ is not just another dance track designed to get the party started. On the surface, its infectious beats and catchy chorus make it an instant club banger, but beneath the pulsating rhythms and slick production lies a lyrical depth that speaks volumes about self-identity and societal perceptions.

Through ‘GOOD BOY,’ GD X TAEYANG serve up a heady blend of confidence and critique, pushing listeners to look beyond the facade of what it means to be a ‘good boy’ in the eyes of the world. This article peels back the layers of the hit single, diving into the song’s deeper meaning while also celebrating its ability to make the crowd go wild.

The Duality of a ‘Good Boy’: Unmasking the Persona

At first glance, ‘GOOD BOY’ reads like the self-assured anthem of two young men who know their worth and aren’t afraid to show it. Yet, upon further inspection, the lyrics reveal a narrative of contrast—between the ‘lil hamster’ by day and the ‘gangster’ by night. This lyrical dichotomy embodies the struggle of maintaining a squeaky-clean image to satisfy societal standards, while also possessing a bolder, edgier side that demands expression.

The careful balancing act described in the song resonates with a universal human experience—the sides we show the world versus the identities we reveal in more intimate settings. As G-Dragon and Taeyang suggest, neither side is less authentic; they are simply different aspects of self, coexisting within one person.

Defying Public Opinion: A Manifesto for Authenticity

‘Put your hands in the air, how y’all feeling out there?’ The call to embrace the moment reflects not only the party spirit but also a more profound message of breaking free from public opinion. GD and Taeyang croon about being good but defy the peanut gallery that urges caution around ‘guys like them.’ The pair rejects the labels and assumptions cast upon them, asserting their authentic selves against the backdrop of judgment.

This rebellious stance against preconceived notions is a powerful reminder that true goodness cannot be confined to a singular interpretation. GD X TAEYANG implore the listener to reconsider what they think they know about them—a declaration that one’s character is not for society to dictate.

The Sartorial Metaphor: Dressing the Partition of Personality

‘Everyday fresh han ot charime banjeondoeneun simhan naccgarim,’ which translates to ‘every day with fresh clothes, the stylist dresses me deep,’ dives into how external appearance can often reflect and mask inner complexities. The references to pristine outfits and impeccable style are not mere vanity but rather a metaphor for the layers of personality that the public consumes.

This verse highlights the fashion-forward image often associated with K-pop idols, all while subtly nodding to the intricate dance between private truth and public persona. For G-Dragon and Taeyang, style is a means of expressing identity—a way to stand out and make a statement.

Fairy Tales and Good Boys: Analysing the Dreamy Imagery

In one of the most evocative vignettes of the song, GD likens himself to a ‘white knight’ while calling his love interest a ‘lost, pretty fairy.’ This fantastical imagery serves a dual purpose—that of elevating the song’s dream-like quality and underscoring the irony of the good boy image. The line ‘Hey, dance with me all night, dream a dream like a fairy tale’ is both an invitation to revel in escapism and a commentary on the unattainable standards fairy tales often set.

The song proposes a whimsical, chivalrous façade that both G-Dragon and Taeyang adopt, hinting that the notion of being a ‘good boy’ might be as much of a fantasy as the fairy tales themselves. It’s a clever twist that plays with listener expectations, blending the mythical with the modern.

Echoing Ad Libs and Memorable Lines: The Infectious Hook That Speaks Volumes

The simple yet profound repetition of ‘La la la la la,’ alongside ‘I am a good boy’ serves as the song’s heartbeat, pulsating through its narrative. While these lines provide an easy-to-remember hook, they also stand as an emphatic statement of identity that refuses to be simplified or shrugged off.

Every utterance of ‘I am a good boy’ is a reclamation of the phrase, a repudiation of the ‘good boy’ stereotype. It’s an assertion of goodness that exists on their own terms, free from the molds formed by society’s hand. In this way, ‘GOOD BOY’ transcends being just another party track—it becomes an anthem for anyone grappling with the multifaceted nature of their identity.

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