help_urself – Unraveling the Layers of Emotional Odyssey


You can view the lyrics, alternate interprations and sheet music for Ezekiel's help_urself at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. A Siren’s Call from the Depth of Despondency
  5. Chasing the Sun, Running from Shadows
  6. The Hidden Meaning Behind ‘A Broke Life in a Cell’
  7. Memorable Lines That Echo in Silence
  8. Stay in, don’t help_urself: The Cry for and against Salvation

Lyrics

I hate you tho
We gon make this work thru
Gone broke again off the dro
Headaches when I’m coming home
When the suns out I’m gone
Mistakes on someone
Getting tired of being had
They’re getting tired of me being sad
Bottom of the lake in a bag
I feel it’s time now
Any day
Been a while since felt this way
Under skin and the flesh decay
Bout time someone took my place
In this time I met my self
It’s a broke life in a cell
Stay in don’t help yourself

Full Lyrics

In an era where music serves as both a collective sigh and a personal whisper, Ezekiel’s ‘help_urself’ stands as a testament to the complexities of the human spirit. Intertwining lo-fi aesthetics with raw lyrical confessions, the artist brings to the fore an intimate exploration of self-acceptance and the tortuous road to emotional solvency.

As listeners peel back the song’s deceptively simple exterior, they are greeted with an intricate tapestry of pain, resilience, and the paradox of healing where the pursuit for help is both a solitary and a shared war. Let’s dive into the chasms of ‘help_urself’ and discover the hauntingly beautiful truths stitched within every verse.

A Siren’s Call from the Depth of Despondency

The chilling opening line, ‘I hate you tho,’ speaks volumes, setting a hauntingly conflicted tone right from the get-go. Ezekiel encapsulates the essence of a troubled relationship where resentment and desire, dysfunction and dedication coexist in a delicate, toxic ballet.

As the song unfolds, we’re drawn into an all-too-familiar struggle for those grappling with internal chaos: the cyclical nature of self-destructive behaviors symbolized by ‘Gone broke again off the dro’. It’s not just about financial ruin, but about the cost to one’s soul when seeking solace in ephemeral escapes.

Chasing the Sun, Running from Shadows

Our protagonist is elusive, ‘When the suns out I’m gone,’ evoking a visceral longing for light and warmth that’s always on the move. Yet, in their pursuit, they’re perpetually chasing the horizon, escaping a past that hides in the crevices of their fleeting joy.

The song taps into the universal human urge to rectify ‘Mistakes on someone’, the innate desire to find a scapegoat for our own lapses. Ezekiel artfully brings forth the complexity of seeking forgiveness, both from oneself and others, amidst the ebb and flow of life’s trials.

The Hidden Meaning Behind ‘A Broke Life in a Cell’

At the core of ‘help_urself’ lies an allegorical prison that Ezekiel constructs with haunting precision—the portrayal of being ‘trapped’ by one’s own emotional predicaments. ‘It’s a broke life in a cell’ can be interpreted as both a physical and psychological incarceration resulting from one’s battles with adversity.

The phrase demands introspection. It prompts the listener to ponder on the paradox of self-imprisonment where the key to freedom lies within, yet remains tantalizingly out of grasp. Here, Ezekiel handles the theme of self-help with a piercing duality—suggesting that solace and self-destruction are neighbors in the human psyche.

Memorable Lines That Echo in Silence

‘Bottom of the lake in a bag’—this chilling metaphor is laden with despair and the finality of giving up the ghost. Ezekiel navigates the nuanced realms of defeat, where abandonment of hope feels like the only logical conclusion to an exhausting journey.

‘In this time I met my self,’ he continues, divulging a moment of painful clarity amid disarray. It is within the desolate lyrical landscape that the song plants a seed of paradoxical optimism, whispering that only in our darkest hour do we truly encounter ourselves.

Stay in, don’t help_urself: The Cry for and against Salvation

In a provocative turn of phrase, Ezekiel seems to underscore the futility and necessity of seeking redemption in equal measure with ‘Stay in don’t help yourself’. The artist paints an intimate portrait of grief’s inertia where movement—either towards doom or deliverance—is a siren song wrapped in the fog of weariness.

In this solemn ending note, ‘help_urself’ converges into a battleground of wills, a statement that sometimes, the heaviest act is to hold oneself still in the face of turmoil. The simplicity and complexity of Ezekiel’s words resonate, sparking conversations within our own silent reveries.

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