Hobgoblin by CLC Lyrics Meaning – The Spellbinding Hooks of K-Pop’s Daring Conjurers
Lyrics
We are CLC
금 나와라 와라 nope
은 나와라 와라 nope
너 나와라 와라
뚝딱 nice
금 나와라 와라 nope
은 나와라 와라 nope
얼른 나와봐라
뚝딱 yes yes
똑똑 자 나와봐라
한번 바라봐
안 넘어오나 봐
쟤는 나 몰랐나 봐
이젠 잘 찾아봐라
내가 여기 챙길 것
다 챙겨 갈란다
와락 데리고 갈란다 너
네가 내 속을 아니 아니
내가 네 맘을 보니 oh
하루 이틀도 한두 번도 뭐
아닌 걸 새삼스레 놀라고 그래
배려 없는 나의 몸매 눈빛에
모든 시선이 멈추지 (멈추지)
근데 근데 너만 몰라 왜
너도 날 원하잖아
그만해요 다 알고 있어요
괜히 아닌 척 마요
듣고 있나요 나타나봐요
[승희/손] 나를 봐줘요
사실 조금 불안해요 나
너무 오래 걸리잖아요
[손/승희] 당장 날 데려가
빨리 나와라
금 나와라 와라 nope
은 나와라 와라 nope
너 나와라 와라
뚝딱 nice
금 나와라 와라 nope
은 나와라 와라 nope
얼른 나와봐라
뚝딱 yes yes
날 좀 바라봐라
이거 튕기는 거 봐라
와락 안아줄게 너
자꾸 말 안 들어 너
날 좀 바라봐라
더는 센 척하지 마라
이따 후회하지
너 좀 더 놀아봐라 너
아직 몰라 너는 진짜 내 모습을 다
보여줄게 아직 너무나도 많은 걸
내 맘 모른 채 내게 숨지마
더 이상은 기다릴 수 없어 들어와
황홀하게 나를 보는 눈빛에
내 심장이 또 멈추지 (멈추지)
근데 근데 너만 몰라 왜
보여 널 원하잖아
그만해요 다 알고 있어요
괜히 아닌 척 마요
듣고 있나요 나타나봐요
[승희/손] 나를 봐줘요
사실 조금 불안해요 나
너무 오래 걸리잖아요
[손/승희] 당장 날 데려가
빨리 나와라
금 나와라 와라 nope
은 나와라 와라 nope
너 나와라 와라
뚝딱 nice
금 나와라 와라 nope
은 나와라 와라 nope
얼른 나와봐라
뚝딱 yes yes
날 좀 바라봐라
이거 튕기는 거 봐라
와락 안아줄게
너 자꾸 말 안 들어 너
날 좀 바라봐라
더는 센 척하지 마라
이따 후회하지
너 좀 더 놀아봐라 너
조금 더 확 변화를 줘볼까
다가가 와락 안아버릴까
한번 더 좀 확실하게 가볼까
망설일 것 없이
화끈하게 놀아봐
Umma
금 나와라 와라 nope
은 나와라 와라 nope
너 나와라 와라
뚝딱 nice
금 나와라 와라 nope
은 나와라 와라 nope
얼른 나와봐라
뚝딱 yes yes
날 좀 바라봐라
이거 튕기는 거 봐라
와락 안아줄게
너 자꾸 말 안 들어 너
날 좀 바라봐라
더는 센 척하지 마라
이따 후회하지
너 좀 더 놀아봐라 너
CLC’s ‘Hobgoblin’ is a chiaroscuro; a song that dances along the lines of audacity and sensual invocation. At its surface, this track seems to be another electric addition to the vibrant K-pop universe, but beneath the pulsating beats and provocative lyrics lies a deeper narrative—one of liberation, empowerment, and the transformative power of bold self-expression.
While fans revel in the addictive chorus and visceral visuals attached to the Hobgoblin era, a single scratch below the lacquered surface reveals an introspective look at personal growth and the feminine zeal to control one’s own narrative in the face of societal expectations. Let’s venture into the bewitching world of CLC’s ‘Hobgoblin’ and unearth the hidden meanings and memorable lines that elevate this track to a sorcerous spell of modern femininity.
Summoning Confidence: A Mantra of Self-Assuredness
The repeating lines ‘금 나와라 와라 nope 은 나와라 와라 nope 너 나와라 와라,’ which liken to a chant for gold and silver to appear, are remarkably symbolic. They are a rejection of material allure, a manifestation of the members’ desire for something—someone—real and substantial. Emphasizing ‘nope’ after calling for gold and silver, the members signal their disdain for the superficial. However, when calling for ‘you,’ the words change to ‘뚝딱 nice,’ indicating that the meaningful presence of another trumps any opulent temptation.
It’s this indomitable confidence that sets ‘Hobgoblin’ apart. The lyrics do not beg; they command attention. These commanding phrases become modern-day incantations for young people everywhere to call forward their own confidence and to eschew the deceitful shine of false desires in favor of authentic connections. ‘Hobgoblin’ is a catalyst for listeners to embrace their own magic within.
Dancing with the Duality: The Seduction of Alter-Egos
One of the song’s most gripping dynamics is the flirtation with dual identities. In folklore, a hobgoblin can be mischievous or benevolent—a duality that CLC embodies as they waver between playful teasing and outright assertiveness. ‘날 좀 바라봐라 이거 튕기는 거 봐라,’ translates to ‘look at me, see how I’m playing hard to get.’ Here, CLC presents an image of allure and unattainability, an intriguing game of cat and mouse that teases the listener’s interest.
This calculated reveal is strategic and symbolizes more than just a romantic chase; it’s about controlling how one is perceived. CLC’s members decide when and how to show their true selves, mirroring the power many young adults seek—to reveal their authentic selves on their own terms in an era where images are often carefully curated.
The Hidden Meaning: Empowerment in Agency
Beneath the bombast and bass is a potent message of feminine empowerment. The repeated ‘nope’ to gold and silver can also be seen as a strong refusal to conform to material desires that society often dictates women to value. ‘Hobgoblin’ isn’t just aggressive and playful—it’s an anthem for women taking control of their destiny, rejecting prescribed roles, and setting their sights on what they truly desire.
In the reclamation of power through the metaphor of a ‘hobgoblin,’ CLC subverts expectations. They are not the fairytale damsels or docile creatures often depicted in media but instead, take on a character that is formidable and unyielding. They own their narrative, their desires, and in doing so, invite their listeners to do the same.
Magnetic Verses: The Lines That Stick
The track is brimming with lyrics that hook themselves into your consciousness and won’t let go. ‘배려 없는 나의 몸매 눈빛에 모든 시선이 멈추지,’ translates to ‘With my body and gaze that lack consideration, all attention stops.’ CLC dares to celebrate their sensuality unapologetically, and with that line, they capture the raw essence of taking pride in one’s body and the power it wields.
Another unforgettable line is, ‘조금 더 확 변화를 줘볼까 다가가 와락 안아버릴까,’ deliberating whether to show more drastic change or to embrace freely, suggesting a playful yet fierce willingness to transform and defy norms. These lines resonate as they encapsulate the essence of stepping into power and abandoning hesitation—an invitation to the listener to do the same and play by their own rules.
The Visual Symphony: Beyond the Lyrics
The potency of ‘Hobgoblin’ isn’t confined to its sonic landscape—the accompanying visuals in live performances and the music video contribute to the full-bodied experience that CLC offers. The choreography is as spellbinding as the lyrics, with movements that are sharp and commanding, perfectly mirroring the assertiveness of the track.
This visual portrayal of ‘Hobgoblin’ completes the narrative, reinforcing the message of transformation and dominance. The members of CLC adopt an almost otherworldly charisma, which, combined with the assertive lyrics and hypnotic beats, makes for a performance that is both intoxicating and empowering—a true celebration of the control one has over their own allure and presence.
