INFATUATION by BROCKHAMPTON Lyrics Meaning – Dissecting the Layers of Infatuated Emotion


You can view the lyrics, alternate interprations and sheet music for BROCKHAMPTON's INFATUATION at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

You fired, you fired (For Joie!)
Shawty shot, shawty, shawty shot, shawty, shawty shot
Shawty shot, shawty, shawty shot, shawty, shawty shot
Shawty shot, shawty, shawty shot
Shawty shot me out the atmosphere, well this one year
I was flyin’ high in the pimp plane atmosphere
Shy, shawty, shawty shy, shawty shy, shawty, shawty shy
Shawty, shawty shy, shawty shy, shawty, shawty shy
Shawty, shawty shot me out the sky, well this one year
I was flyin’ high in the pimp plane atmosphere

If she could, she could see my final form
I could see you Majin Buu-in’ on my Dragon Balls
What you need a map and backpack just to find the one?
Dora, Dora, come home, you been searchin’ too long

Shit, high-waist jeans with a kid
Shorty always flexin’ on the ‘gram
Tight, tight jeans with a rack make me go on a rant
Shawty, but your attitude rank
Drunk at the club with your girls only here for the drinks
Untouchable data, unmeasurable playa’
God, the moderator, I ain’t sayin’, I’m hittin’
I was just wondering if I could call at your number
If I was ever in trouble, if I could take you home
I ain’t a doper, you ain’t a smoker
I’m hopin’ to get to know you
I’m wonderin’ if I could get you gone, girl
I was lookin’ for ride or dies
And there you came through
With your false disguise, yeah, yeah
I ain’t fuckin’ around no more
Don’t hear me, all she hear was sha-la-la-la

If she could, she could see my final form
I could see you Majin Buu-in’ on my Dragon Balls
What you need a map and backpack just to find the one?
Dora, Dora, come home, you been searchin’ too long

We all gonna die one day, man ain’t that crazy? (that cray)
She said that’s an odd way convince me to be your lady
That be why you bae, but you is not my baby
I met these three black girls: Ocian, Jurnee, and Mercedes
One’s a queen, one’s narcoleptic, and one is crazy
Pickin’ one lover’s just like pickin’ one daisy
I need at least a dozen in my DMs on the daily
Why get your nose stuck in one when you can sniff the bouquet?

La, la, la, la, oh la, la, la, la
La, la, la, la, oh la, la, la, la ah
La, la, la, la, oh la, la, la, la
La, la, la, la, oh la, la, la, la ah
La, la, la, la, (baba bum-bum) oh la, la, la, la (bad a bum bum)
La, la, la, la, (baba bum-bum) oh la, la, la, la (bad a bum bum)
La, la, la, la, (ba ba, ba ba) oh la, la, la, la (ba ba, ba ba)

Full Lyrics

An enigmatic tapestry of desire and distraction is woven into the melodic verses of BROCKHAMPTON’s ‘INFATUATION’. As with much of the band’s work, the surface-level vivacity and trap-inflected beats belie a deeper narrative—one that marries the headiness of youthful longing with the sobering realization of life’s fleeting nature.

Diving into ‘INFATUATION’, listeners are greeted with a multifaceted exploration of infatuation itself. It is more than the word implies, transcending the confines of a mere crush and grappling with the different personalities that one might encounter on the quest for love—or what seems like it. But amongst the infectious hooks and clever wordplay, what truths do the verses of ‘INFATUATION’ hold?

Shifting Perspectives: The Pimp Plane to Peregrination

As the harmonics ferry us into the soundscape of the song, we encounter a persona elevated by passion—literally shot ‘out the atmosphere’. The metaphor of soaring in the ‘pimp plane atmosphere’ suggests a dominant, confident player propelled by infatuation. Yet there’s a vulnerability in acknowledging how the affections of ‘shawty’ can affect his trajectory, hinting at the precarious nature of placing one’s emotional fate in another’s hands.

This imagery interplays with pervasive cultural references, as a nod to the anime Dragon Ball and a comparison to Dora’s exploration evoke the sense of questing for love. The clever, millennial-flavored metaphors speak to a generation’s navigation through romance in an increasingly complicated social landscape.

The Varied Verse of Vice and Vision

Even as the material indulges in superficial bragging—the archetypal hip-hop celebration of women and success—it swiftly peels away the bravado. ‘You been searchin’ too long’ serves as both a siren’s call and a cautionary reminder that the object of infatuation may be on her own journey, one that doesn’t necessarily include the protagonist.

The song articulates an intricate balance between the allure of infatuation and the self-awareness of its pitfalls. By contrasting the ephemeral highs of club life with a desire for something deeper, the lyrics traverse the spectrum of romantic experience, positioning the ‘untouchable data’ of emotional connection against the ‘unmeasurable playa’ of fleeting attraction.

Decoding the Hidden Meaning Behind ‘False Disguise’

There’s a sobering turn as ‘INFATUATION’ progresses; what was initially a celebration of attraction becomes a lament of deception. The phrase ‘With your false disguise’ unveils the essential conundrum of infatuation—it is an encounter with an illusion, an obsession with a mirage that bears little resemblance to the true object of desire. This line demarcates the shift from excitement to disillusionment, offering listeners a glimpse into the emotional ambivalence that often accompanies intense attraction.

BROCKHAMPTON’s dexterity lies in their ability to embed complex emotional narratives within seemingly straightforward verses. It’s a deliberate stratagem, using addictive melodies to draw the listener into a vortex of contemplation—what does it mean to be infatuated with someone? Is the pursuit of love an endless cycle of self-deception?

Mortality, Mayhem, and Muses: A Triumvirate of Truth

Taking a philosophical detour, the lyrics confront the concept of mortality head-on, positioning it as an argument for seizing romantic opportunities. ‘We all gonna die one day, man ain’t that crazy?’ is a line that brings the listener back down to Earth, a jarring memento mori amid the song’s otherwise languid flow. It’s as much a bid for connection as it is an existential observation, grounding the track’s ethereal themes in the undeniable reality of life’s brevity.

But even this somber note is handled with the band’s signature playful artistry. The track’s hook in this section lists three women with distinctive character traits, proffering the idea that love and infatuation are not just about the individuals but also about the stories and lives they embody. It’s a striking reminder of the diversity of the human experience even within the narrow confines of a love song.

Memorable Lines: The Lyrical Labyrinth Explored

Amidst the reverberating beats and vocalizations, BROCKHAMPTON’s ‘INFATUATION’ is studded with lines that linger in the mind. ‘What you need a map and backpack just to find the one?’ is perhaps one of the cleverest, threading together a critique of the overcomplicated nature of modern love with the innocence of a childhood cartoon reference.

Yet, it is ‘Why get your nose stuck in one when you can sniff the bouquet?’ that captures the quintessence of the song. It’s a depiction of the artist’s refusal to be confined to a single, stifling narrative of love, instead embracing a liberated, if somewhat cynical, view of romance where quantity has unique value over singularity. This line encapsulates the heart of ‘INFATUATION’—an odyssey through the allure and illusions of love’s many fragrances.

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