kisses – Unraveling the Lyrical Mirage in the Desert Sun


You can view the lyrics, alternate interprations and sheet music for Slowdive's kisses at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Embrace of Illusion and Desire
  5. An Ethereal Journey Through ‘Snowfields’
  6. Escaping the Haunting Past with ‘Maybe There’s a Car There’
  7. The Relentless Pursuit and Hidden Meaning of ‘Kisses’
  8. Sufficiency in the Ephemeral: ‘Maybe It’s Just Enough’

Lyrics

Tell me, “You’re the best thing”
I tell you, “That’s what you need”
Rolling on those good looks
Maybe it’s just enough
I know you dream of snowfields
Floating high above the trees
Living for the new thing
Sometimes the new won’t do

Kisses
Born desert sun
Kisses
Born desert sun
Kisses
Born desert sun

Maybe there’s a car there
Driving away from here
Taking all the ghosts, the hurt
Well, everything starts anew
Tell me what you need, what’s right
Whatever is just enough
Is living with the truth, a start
Maybe it’s just enough

Kisses
Born desert sun
Kisses
Born desert sun
Kisses
Born desert sun

Kisses
Born desert sun
Kisses
Born desert sun
Kisses
Born desert sun
Kisses
Born desert sun

Full Lyrics

Slowdive, a band that drifts seamlessly through genres like shoegaze and dream pop, has a knack for sonically encapsulating the liminal spaces between reality and dreaming. Their song ‘Kisses’ is a seemingly straightforward track, which upon closer inspection, conceals deeper thematic nuances.

Through hypnotic melodies and introspective lyrics, Slowdive take listeners on a journey that meanders through the terrain of self-discovery, desire, and the ephemeral nature of contentment. ‘Kisses,’ much like a mirage in the desert sun, beckons with the promise of satisfaction, only to reveal a more profound quest beneath its surface.

The Embrace of Illusion and Desire

In ‘Kisses,’ Slowdive speaks to the universal yearning to have our deepest desires acknowledged and fulfilled. The opening lines, a dialogue of affirmation and need, exemplify this craving. Telling someone they’re ‘the best thing,’ yet conversely needing reassurance, encapsulates a duality within human connection. It suggests a relationship where validation is sought and provided, yet remains superficial, akin to ‘rolling on those good looks.’

This superficiality is further echoed in the lines about dreams and the ephemeral chase of ‘the new thing.’ Are these desires sustainable, or does the ‘new’ ever truly quell the ache within? Slowdive paints an image of persistent longing obscured by transient pleasures, much like the fleeting beauty of a desert kissed by the sun.

An Ethereal Journey Through ‘Snowfields’

The dream ‘of snowfields, floating high above the trees’ is a stark contrast to the recurring ‘Born desert sun’ motif. This juxtaposition of imagery calls to mind a desire for escapism, a wish to be carried away from the arid, unchanging desert to a place of wonder and untouched beauty.

These ‘snowfields’ elude to a pure, untainted canvas, extending an invitation to the listener to project their deepest longings onto a pristine dreamscape. Slowdive crafts a bridge between the harsh reality of the desert and the serene promise of snowfields, insinuating that dreams, however distant, are vital to the spirit’s survival.

Escaping the Haunting Past with ‘Maybe There’s a Car There’

The lines hint at a narrative turn, where ‘Maybe there’s a car there, driving away from here’ begins to play out a scene of departure. Packaged within this imagined escape is the poignant idea of leaving behind ‘all the ghosts, the hurt’ to start anew.

The metaphorical car represents more than a physical vehicle; it is the embodiment of hope and the drive towards regeneration. In its rearview mirrors flashes the specters of past anguish, suggesting that in the purge of fleeing, one might find a sanctuary in resetting the dashboard of life.

The Relentless Pursuit and Hidden Meaning of ‘Kisses’

Repetition in songwriting is often dismissed as a mere stylistic choice, but here in ‘Kisses’ it bears a symbolic weight. The repetition of ‘Born desert sun’ pounds like the beat of a yearning heart, endlessly cycling like the very quest for happiness and fulfillment. It is not merely the warmth of love or joy; it could be the inherent burn of insatiable desire.

Slowdive seems to imply that ‘kisses,’ a metaphor for intimate connections and moments of bliss, are inherently born from harsh conditions – the ‘desert sun.’ The band suggests that these moments of affection and fulfillment are inherently tied to the struggles and harshness that precede them, creating a cycle as endless and vast as the desert itself.

Sufficiency in the Ephemeral: ‘Maybe It’s Just Enough’

One of the most memorable lines, ‘Maybe it’s just enough,’ speaks directly to the heart of human contentment. This sentiment is repeated, almost like a mantra, as an attempt to convince oneself that what is had at present, whatever that may be, is sufficient.

This lyrical phrase encapsulates the bittersweet realization that sometimes, one must find peace in the transitory state of affairs. Perhaps the search for the eternal and the absolute can be assuaged by the temporary, the fleeting kisses of life’s simple pleasures. Slowdive thus leaves listeners pondering the delicate balance between aspiration and acceptance.

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