Ride It – Decoding the Echoes of Desire


You can view the lyrics, alternate interprations and sheet music for Jay Sean's Ride It at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Tease and Tango – The Allure of The Chase
  5. The Pulse of Passion in Dimmed Lights
  6. The Nightlife’s Siren: A Diva among the Crowd
  7. Interlude of Conflict: When the Music Stops
  8. The Song’s Hidden Echo: Forgetting to Remember

Lyrics

(Let me feel you)

It’s been about a month and twenty days
And were going ’round and ’round playing silly games
Now your saying, slow it down, not right now
Then you wink at me and walk away

Now, let it be, let it be, let it be known
Hold on, don’t go
Touching and teasing me, telling me no
But this time I need to feel you

(Ride it) we are all alone
(Ride it) just loose control
(Ride it, ride it) come touch my soul
(Ride it, ride it) baby let me feel you
(Ride it) turn the lights down low
(Ride it) from head to toe
(Ride it, ride it) touch my soul
(Ride it, ride it) let me feel you

MoVida was the club on Saturday
Your acting like a diva saying you don’t wanna pay
It’s gotta be your feisty style
Raised that brow
I love it when you look at me that way
Now when you order a Mohita at the bar
Reapplying lippy ’cause it came off from the glass
The DJ plays your favorite song
Kanyes on
Now your backing in from me to dance
Mm, pulling me, pulling me, pulling me close
You close your eyes girl
Whispering, telling me we gotta go
Won’t you take me home I wanna

(Ride it) we are all alone
(Ride it) just loose control
(Ride it, ride it) come touch my soul
(Ride it, ride it) baby let me feel you
(Ride it) turn the lights down low
(Ride it) from head to toe
(Ride it, ride it) touch my soul
(Ride it, ride it) let me feel you

Everything was right until her phone began to ring
She takes it to the corner, that’s when I start wondering
I can hear her shouting, banging her fist against the door
Yelling “Yo, it’s over, I can’t take it anymore”
Then I walk away, and acting I want to go chill
I ain’t trying to get caught up in a mess for real
But she came around and backed me up against the wall
She said I know you heard, but I’ll make you forget it all

Baby let me feel you

(Ride it) we are all alone
(Ride it) just loose control
(Ride it, ride it) come touch my soul
(Ride it, ride it) baby let me feel you
(Ride it) turn the lights down low
(Ride it) from head to toe
(Ride it, ride it) touch my soul
(Ride it, ride it) let me feel you

Full Lyrics

Few songs manage to capture the enigmatic dance of desire as intricately as Jay Sean’s 2008 hit ‘Ride It.’ On the surface, it’s an evocative R&B track with a smooth melody that undulates much like the emotions of the characters within its lyrics. The song presents a beguiling narrative, one that plays out like a stylized game of cat and mouse, set against the backdrop of the addictive nightlife.

Diving deeper into the song’s essence, ‘Ride It’ is a textured portrayal of modern courtship and the complexities of relational power dynamics. It doesn’t just skim the surface of superficial romantic interaction; instead, it navigates through the nuanced layers of attraction, teasing, confrontation, and passion that define the connections of its generation.

Tease and Tango – The Allure of The Chase

The initial verses of ‘Ride It’ establish an intricate dance between the song’s participants. With phrases like ‘going ’round and ’round playing silly games’ and ‘then you wink at me and walk away,’ Jay Sean encapsulates a familiar romantic ritual—where attraction is often expressed through playful banter and resisted impulses.

Sean’s description of this interplay isn’t just about the pursuit but the tension that comes with it. The pacing of the lyrics themselves, the push and pull, mirrors the ebb and flow of two people caught in the gravitational pull of their own desire, uncertain yet inevitably drawn to one another.

The Pulse of Passion in Dimmed Lights

The chorus, with its recurring entreaty to ‘Ride it,’ emphasizes the importance of surrender to the moment. Sean’s invitation to ‘just loose control’ and the insistent request to ‘come touch my soul’ speaks to a deeper longing for connection beyond physical attraction, hinting at the desire for a transcendental experience where two individuals become entirely enveloped in one another.

As the choruses repeat, a hypnotic mantra unfolds, capturing the essence of intimacy and vulnerability. The repetition of ‘let me feel you’ goes beyond simple carnal yearnings, imploring a blending of essences—physical, emotional, and spiritual.

The Nightlife’s Siren: A Diva among the Crowd

Sean’s vivid storytelling transports the listener into the vivid scene of MoVida, a club pulsating with the heartbeats of its patrons. The woman in question—described as a ‘diva’—takes the stage as she commands attention, not through her words but through her powerful presence and actions.

Her independence and self-assurance are emphasized through her reluctance to pay, her touch-up of lipstick, and her confident selection of music. These details, combined with Sean’s enthrallment by her power, provide insight into the dynamic between the two, revealing a woman who’s both enigmatic and irresistible in her strength and autonomy.

Interlude of Conflict: When the Music Stops

Amidst the sensual rhythm of the night, ‘Ride It’ doesn’t shy away from the harsh wake-up call of reality. The narrative takes a sharp turn when a phone call interrupts the lyrical love story, bringing with it the specter of an outside complication—a common trope that amplifies the drama of the moment.

Sean’s strategic storytelling amplifies the tension in this moment, not only through the lyrical twist but also through the abrupt change in tone. As conflicts arise and the façade of the infallible diva starts to crumble, the complexity of the situation deepens, revealing the layers under the glamour of the club’s atmosphere.

The Song’s Hidden Echo: Forgetting to Remember

In a poetic closing of the thematic loop, Sean captures not just a moment of intimacy but a deliberate escape. As the woman asserts, ‘I know you heard, but I’ll make you forget it all,’ there’s an unspoken understanding that their encounter serves as both a distraction and an assertion of the present over the past—or perhaps the outside world altogether.

This lyrical denouement suggests that the act of ‘riding it’ goes beyond the literal and becomes a metaphor for how we navigate the complications of our lives—choosing which waves to ride, which impulses to indulge, and which parts of our soul we reveal in the pursuit of intimacy and liberation from our daily struggles.

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