SOLVED THE PROBLEM by Comethazine Lyrics Meaning – Unraveling the Aggressive Overtone in Hip-Hop’s Underworld
Lyrics
Bricks, bows
Bitch, yeah
Where the bricks, where the bows? (where the bricks, where the bows?)
(Ayy, man, Comethazine in this bitch, niggas know I’m piped the fuck up)
Where the bricks, where the bows? (where the bricks, where the bows?)
Bitch, bitch, yeah, bitch
Where the bricks, where the bows?
1-7-double-O, slither gang, bloody nose
RIP Phillip, that’s my right hand nigga but he gone, yeah
Now I gotta smoke these pussy niggas on my own (now I gotta smoke ’em on my own)
These niggas actin’ tough but turn pussy over a hoe (bitch)
Boy, I would never go, I dick that ho, then make her go (come here)
Bitch, while I call your Uber, go wait over by the door (bye)
And bitch, check on your phone, wait ’til you leave to turn it on (oh yeah)
That nigga talkin’ tough, yes, I can hear it in his tone (bitch)
I slapped him with the chrome, then put a bullet in his dome (come here)
My all white Air Force 1’s gotta be fresh or I can’t rock ’em (I can’t rock ’em)
If he step on these, I might just fuck around and sock him (bitch)
Dangle that boy over a ledge and then I drop him (bye)
Shoot a bullet straight through his head, I solved the problem (boom, boom)
Not going back and forth on the ‘Gram, I had to block him (No)
Rather catch him lackin’ in public and then pop him (come here)
Caught him on the elevator, had to 2Pac him (bitch)
I’ma pull a Biggie Smalls, nigga don’t know who shot him
If I shoot and I miss, I bet one of my guys got him
And I’ma let him keep his shit ’cause I’m rich, I ain’t gotta rob him
Where the bricks, where the bows?
1-7-double-O, slither gang, bloody nose
RIP Phillip, that’s my right hand nigga but he gone, yeah
Now I gotta smoke these pussy niggas on my own (now I gotta smoke ’em on my own)
These niggas actin’ tough but turn pussy over a hoe (bitch)
Boy, I would never go, I dick that ho, then make her go (come here)
Bitch, while I call your Uber, go wait over by the door (bye)
And bitch, check on your phone, wait ’til you leave to turn it on (oh yeah)
Where the bricks, where the bows?
1-7-double-O, slither gang, bloody nose
RIP Phillip, that’s my right hand nigga but he gone, yeah
Now I gotta smoke these pussy niggas on my own (now I gotta smoke ’em on my own)
These niggas actin’ tough but turn pussy over a hoe (bitch)
Boy, I would never go, I dick that ho, then make her go (come here)
Bitch, while I call your Uber, go wait over by the door (bye)
And bitch, check on your phone, wait ’til you leave to turn it on (oh yeah)
Comethazine’s ‘SOLVED THE PROBLEM’ isn’t just another track in the landscape of trap music—it’s a vivid narration of street life realities, intertwined with braggadocio and a cold acceptance of violence as conflict resolution. Within this track, we find Comethazine delivering a message laced with aggression, covertness, and the ever-present gravity of personal loss.
Couched in metaphors of urban survival and a showcase of street-cred, ‘SOLVED THE PROBLEM’ provides a portal into the rapper’s psyche and the code by which he navigates the unforgiving terrain of gangland territorialism and rivalries. The repetitive query ‘Where the bricks, where the bows?’ remains a rhetorical centerpiece that circles back to Comethazine’s roots and the hustler’s existential quest.
A Eulogy Wrapped in Metaphors: Deciphering the Dedication to Phillip
The poignant refrain ‘RIP Phillip, that’s my right hand nigga but he gone, yeah’ paints a stark image—a homage to a fallen friend, a second-in-command, a confidant lost to the relentless street warfare. In these visceral lines, Comethazine lets us into his private spaces of grief and remembrance, while reminding the listener of the unforgiving outcomes that often accompany street allegiance.
Phillip’s absence serves both as a eulogy and a catalyst for Comethazine’s fortified resolve. The further iteration, ‘Now I gotta smoke these pussy niggas on my own,’ signifies a solitary battle ahead, a lone wolf directly confronting his adversaries, a testament to the resilience required in the face of profound personal loss.
Unmasquerading Bravado: Solving Problems with Violence
‘Shoot a bullet straight through his head, I solved the problem,’ Comethazine raps, suggesting that the ultimate solution to his conflicts lies in decisive, fatal violence. This blunt assertion reflects a worldview shaped by the law of the jungle where the might of the gun holds the power to close arguments and silence opposition.
The chilling simplicity of the problem-solving methodology speaks to broader themes of survival and dominance in a sphere where reputation and respect are guarded at all costs. This line doesn’t just reference a singular event but is indicative of an entire subculture’s approach to dealing with threats and maintaining control.
Confronting Hypocrisy: Masks Fall in the Face of Desire
Comethazine takes aim at the hypocrisy often found in his peers with the line ‘These niggas actin’ tough but turn pussy over a hoe.’ He strips down the facade of toughness that many portray, highlighting the quickness of their character reversal over romantic entanglements, thus questioning the sincerity of their public personae.
By calling out the faux masculinity, he taps into a common thread within hip-hop culture—criticizing those who let their guard down or betray their supposed principles for momentary pleasures. His lyrics serve as a stark reminder of loyalty and authenticity’s role in the unforgiving code of the streets.
Sartorial Statements: The Symbolism of Air Force 1’s
The reference to ‘all white Air Force 1’s’ transcends mere fashion commentary and becomes a symbol of pride, identity, and respect. These sneakers are emblematic of a pristine self-image that Comethazine is unwilling to compromise, even to the extent of violence: ‘If he step on these, I might just fuck around and sock him.’
This line taps into the importance of material possessions in the hip-hop community, where brandishing new and untainted attire often signals status. Comethazine’s protective attitude towards his footwear reflects the attention given to appearance and respect within the culture he represents.
Understanding the Mindset Behind the Memorable Lines
Lines like ‘Dangle that boy over a ledge and then I drop him’ aren’t merely for shock value but serve as a testament to the harsh retaliation that Comethazine is willing to implement. He casts himself as the protagonist in an ultra-violent narrative, where punitive measures far exceed mere self-defense.
Such vivid threats are common in the genre’s bravado-infused language, and they function both as a deterrent to would-be adversaries and as proof of his ferociousness. The ruthless nature of these words is emblematic of the stark and often brutal reality faced in environments rife with danger and betrayal.
