Something by Girl’s Day Lyrics Meaning – Unveiling the Layers of Emotional Complexity


You can view the lyrics, alternate interprations and sheet music for Girl's Day's Something at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

[Minah] Don’t you look
Into my eyes and lie again
I’m sick of being alone

[Sojin] Heundeullineun pyojeong maltue
Neon mwonga inneun deutae
[Minah] Ne mome bein natseon hyanggie
Mwongae hollin deutae

[Hyeri] Nae choge jjillinabwa
Heoreul jjireunikka neogsi naga
Apdwiga iraetda jeoraetda [Yura] wae geureoni
[Hyeri] Nae choge jjillinabwa
Heoreul jjireunikka neogsi naga
[Sojin] Wae deolkeok geobina
Ison nwa [Minah] nal sogijima

[Sojin] Naman mollasseotdeon something
Bunmyeonghi neukkyeojyeo must be something
[Minah] Ppeonhan neoui geojitmal
Geuman yeogikkajiman
Nothing
It’s something
Stop it~ no uh~

[Sojin] Heurin haneul sok geu mujigae
Seulpi uneun piano
[Yura] Ne mome bein natseon hyanggie
Mwongae hollindeutae

[Hyeri] Nae choge jjillinabwa
Heoreul jjireunikka neogsi naga
Apdwiga iraetda jeoraetda [Yura] wae geureoni
[Hyeri] Nae choge jjillinabwa
Heoreul jjireunikka neogsi naga
[Sojin] Wae deolkeok geobina
Ison nwa [Minah] nal sogijima

[Sojin] Naman mollasseotdeon something
Bunmyeonghi neukkyeojyeo must be something
[Minah] Ppeonhan neoui geojitmal
Geuman yeogikkajiman
Nothing
It’s something
Stop it~ no uh~

[Yura] Sarangeul swipge
Eodeuryeogo hajima
Huhoe hajima
[Minah] Sogigo
Yeojal tto ullineun
Neon yeogikkaji
Bye bye bye out

[Sojin] Naman mollasseotdeon something
Bunmyeonghi neukkyeojyeo must be something
[Minah] Ppeonhan neoui geojitmal
Geuman yeogikkajiman
Nothing
It’s something
Stop it~ no uh~

[All] Naega jun sarangi neon useuwonni
Naega jun sarangi jigyeowojyeonni
Ni apeseo boigi sirheo
Chamatdeon nunmul
Naega jun sarangi neon useuwonni
Naega jun sarangi jigyeowojyeonni
Urin yeogikkajini
[Sojin] Urin yeogikkajini

Full Lyrics

In the realm of K-pop, songs often articulate the mosaic of human emotions with a harmonic brilliance that transcends language barriers. ‘Something,’ a track by the acclaimed quartet Girl’s Day, is one such composition that has captivated audiences with its sultry beat and enigmatic lyrics. Seemingly speaking of love and betrayal, the powerhouse anthem deftly unspools a yarn of emotional entanglement.

At first blush, ‘Something’ appears to be a sensuous serenade of heartache and assertive independence. Yet, a deeper interpretative foray reveals it as a cleverly woven narrative exploring the tortuous contours of a relationship ravaged by deception. The piece encompasses the anguish of sensing a lover’s infidelity, the tumult of confronting hollow truths, and the empowerment found in reclaiming self-worth.

The Silent Symphonies of Betrayal

Girl’s Day manages to capture an orchestra of the heart in their verses. ‘Don’t you look into my eyes and lie again,’ the song begins, with Minah’s vocals quelling any ideas of a gentle love story. Instead, the listeners are thrust into the chaotic immediacy of feeling alone even within the nominal sanctuary of a relationship.

The duplicity is palpable in Sojin and Minah’s vocals as they portray the protagonist’s recognition of her lover’s strange scent, a clear signal of infidelity. The allegory extends further when the imagery of a ‘foggy sky and a sad piano’ evocatively mirrors the mood of the person wronged – shrouded in sorrow and unaccompanied.

Dance of Denial and Discovery

A duality exists at the heart of ‘Something,’ with the rhythm oscillating between buoyant beats and somber reflections. This sonic dichotomy mimics the lover’s attempt at duplicity and the subsequent unveiling of their betrayal. ‘Why do you shake less?’ and ‘I feel burrs on my body,’ the song postulates, revealing the emotional and physical responses to the suspicion of being misled.

The dance between the verses and chorus is a metaphorical struggle – a push and pull where the inherent tension manifests in the repeated plea, ‘Stop it, no uh.’ It’s a cry for the charade to end and for the deception to cease, conveying a raw desperation for honest confrontation.

Anthem of Autonomy: Reclaiming Power in ‘Something’

Amid the unfolding drama, ‘Something’ erupts as a resolute declaration of self-assertion. ‘Bye bye bye out,’ the members chant, signaling a resonant adieu to a love tarnished by lies. It’s more than a mere farewell; it is an adamant articulation of emancipation from the grip of a treacherous partner.

‘It’s something. Stop it, no uh’ becomes an incantation of empowerment, echoing the strength it takes to walk away from a relationship that has evolved into an emotional quagmire. The song’s insistence on the word ‘something’ predicates the revelation that the internal turmoil and dejection experienced was never insignificant — it was profound, and it mattered.

Hidden Meanings in Harmonies: The Subtext of ‘Something’

Peering beyond the veneer of ‘Something,’ a sophisticated emotional lexicon emerges. The track’s composition encourages the listener to confront the pain behind the polished pop façade. The seemingly straightforward lyrics are actually steeped in a poetry that reveals the inner conflict over trusting one’s intuition about a partner’s unfaithfulness.

The ‘sad piano’ and ‘rainbow in the foggy sky’ can be construed as symbols reflecting the blurred line between pain and hope — the mournful realization of a love that has deteriorated mingles with the faint promise of a rainbow, a visual promise of renewal post-storm. ‘Something’ walks the listener through a maze of emotional complexity, invoking the pangs of loss with an undertone of nascent optimism.

Memorable Lines: The Echoes of Girl’s Day’s ‘Something’

Certain phrases within ‘Something’ cling to the memory with a tenacious grip, blurring the distinction between catchy hooks and poignant reflections. ‘Don’t try to get love easily, don’t regret it. So you’re making a girl cry again. That’s enough, bye bye bye out.’ These words are far from filler; they cut straight to the core of the song’s message.

Does the love given make one laugh or grow tired? The questioning lingers in the air, kvetching and representing the consciousness of one betrayed. The melancholic inquiry, ‘Was the love I gave you a joke? Has it become annoying?’ induces a contemplative pause, urging listeners to consider the depth of their own relational contributions and the pain rendered by insincerity.

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