STEREOTYPE by STAYC Lyrics Meaning – Dissecting the Layers of Feminine Identity


You can view the lyrics, alternate interprations and sheet music for STAYC's STEREOTYPE at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

There’s something to tell you
You want me to share it with you?

STAYC girls, it’s going down
오늘 유난히 티가 더 나는 걸
모두 쳐다보는 게 다 보여
왠지 그럴수록 더 난 당당해져
기분 좋아지는 걸

머릴 넘기며 어디든 지나가네
내 달콤한 향수가 흩날리게 yeah
항상 날 꾸미는 게 좋아
예쁜 게 좋아 근데 들어봐 yeah

나도 알아 내 모습이
이뻐 보일지도 당돌한 걸지도
자꾸만 널 유혹하듯
보이겠지만 미안하지만

색안경을 끼고 보지 마요
난 좀 다른 여자인데
겉은 화려해도 아직 두려운 걸 you should know
I’m a good girl yeah
너무 세게 안으면 숨 막혀요
조금 서투를지도 난 아직도
색안경을 끼고 보지 마요
Oh, baby, baby, baby

(Ah) 패션은 과감한 게 좋아 like it uh huh
튀는 게 좋아 어떻게든 소화 yeah
가끔 나조차 진짜 내 맘을 몰라
그런 나지만

나도 알아 내 모습이
이뻐 보일지도 당돌한 걸지도
자꾸만 널 유혹하듯
보이겠지만 미안하지만

색안경을 끼고 보지 마요
난 좀 다른 여자인데
겉은 화려해도 아직 두려운 걸 you should know
I’m a good girl yeah
너무 세게 안으면 숨 막혀요
조금 서투를지도 난 아직도
색안경을 끼고 보지 마요
Oh, baby, baby, baby

Alright (alright), alright (alright) 드러나는 모습뿐인걸
Oh why (oh why), oh why (oh why) 눈으로만 날 판단하지 않길
Oh 꾸미지 않은 내 모습
Oh 있는 그대로의 모습
좋아해 줘 아직 여린 내 맘
꼭 알아줬으면 해 yeah

색안경을 끼고 보지 마요
난 좀 다른 여자인데
겉은 화려해도 아직 두려운 걸 you should know
I’m a good girl yeah (oh yeah yeah)
너무 세게 안으면 숨 막혀요
조금 서투를지도 난 아직도
색안경을 끼고 보지 마요
Oh, baby, baby, baby (ah)

Full Lyrics

Like a vibrant splash of colors upon a monochrome canvas, STAYC’s ‘STEREOTYPE’ is an anthem that boldly refuses to be framed. From its catchy melody to its layered lyrics, the song is both a declaration of self and a challenge to the listener’s perceptions.

The track, pulsing with the infectious energy of K-pop, serves as a vehicle for the six-member girl group to express a nuanced conversation about young womanhood, identity, and the perils of being judged solely by appearances. It delves into the dichotomy between society’s expectations and the authentic self, all while maintaining the pop sensibility that captures audiences globally.

Unveiling the Duality within ‘STEREOTYPE’

From the very opening lines, ‘STEREOTYPE’ invites the audience into a world where the STAYC girls are fully aware of the attention their presence commands. Their confidence is palpable, refusing to shrink under scrutiny. Yet, there’s an undertow of introspection that suggests a deeper battle with identity.

‘I’m a good girl yeah’ may read as a simple affirmation, but in the context of the song, it’s a powerful declaration of self-identifying goodness that defies the superficial ‘stereotype’ often imposed on young women. This emphasis on depth vs. surface is a recurring theme, challenging the listener to look beyond the gloss.

Dismantling the ‘Colored Glasses’ of Prejudice

A recurring motif in ‘STEREOTYPE’ is the plea to remove the ‘색안경을 끼고,’ or the ‘colored glasses’–an idiom akin to looking through rose-colored glasses but in this context, suggesting the viewing of someone with bias. STAYC is vocal about the misconceptions that can arise from preconceived notions.

The members, acknowledging their glossy exterior, reveal an inner vulnerability, a plea that despite their bold fashion and presentation, there remain layers that are youthful and tentative. Such candid vulnerability signals to a generation haunted by the pressure of image and judgment.

Navigating the Perils of Pop Fashion

Pop culture often dictates a bold, daring approach to fashion, and ‘STEREOTYPE’ playfully nods to their embrace of this edict. They celebrate their distinctive styles unapologetically, while acknowledging the complexity it brings to their desire to be understood for more than their outward flair.

In doing so, STAYC overturns the traditional image of pop starlets as merely visual commodities. They assert autonomy over their style, yet admit that their true hearts and minds might remain an enigma, even to themselves–a true-to-life reflection of navigating fashion as a form of both expression and armor.

The Quest for Authenticity Amidst the Glitter

While ‘STEREOTYPE’ is replete with the charm of K-pop’s sonic aesthetics, it is also a yearning call for authenticity. The song speaks to the duality of their personas—the public figure that ‘shines’ versus the unadorned self that desires genuine understanding and acceptance.

The song crescendos into an appeal to be loved for ‘Oh 있는 그대로의 모습’—for ‘who I am on the inside.’ This longing for the embrace of their true personhood is a sentiment that resonates with anyone who has felt the sting of being reduced to a single dimension.

Memorable Lines that Echo Beyond the Music

‘너무 세게 안으면 숨 막혀요’—’If you hold me too tightly, I can’t breathe.’ In these words lies the essence of ‘STEREOTYPE’: the search for a delicate balance between intimacy and autonomy, dependence and independence, as one navigates the intricacies of relationships and self.

These lines are a powerful representation of the dangers that arise when others hold on to their perceptions too fiercely, potentially suffocating the true identity of the individual in their grip. They encapsulate a profound message: the call for freedom to be oneself without the constriction of societal stereotypes.

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