The Boy Who Blocked His Own Shot by Brand New Lyrics Meaning – Unraveling the Emotional Odyssey

You can view the lyrics, alternate interprations and sheet music for Brand New's The Boy Who Blocked His Own Shot at
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning


If it makes you less sad
I will die by your hand
Hope you find out what you want
Already know what I am

And if it makes you less sad
We’ll start talking again
You can tell me how vile I already know that I am
I’ll grow old, start acting my age
Be a brand new day in a life that you hate

A crown of gold
A heart that’s harder than stone
And it hurts a whole lot
But it’s missed when it’s gone

Call me a safe bet
I’m bettin’ I’m not
I’m glad that you can forgive
Only hoping as time goes, you can forget

If it makes you less sad
I’ll move out of the state
You can keep to yourself
I’ll keep out of your way

And if it makes you less sad
I’ll take your pictures all down
Every picture you paint
I will paint myself out
It’s cold as a tomb
And it’s dark in your room
When I sneak to your bed
To pour salt in your wounds
So call it quits or get a grip
Say you wanted a solution
You just wanted to be missed

Call me a safe bet
I’m betting I’m not
I’m glad that you can forgive
Only hoping as time goes, you can forget
So you can forget
You can forget

You are calm and reposed
Let your beauty unfold
Pale white, like the skin stretched over your bones
Spring keeps you ever close
You are second hand smoke
You are so fragile and thin
Standing trial for your sins
Holding onto yourself the best you can
You are the smell before rain
You are the blood in my veins

Call me a safe bet
I’m bettin’ I’m not
I’m glad that you can forgive
Only hoping as time goes, you can forget

Full Lyrics

Dissecting the lyrics of Brand New’s evocative track ‘The Boy Who Blocked His Own Shot’ is like threading through a tapestry of vulnerability, self-reflection, and existential heartache. The song, taken from their 2003 album ‘Deja Entendu,’ still resonates as a raw anthem for those entangled in the bittersweet turmoil of self-identity and relational decay.

Within its lyricism lies an intimate narrative, a story sung with an acute sense of introspection and regret. The potent soliloquy offers a window into the soul of someone grappling to make sense of their self-worth in the shadow of a relationship that’s both a sanctuary and a crucible. Engaging with the track promises not just a listen but an immersion into an ocean of poignant metaphors and stark honesty.

Anatomy of Regret: Inside the Confessional Chamber

The song starts with a sacrificial offer of self-destruction for the sake of another’s happiness, translating to a metaphor for the lengths one might go to alleviate someone else’s sorrow. Such lines not only speak of deep-seated romanticism but also of a dangerous self-neglect that often accompanies unrequited love or toxic relationships.

At the core of the song is a contrition that oscillates between apology and self-deprecation, a balance that imbues the track with a gripping sense of sincerity. It captures the universal struggle of trying to be better for someone else, while simultaneously wrestling with one’s own demons, character flaws, and the fear of being ultimately inadequate.

The Weight of Atonement: Can You Ever Really Forget?

The refrain ‘I’m glad that you can forgive, only hoping as time goes, you can forget’ conveys the paradox of seeking forgiveness—wishing for the past to be wiped clean, knowing well it’s etched in memory. The plea for absolution is as much for the singer’s peace as it is for the subject of the song, perhaps more so.

There’s an exploration of forgiveness as a conduit to freedom, but with the acknowledgment that some wounds, though forgiven, leave scars that time will not erase. ‘The Boy Who Blocked His Own Shot’ confronts the uncomfortable truth that in the aftermath of relational breakdowns, the past continues to cast a long shadow on the present.

A Soliloquy of Self-Erasure: The Hidden Meaning

Beneath the surface of a breakup anthem, this track explores the existential anguish of self-erasure in the face of emotional trauma. Lyrics like ‘Every picture you paint, I will paint myself out’ serve as a chilling metaphor for the lengths one might go to remove themselves from the narrative of their own life in response to pain.

This theme runs parallel to the song’s title, ‘The Boy Who Blocked His Own Shot,’ suggesting a self-sabotage that’s both a defense mechanism and a cry for help. It’s a raw acknowledgment of the human inclination to become their own obstacle in a misguided attempt to protect themselves and others from further hurt.

Imagery in Verses: The Raw Power of Metaphor

Jesse Lacey, Brand New’s lead singer and lyricist, is known for his evocative imagery, and this song is a gallery of hauntingly beautiful metaphors. Describing someone as ‘the smell before rain’ and ‘the blood in my veins’ transforms the personal into the elemental, hinting at a connection that transcends the physical, lingering in a space where senses and emotions intertwine.

The portrayal of the subject ‘beautiful and composed’ despite the turmoil, paints a picture of quiet resilience in the face of internal battles—a theme that appeals to the stoic hidden within many of us. Lacey’s knack for capturing the ineffable within a few choice lines is what makes this song, and much of Brand New’s discography, deeply resonate with listeners.

Eternal Echoes: The Memorable Lines That Haunt Us

‘You are second-hand smoke, you are so fragile and thin, standing trial for your sins,’ stands out as one of the song’s most poignant lines, encapsulating the essence of vulnerability. This line touches on the concept that in our weakest moments, others can inadvertently internalize our pain, suffering its effects as innocuously as inhaling smoke.

It is in the duality of being ‘the crown of gold’ and ‘a heart that’s harder than stone’ where the song embodies the struggle between how one is seen versus what one feels. It’s a line that echoes in the minds of listeners long past the song’s final notes, leaving a lingering question about the complexities of self-perception and the face we present to the world.

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