The Quiet Things That No One Ever Knows by Brand New Lyrics Meaning – Peeling Back the Layers of Introspection


You can view the lyrics, alternate interprations and sheet music for Brand New's The Quiet Things That No One Ever Knows at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

We saw the western coast
I saw the hospital
Nurse the shoreline like a wound
Reports of lover’s tryst
Were neither clear nor descript
We kept it safe and slow
The quiet things that no one ever knows

Keep the blood in your head and keep your feet on the ground
Today’s the day it gets tired
Then today’s the day we drop down
Give up my body in bed
All for an empty hotel
Wasting words on lowercases and capitals

I contemplate the day we wed
Your friends are boring me to death
Your veil is ruined in the rain
By then you like to do without
There’s nothing new to talk about
And though our kids are blessed,
the parents let them shoulder all the blame

Keep the blood in your head and keep your feet on the ground
Today’s the day it gets tired
Today’s the day we drop down
Give up my body in bed
All for an empty hotel
Wasting words on lowercases and capitals

I lie for only you
And I lie well
Halleluh

Keep the blood in your head and keep your feet on the ground
Today’s the day it gets tired
Today’s the day we drop down
Give up my body in bed
All for an empty hotel
Wasting words on lowercases and capitals

Full Lyrics

In the throes of the early 2000s alt-rock expansion, Brand New’s ‘The Quiet Things That No One Ever Knows’ struck a chord with a generation teetering on the edge of introverted exploration and outward angst. As the track weaves through its melodic confessionals, it lays bare the struggle between personal demons and the social facade we maintain.

Digging deeper into the lyricism unveiled by Brand New, one starts to unravel the tightly coiled emotions and subtleties that define the nuanced narrative of hidden struggles and the sanctity of silent burdens. The following dissection aims to peel back the layers of ‘The Quiet Things That No One Ever Knows,’ exploring its underlying themes and the piercing truths shrouded within its cryptic verses.

Metaphorical Shores and Emotional Triage

The song commences with stark imagery—an observation of the western coast juxtaposed with the sterile confines of a hospital. Here, the shoreline is not just a landscape but a living entity, a wound that requires nurturing—an analogy for personal trauma and healing. It evokes the sense of a hidden struggle, mirrored in the metaphor of the coast requiring care, suggesting a parallel to the internal wounds we nurse over time.

The reference to ‘lover’s tryst’ introduces intimacy but shrouded in ambiguity, lacking the vivid details often associated with such encounters. This choice of language reverberates with the song’s overarching theme: the significant, albeit muted, moments of existence that stay buried beneath our everyday interactions.

Gravitating Earthward: The Pull of Reality

The haunting refrain ‘Keep the blood in your head and keep your feet on the ground’ serves as a grounding mantra, a reminder to stay rational and connected to reality amidst the chaos of emotion and circumstance. These lines ring with the weariness of someone who is cognizant of the cyclical nature of life’s tribulations, someone well-acquainted with the gravitational pull of the world’s demands and disappointments.

As ‘today’s the day it gets tired’ echoes through the chorus, it reveals a fatigue with the performance of normalcy, an exhaustion that perhaps leads to the eventual capitulation to those quiet things—the innermost thoughts and fears that lie dormant until they don’t.

Dissecting the Nuptial Analogy

When the verse conjures the image of a wedding, it’s not to celebrate unity, but to cast a pallor over it. This scene of matrimony converges with banality and the blemishing of the ideal. A ruined veil in the rain is not just about a spoiled garment—it’s reflective of life’s ability to tarnish what we hold sacred, the disintegration of the perfect into the flawed.

The apathy towards friends and the notion of new conversation running dry speaks to a stagnation in relationships, a running-out of novel experiences that once fueled passion and connection. Even the children, ‘blessed’ as they are, must inherit and manage the blame of generations before them, perpetuating an endless cycle of silent burdens.

Whispered Confessions and Hollowed Hallelujahs

Arguably, the most gut-punching admission comes with the understated, ‘I lie for only you / And I lie well / Halleluh.’ It’s a confession contained within an admittance of skillful deceit, a mix of devotion and sinfulness. It’s a mockery of sanctification, turning the exalted ‘hallelujah’ into a mantra of complicity, representing the sacred and the profane merging in the quiet corners of our lives.

This internal monologue, despite being shared with thousands through song, retains its secretive nature. It’s a public diary entry that still holds its breath, showing how some truths are only half-revealed, keeping the listener on the periphery of true understanding.

The Typography of Turmoil: Lowercases and Capitals

Fascination with ‘Wasting words on lowercases and capitals’ might seem like a commentary on communication’s futility in an age flooded with it. But on a deeper level, it signifies the importance—or lack thereof—given to our words and thoughts, determining which emotions get to shout in capitals and which are condemned to the whispers of lowercases.

This line encapsulates the essence of the song—how we allocate our emotional attention, what we choose to amplify and what we diminish. It’s a reflection on the internal editorial process that takes place as we decide what parts of ourselves to present to the world, which quiet things to keep to ourselves, and what ultimately defines the noise in the silence.

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