THE_EVIL_THAT_MEN_DO by $uicideboy$ Lyrics Meaning – Exploring the Shadows of Inner Turmoil and Existential Angst
Lyrics
How can I when you’ve kidnapped and stolen?
For all I know, even murdered
(By nightfall, we will have left your Earth)
(You will not see us until it is time)
Time for what?
$uicideboy, bitch ($uicideboy, bitch)
When I die, auction off all my body parts
Let’s see what Oddy cost, under my skull to shotty’s cross
Got all these opps on my dick, like it’s made of metal
Makin’ so much money, it’s like my boss is the devil
She loves me, she loves me not, I ran out of petals
Littered the ground with rose bits, I’ll grip this thorny stem forever
A portrait of my pain, an homage to my suffering, same tale
I been uncovering, I’m staining your world grey
Y’all get back to coloring
Sickity-sickity south thug Bach
Shoot up the mass, it will be minor
Jabbin’ my arm, no Pfizer, dick cuffed like it come with priors
Liars all around me talkin’, hugs and love
Attaching kisses that comes with wishes for death
So they can touch my trust
Fuck, that’s some hard motherfuckin’ truth
Still contemplatin’ suicide, just upgraded a couple coupes
Morally bankrupt, call the skank up to pretend she love me
(But I do love you)
Ho, don’t talk while you fucking sucking
Uh, should we, I-, that was a little short, bruh
Well, fuck, bro
Can we, can we
I just did eight bars ’cause I thought you said all you had to say
Yeah, I got more shit to say, bro, like
Well, I mean
What? Tell me
They sayin’ you lost touch
Who the fuck say Ruby done lost his touch?
Blame my success on lots of luck
But lots of luck ain’t gonna get your bitch un-fucked
Blame my absence on the fact that my dick got stuck
Call me Evergreen, your bitch never seem like she lost touch
Beggin’ me, she wants her jaw fucked
Withdraw from dope before I withdraw my cash
Use her tongue to collect ash for the stash, I guess I’ll smash
Pull off in the Glee-Wagon, fucked up, I might crash
Just thoughts and feelings from the half of me that is white-trash
Bitch, I cheated death, ain’t nothin’ that I can’t do
Manipulation shawty, I can sell ice to Nanook
I can sell ice to the jeweler, I can sell Christ like I’m Judas
Self-righteous type of shooter, make my life insurance shoot up
Wet screwed up (Wet screwed up)
Product of my environment
My therapist was talkin’ Freud
I rolled my eyes, then fired the bitch
Why would I quit?
My drug of choice is overdosin’, duh
My dick got no limits
I’m Master P pimpin’ and makin’ the bitches say, “Uh”
You would be horrified at the sight of us
Rain, rain, go away, two-hundred on the dash, watch me hydroplane
Gang, gang, gang’s all grey from New Orleans to Ottawa
From Atlanta to the Bay
In the realm of hip-hop, few acts have mastered the art of painting mental chaos and grim reality as provocatively as the $uicideboy$. With their track ‘THE_EVIL_THAT_MEN_DO’, the duo descends into the abyss of their own psyche, dragging listeners through a visceral exploration of despair, self-destructive tendencies, and a flirtation with the macabre.
As the title suggests, ‘THE_EVIL_THAT_MEN_DO’ probes the darker aspects of the human condition that lurk beneath the surface. It’s a labyrinthine journey where the $uicideboy$ confront the evils that men do to themselves and the twisted reflection in society’s mirror. The menacing beats add to the ominous narrative as listeners find themselves tangled in a tapestry of haunting truths and unsettling revelations.
A Lyrical Autopsy: Dissecting Personal Demons
The song opens with a morbid auction, as the duo muses the literal selling of their body parts—a metaphorical representation of their fragmented selves being consumed by the public. This chilling imagery paints a stark picture of commodification and the extremes of self-exploitation in pursuit of material gain.
The line ‘Got all these opps on my dick, like it’s made of metal’ further escalates the theme of conflict—both within and without. The $uicideboy$ address their opposition with a brashness that’s laced with metallic coldness—their experiences have hardened them, transforming their vulnerabilities into a shield of braggadocio.
Stained Roses and Thorny Recollections
A compelling narrative device used in the song is the metaphor of rose petals turning into thorny stems. The beauty that once was has withered, leaving behind a painful grip that the artists are doomed to hold onto. Turning memories into a never-ending cycle of agony and a ‘portrait of my pain’ illustrates their ceaseless internal turmoil.
The haunting proclamation ‘I’m staining your world grey’ signifies the $uicideboy$’s influence on their listeners’ perception. The act of ‘coloring’ the world grey with their music implies that their pain and suffering are not only personal but also universal—a shared human experience.
Unmasking the Hidden Meaning: Freudian Slips and Therapy Sessions
In a stark rebuke of psychological help, one line stands out: ‘My therapist was talkin’ Freud. I rolled my eyes, then fired the bitch.’ Here lies the crux of the song’s hidden meaning—a repudiation of traditional methods of dealing with mental anguish and finding solace in self-medication and defiance.
This commentary not only echoes the frustrations many feel with mental health treatment but also reflects the artists’ preference for facing their demons on their own terms, no matter how destructive the consequences may be.
Memorable Lines: The Razor’s Edge of Reality
The most striking lines in the song slice through the facade of fame with ‘Bitch, I cheated death, ain’t nothin’ that I can’t do.’ The $uicideboy$ claim their survival in a ruthless world as a badge of honor, intimating that their brushes with mortality have armed them with an invincible façade.
Yet, the bravado is tinged with self-awareness, as evidenced by ‘Manipulation shawty, I can sell ice to Nanook.’ The duo acknowledges their own adaptability to manipulate circumstances, drawing parallels with the infamous biblical betrayer and depicting themselves as modern-day Judases to their own cause.
An Ode to Disenfranchised Youths: From Self-Destruction to Self-Realization
The song doesn’t merely delve into personal grief; it also captures the angst and disillusionment of a generation. ‘Rain, rain, go away, two-hundred on the dash, watch me hydroplane’ is a contemporary reflection of the desire to outrun the storm of life’s problems, no matter the recklessness of such a pursuit.
Encompassing themes from desperation to defiance, ‘THE_EVIL_THAT_MEN_DO’ becomes an unforgiving mirror of reality for many urban youths. Through their lyrics, $uicideboy$ articulate a gritty testament to survival, venting the relentless pressure of existence as they expedite cross-country, navigating the geography of their own troubled psyches.
