This Month, Day 10 by Cansei de Ser Sexy Lyrics Meaning – Unpacking the Song’s Raw Emotional Escapism

Lyrics

I am the last person you can call
Don’t even know how we’ve met somehow
All begin must lead us into an end
I’ll finish this shit this month, day ten
If someday we get to meet again
In a car crash, plane wreck, terrorist attack
Or maybe next thursday night
Don’t bother saying hi
I’ll be rude, I’ll be rude, I’ll be rude
I’ll be rude, I’ll be rude, I’ll be rude
I’ll be rude, I’ll be rude, I’ll be rude
Only with you
Only with you

I’ve got to get up, get high, get outta here
I can’t stand the sound you’re making lying next to me
I’m starting to imitate- that’s imitation
I’m starting to imitate- that’s imitation
This month day ten I wonder if it’s going to rain
Or maybe who knows
It’s gonna be a sunny day
I’m starting to imitate- that’s imitation
I’m starting to imitate- that’s imitation

‘Ll be rude, I’ll be rude, I’ll be rude
I’ll be rude, I’ll be rude, I’ll be rude
I’ll be rude, I’ll be rude, I’ll be rude
Only with you
Only with you

I’m gonna tell you what I’ll do
I’ll break your face in two
I’ll spread your teeth and blood all over the neighborhood
‘Ll be rude, I’ll be rude, so rude
I’ll be rude, I’ll be rude, so rude

I’m gonna tell you what I’ll do
I’ll break your face in two
I’ll break your legs, break you arms, break yourself in two
I’ll break you in ten if I have to
Creation is something you don’t give much attention
‘Ll be rude, I’ll be rude, so rude
I’ll be rude, I’ll be rude, so rude

So, if someday we get to meet again
In a car crash, plane wreck, terrorist attack
Or maybe next thursday night
Don’t bother saying hi
I’ll be rude, I’ll be rude, I’ll be rude
I’ll be rude, I’ll be rude, I’ll be rude
I’ll be rude, I’ll be rude, I’ll be rude
Only with you

Cansei de Ser Sexy, the Brazilian indie electro band known for their noisy pop anthems and tongue-in-cheek lyrical bravado, have always been a purveyor of the unexpected. Their track ‘This Month, Day 10’ from their self-titled debut album is no exception. At first listen, the song might come off as a brazen burst of aggression, yet a deeper dive into its lyrical core reveals a twisted ode to personal liberation and emotional severance.

The seemingly straightforward structure is a clever disguise for the complex themes that resonate with anyone who’s ever felt the biting need to break free from a toxic relationship, and the song’s audaciousness lies not just in the lyrics but in the very spirit of confrontation it embodies. It’s a turbulent journey through the psyche of someone on the brink of a decisive break, and herein, we unravel the layers of ‘This Month, Day 10’.

The Puzzle of Passionate Contempt – What’s Behind the Hostility?

From the opening line, the narrator makes it clear that they have reached their breaking point. There’s a history between the two characters, one that’s hovered long enough in ambiguity, and now the speaker resolves to cut ties with a promise of blunt rudeness. This intones not just a severance but a commitment to an emotional rejection — a pledge toward self-preservation by any means necessary.

The recurring theme of the song isn’t merely anger, it’s the culmination of frustration and the cathartic release that comes with deciding to put oneself first. The vows of violence, while metaphorical, speak to the extremity of their need to detach, acting as hyperbolic affirmations of their detachment.

Decoding the Date – The Significance of ‘This Month, Day 10’

‘This Month, Day 10’ isn’t just a mark on the calendar; it’s a line drawn in the sand of the narrator’s patience. By setting a date, the song captures a sense of urgency and finiteness. There’s power in declaring a deadline, in choosing a moment to say ‘enough is enough’. And while it may be arbitrary, it imbues the song with an almost fatalistic determinism.

The date becomes a symbol for change, a moment the protagonist looks forward to, whether it’s filled with rain or shine. It represents the unpredictable nature of resolution – the weather serving as a metaphor for the emotional landscape that awaits beyond the decided day.

Unveiling the ‘Imitation’ – A Commentary on Authenticity

CSS eloquently tosses into their lyrics a cry against imitation. The mention of starting to ‘imitate’ is tinged with self-awareness and disgust. It could be interpreted as a reflection on how toxic relationships morph us into the worst versions of ourselves, leading us to act out of character.

The repetition of the term ‘imitation’ reinforces the cycle of inauthentic behavior, a pattern that the singer anticipates breaking come ‘This Month, Day 10’. Thus, the song indirectly pleads for individuality and the reclaiming of one’s original essence.

The Iciness of ‘I’ll be rude, only with you’ – A Memorable Line’s Analysis

As the song weaves its narrative of an impending break, one line stands out repeatedly: ‘I’ll be rude, only with you’. This highlight is both a promise and a recognition of a special status—the target of this ire isn’t just anyone; it’s someone who’s managed to penetrate the defenses of the speaker so significantly that they’ve earned a unique response.

More than being about mere rudeness, this statement is a testament to emotional boundaries. It’s a defiant affirmation that the other person has brought about such a visceral reaction that they no longer deserve the civility or kindness which might be extended to others.

Attrition through Aggression – The Hidden Meanings in Violent Imagery

One can’t hear the savage lines of threatened physicality without a sense of unease. Cansei de Ser Sexy daringly uses violent imagery, painting a visceral picture of a break-up not as mere separation of ways but as a shattering of a bond. The theatrics of ‘breaking your face in two’ champions the notion that sometimes words mirror the inner turmoil, which can be as destructively intense as any physical brawl.

In this hyberbolic violence, lies the subtle undertone that each act of ‘breaking’ symbolizes a piece of the self being severed from an unwanted whole. It’s the ultimate expression of a battle between creation and destruction, with the narrating voice seeking to reclaim their creativity from the clutches of an oppressive other.