Valley of the Dolls by Marina & the Diamonds Lyrics Meaning – Deciphering the Metaphorical Escape into Identity and Despair


You can view the lyrics, alternate interprations and sheet music for Marina & the Diamonds's Valley of the Dolls at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

In the valley of the dolls we sleep, we sleep
Got a hole inside of me, of me

Born with a void, hard to destroy with love or hope
Built with a heart, broken from the start and now
I die slow

In the valley of the dolls, we sleep
Got a hole inside of me
Living with identities
That do not belong to me
In my life, I got this far
Now I’m ready for the last hoorah
Dying like a shooting star
In the valley
In the valley
In the valley

Pick a personality for free
When you feel like nobody, body

Born with a void, hard to destroy with love or hope
Built with a heart, broken from the start and now
I die slow

In the valley of the dolls, we sleep
Got a hole inside of me
Living with identities
That do not belong to me
In my life, I got this far
Now I’m ready for the last hoorah
Dying like a shooting star
In the valley
In the valley
In the valley

Back to zero, here we go again, again
Racing down into oblivion
Back to zero, here we go
I can feel it coming to the end
The end

In the valley of the dolls, we sleep
Got a hole inside of me
Living with identities
That do not belong to me
In my life, I got this far
Now I’m ready for the last hoorah
Dying like a shooting star
In the valley
In the valley
In the valley
In the valley
In the valley

Full Lyrics

Marina & the Diamonds’ ‘Valley of the Dolls’ is a mesmerizing labyrinth of self-discontent and existential strife. This haunting track, woven with Marina Diamandis’ signature melodic prowess, serves as a siren song for the lost souls trapped within the confines of their constructed selves. As the melody swirls into the listener’s consciousness, one can’t help but become entangled in its chilling narrative.

However, to understand ‘Valley of the Dolls’ is to untangle the complex web of meaning that lurks beneath its surface. Marina’s lyrics often dwell in the territory of introspection and identity, yet this particular track stands as a darkly glittering gem in her discography, beckoning a deep dive into its shadowy depths.

Diving into the Valley: Decoding the Doll Metaphor

The song’s title is a loaded reference, possibly nodding to Jacqueline Susann’s novel and the cult 1967 film adaptation, ‘Valley of the Dolls’, where ‘dolls’ signifies pills that lead to self-destruction. Marina takes this metaphor and threads it through her narrative, constructing a ‘valley’ in which her own feelings of emptiness and identity loss sleep dormant, hinting at a struggle both personal and widespread, sedated by the dolls of modern society’s making.

The ‘valley’ becomes a mindscape, a place where the disenchanted find solace in the embrace of inauthentic lives, identities picked off the shelf to mask the gaping ‘hole’ of unfulfilled longing. It’s a vivid testament to the struggle against the suffocating norms that dictate who we should be, marring the purity of who we truly are.

A Heart ‘Broken from the Start’: Marina’s Vulnerability

The persistent confession of a void ‘hard to destroy with love or hope’ and a ‘heart, broken from the start’ unveils a poignant layer of Marina’s vulnerability. This lyrical acceptance of her inherent brokenness paints the stark picture of a battle with self-worth and the often-unattainable quest for wholeness in a fragmented world.

There’s a deep-seated resignation that resonates with any listener who has felt broken by life’s relentless trials. Marina’s voice is the echo in the well of our collective melancholy, a sonorous reminder that the fight is as enduring as it is universal.

The Allure of Artificial Identities: Who Do We Pretend to Be?

Living with identities ‘that do not belong to me’ casts a glaring light on the societal pressure to conform and adopt personas that stray far from our intrinsic selves. Marina lays bare the exhaustion of maintaining a facade, an identity that feels alien, a borrowed guise worn thin by the weight of its artifice.

This existential plight is rendered with incisive clarity as the song becomes an anthem for anyone who has felt the disconnect between their outward presentation and their inner truth. It scrutinizes the performative nature we’re often compelled to adopt, leaving us questioning: at what point does the performance end and the true self begin?

The Last Hoorah: Embracing the Inevitable End

In an apparent surrender to fate, the lyric ‘Now I’m ready for the last hoorah’ channels a macabre fascination with the final act, the conclusive liberation from the charade. Far from defeatist, this acceptance sways towards an empowered acknowledgment of mortality and the ephemeral nature of existence.

Marina equates her exit to that of a ‘shooting star,’ an ephemeral streak of light burning out in a blaze of glory. The metaphor illuminates her determination to shine, however briefly, than to endure a prolonged dimming in the valley of forgotten dreams.

‘Back to Zero’: The Reset of Self in the Melancholic Melody

‘Back to zero, here we go again’ could be emblematic of the cyclical struggle to find one’s true essence amidst the rubble of external pressures. Each return to ‘zero’ signifies a reset, a cleansing of the slate yet also a haunting reminder of the inescapable loop where one grapples with their identity.

The stark repetition of this lyric underscores the inertia of self-discovery against the background of the world’s relentless push. These final traces of the song leave the listener suspended within the echoes of the valley, pondering their own odyssey through the landscape of self and the ceaseless pursuit of authenticity.

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