Where Were You in the Morning? by Shawn Mendes Lyrics Meaning – The Raw Emotion Behind the Music


You can view the lyrics, alternate interprations and sheet music for Shawn Mendes's Where Were You in the Morning? at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

You said, “I wanna get to know ya”
Why you gotta get my hopes up?
You said that you were staying over
But then I woke up to the cold air

How could you make me believe?
That there was something in between you and me, yeah
I look around and I don’t see you

Where were you in the morning, baby?
You didn’t leave your number for me
Left me without a warning, waitin’
Where were you in the morning, baby?

And how do you, how do you just walk away?
And how do you, how do you just walk away?

And I thought you really felt this
When we were talking about breakfast
You made it seem like we connected
I guess I just didn’t expect this

How could you make me believe?
That there was something in between you and me, yeah (oh)
I look around and I don’t see you

Where were you in the morning, baby?
You didn’t leave your number for me
Left me without a warning, waitin’
I said where were you in the morning, baby?

And how do you, how do you just walk away?
(Where were, where were you?)
And how do you, how do you just walk away?
(Where were, where were you?)

And I hope you had a good reason
‘Cause I know you had a good time
And I’m looking up at the ceiling
And I keep wondering why

Where were you in the morning, baby?
(Where were you in the morning?)
You didn’t leave your number for me
(Didn’t leave your number)
Left me without a warning, waitin’
(Left me without a warning)
I said, where were you in the morning baby?
(Where were you in the morning?)

How do you, how do you just walk away?
(Where were, where were you?)
How do you, how do you just walk away?
(Where were, where were you?)
How do you, how do you just walk away?
(Where were, where were you?)
How do you, how do you just walk away?
(Where were, where were you?)

Full Lyrics

Beyond the melodic hooks and the undeniable vocal prowess lying at the heart of Shawn Mendes’s ‘Where Were You in the Morning?’, there’s a tapestry of raw emotion and a narrative that speaks to a universal experience. Mendes, known for his introspective and heartfelt lyrics, weaves a story of unexpected loneliness and the search for an ephemeral connection that’s seemingly vanished with the morning sun.

Delving into the lyrics uncovers a tale that is both personal and relatable, echoing the sentiments of unreturned affection and the aftermath of a fleeting romance. It’s a song that encapsulates the questioning and reflection that follows a disappearance act performed by a nocturnal guest, leaving nothing behind but silence and absence.

Unveiling Heartache in a Morning’s Haze

At the heart of ‘Where Were You in the Morning?’ lies the sting of abandonment. Mendes captures the essence of waking up alone, a stark contrast to the promises and potential intimacies that were implied the night before. He presents a narrative brimming with confusion and betrayal, underscored by the cold, vacant space left by a lover who’s fled.

This song is more than a question; it’s an outcry that resonates with anyone who’s ever felt misled by the prospect of a blossoming romantic connection. Mendes masterfully articulates the bewildering sense of having been left behind, a theme that is hauntingly prevalent in the modern dating landscape.

The Piercing Inquiry: A Lyrical Dissection

Each line in ‘Where Were You in the Morning?’ is a delicate probe into the psyche of someone grappling with the unexpected loss of connection. ‘Why you gotta get my hopes up?’ isn’t just a line—it’s a plea for understanding, a questioning of why such hope was offered in the first place if only to be dashed by dawn.

The repetition of the titular question throughout the song serves as a rhetorical anchor, emphasizing the central theme of seeking an answer, or at least closure, to a night that ended in mystery and disappointment. It is a raw expression of the need for resolution and the desire to make sense of an abrupt end.

Breakfast for One: The Hidden Meaning Behind Casual Intimacy

When Mendes sings ‘And I thought you really felt this / When we were talking about breakfast,’ the mention of breakfast becomes symbolic of a future that will never come to fruition. It’s a metaphoric meal that represents shared dreams and the establishment of a bond that is cut short without explanation.

This line, and the common act of sharing a meal, is laced with the hidden meaning of a perceived intimacy and continuity that fails to materialize. The casual nature of discussing something as routine as breakfast juxtaposes the deeper longing for meaningful and lasting connection.

A Ghostly Departure: The Agony of Vanishing Without a Trace

Mendes’s song taps into the modern narrative of ghosting—the act of someone disappearing from a relationship without notice. This phenomenon, exacerbated by digital communication, becomes a poignant focal point as the artist tries to reckon with being left without a warning or a number to reach the other person.

The torment of being left to linger in the aftermath, depicted in the lines ‘Left me without a warning, baby’ and the echoing ‘How do you, how do you just walk away?’, lends the song a haunting quality. It speaks to the silent echo chamber of the unanswered and the unresolved.

Echoes of Melancholy: The Song’s Most Memorable Lines

While the entire composition is a testament to Mendes’s songwriting skills, certain lines deliver the emotional crux with a piercing clarity. ‘How could you make me believe? / That there was something in between you and me,’ is a lament of the mislead heart and the foolishness one feels when trust is broken.

It is in this raw candor and unguarded questioning that ‘Where Were You in the Morning?’ resonates most powerfully. The song becomes more than a single experience—it’s a mirror held up to the many moments of vulnerability and the courage to face them, even when doing so means acknowledging the hurt.

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