Wreath – Unraveling the Lyrical Labyrinth of Desolation and Discovery

You can view the lyrics, alternate interprations and sheet music for Opeth's Wreath at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Eternal Nightmare: A Vortex of Repetition
  5. Behind the Walls: Unearthing A Past
  6. The Macabre Waltz of Life and Death
  7. Distorted Self-Faith: A Reflection in Distress
  8. Memorable Lines: Evoking the Stark Imprint of Desolation


Falling inside again
This nightmare always the same
Still never enough
Halting at the brink of discovery
Moving into the darkness
Leaking inside to cover up
Dragging me down and under
Entangled and undone at once

Old memories
I’m not in need but wish to know
What are the tragedies
The history behind the walls

Pacing further down
Familiar children’s laughter
Dissonant and out of time
And they’re eyes are dead
Watching myself in a pool of water
Wearing the mask of a ghost
Smeared all across my skin
Rotten earth and insects

Endless night
Always preserving the calm
Movement behind

Bleeding animals in a field of fire
There is no absolution
Death is but a fairytale
They are mere visions
They are afraid of me

Clear insight
A smoke is rising nearby
Dust covering my coat
Blend together to spell my name
Pale, covered me with sweat
There are no words left
Sole provider of death
Distorted faith in myself

Human harvest burning
Blackest pages turning
Twisted perception come true
Captured in dreams connected

Staring right back
Spiritual decay still seeking
Frozen in time
Mourn this departure all watching
Calling me back
Closure to bleak matters I’m leaving
End of a search
Coming of morning

Calling me back
Closure to bleak matters I’m leaving
End of a search
Coming of morning returning

Full Lyrics

Diving into the depths of Opeth’s ‘Wreath’ from their lauded album ‘Deliverance’, one finds themselves entrapped in a web of both despair and enlightenment. Like a trek through an enigmatic forest, ‘Wreath’ is an invitation to the listener to explore their darkest corridors of thought, simultaneously representing an internal struggle and a profound external revelation.

On the surface, the song’s haunting lyricism and complex instrumentation are a master class in progressive metal craftsmanship. Yet, beneath the visceral guitar riffs and Mikael Åkerfeldt’s impassioned growls lies a myriad of interpretations, waiting to be dissected by those who dare to delve into the narrative’s elusive core.

The Eternal Nightmare: A Vortex of Repetition

The opening lines paint an image of undying torment – a recurring bad dream that refuses to be forgotten. Opeth’s prowess in maintaining this feeling of liminal dread is not only reflected in their words but reinforced by the spiraling, heavy guitar progressions, creating a soundscape that drags the listener into its inexorable pull.

‘Still never enough, halting at the brink of discovery’ suggests a tantalizing closeness to the truth or understanding that remains perpetually out of reach. It is perhaps a reflection on the human condition, perpetually caught between a desire for enlightenment and the comfort of oblivion.

Behind the Walls: Unearthing A Past

A distinct shift occurs as Åkerfeldt mournfully inquires into the ‘tragedies, the history behind the walls.’ This metaphorical inquiry could allude to personal history or the collective suffering of humanity. The walls, solid barriers to memory and understanding, must be scaled in a bid for truth—one of the many intricate layers hidden within the distressed verses of ‘Wreath’.

With ‘Old memories, I’m not in need but wish to know,’ there’s an expression of the sometimes unwilling drive to confront the past, underlining the conflict between seeking knowledge and the peace that comes from leaving stones unturned.

The Macabre Waltz of Life and Death

‘Bleeding animals in a field of fire, There is no absolution, Death is but a fairytale.’ These lines cut through the poetic fabric of the song to reveal a chilling stance on mortality. Opeth invokes imagery of sacrificial violence and existential nihilism, challenging the listener’s perspective on life’s finality and the stories we tell ourselves about the afterlife.

In asserting that death is merely a vision or a ‘fairytale,’ Opeth disrupts our conventional understanding and perhaps suggests a bleaker or more pragmatic view of our existence, reinforcing the song’s relentless grip on reality.

Distorted Self-Faith: A Reflection in Distress

Åkerfeldt’s visceral roar declares, ‘Distorted faith in myself,’ stripping away any semblance of narcissism to confront the shadows of self-doubt. It’s a profound admittance of vulnerability encapsulated within a moment of clarity, perhaps recognizing the flawed nature of relying solely on one’s perception and strength.

‘Human harvest burning, Blackest pages turning,’ continues this motif of self-reckoning as it could symbolize the burning away of fallacies and misconceptions, turning a new leaf to revelations that might have been previously suppressed or ignored.

Memorable Lines: Evoking the Stark Imprint of Desolation

The repeated call, ‘Calling me back, Closure to bleak matters I’m leaving,’ strikes a chord with its forthright and bitter acknowledgment of an ending. It is the closure of one chapter and the reluctant realization that despite the wish to disconnect, there remains a pull towards the unresolved, the unexplored.

In ‘Coming of morning,’ we find not just the promise of light, but the revelation that no night, no matter how endless, is beyound the reach of dawn’s renewal. This acknowledgement of cyclicality is a potent reminder that while the band can paint harrowing pictures of despair, they also subtly imply the permanence of hope.

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