You – Unraveling the Depths of Desire and Dedication


You can view the lyrics, alternate interprations and sheet music for Lloyd's You at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Duality of Lloyd’s Persona: Player Turned Poet
  5. Amidst the Laughter: Decoding the Song’s Hidden Sentiments
  6. Seduction in Syntax: The Power of ‘I Want You’
  7. An Ode to Dedication: Throwing Away the Playbook
  8. When Verse and Vision Collide: The Resonance of ‘You’

Lyrics

It’s a major move right here, baby
You gotta get with it or getlose, you understand

Yeah (woo), it’s Young Lloyd, reporting live from Atlanta, Georgia
(Yeah, Weezy F. Baby)
Decatur, where it’s greater
And uh, I want all my sexy ladies to report to the dance floor immediately
We gon’ Golden Glide this one y’all, speak Weezy

Yeah, right off the back, ma, the boy got dollars
So women come frequent like flight mileage
It ain’t no secret I-I might holla
But I ain’t gon’ sweat ya, baby
I’m a let ya
Catch up wit’ ya game
Run faster
But don’t let ’em lose ya
‘Cause I ain’t gon’ bless ya
Unless ya
Feel a lil’ desperate
Send a nigga a text message, girl

Stop
Wait a minute
The way you move that, girl
You done got my heart all in it
And I just wanna be with you tonight
Girl, please
I’m a playa, yeah, it’s true
But I change the game for you
I wanna see what it do

Can I be for real?
This is how I feel
I’m in need of love
So let’s dip up out of here
Ooh, you’re just my type
Everything’s so right
And I just wanna chill
So let’s dip up out of here
(Let’s dip up out of here)

Ha, ha, ha, ha, ha
(She’s fine too, but I want you)
Ha, ha, ha, ha, ha, ha
(She’s fine too, but I want you)

I’ll admit it
This just ain’t no game, these just ain’t words
(That I’m spittin’)
If you could see the thoughts that’s in my head (that’s in my head)
I’m trippin’
I’m a playa, yeah, it’s true
But I change the game for you
I wanna see what it do (do)

Can I be for real?
This is how I feel
I’m in need of love
So let’s dip up out of here
Ooh, you’re just my type
Everything’s so right (so right)
And I just wanna chill
So let’s dip up out of here
(Let’s dip up out of here)

Ha, ha, ha, ha, ha
(She’s fine too, but I want you)
Ha, ha, ha, ha, ha, ha
(She’s fine too, but I want you)

Yeah, Weezy F. Baby, the key to the ladies
Keys to the ‘cedes, but please say, “the Baby”
Weed and Patron, even in the A.M.
We should be alone, we can get a day in
You like what I’m sayin’?
Then come around the way and
We can go inside and stay in
Tell the homeboy ya stayin’
You’ve been taken
Gone
Turn me on, and I’m a turn him, yeah
You know I love you like cooked food
You know you fuckin’ wit’ a good dude
You know you give good brain
Like you graduated from a good school
You know I’m a good move
You should do, me
So, hey, shawty, what it is?
The Carter, who it is
Now, shawty, do it big
A party at my crib
That’s a party in the hills
You call it what you want
But she gon’ call it when she feels (ow)

Can I be for real?
This is how I feel
I’m in need of love
So let’s dip up out of here
Ooh, you’re just my type
Everything’s so right (so right)
And I just wanna chill
So let’s dip up out of here
(Let’s dip up out of here)

I ha, ha, ha, ha
(She’s fine too, but I want you)
I ha, ha, ha, ha, ha
(She’s fine too, but I want you)

It ain’t nothin’ but a nonviolent nigga, you know what I mean?
Street love, big love, c’mon
Me and lil’ Lloyd, baby
Long hair, don’t care
Yo, what up, Ryan? I see you baby, yeah
It’s major moves right here, baby
I ain’t talkin’ fast, it’s just, you listenin’ slow, you know what I mean?
You ain’t tryna hear me, then don’t heard me, I’m up outta here
I ain’t being mean, but you so mean in them jeans, you know what I mean?
So, what you want me to do? You

Full Lyrics

On the surface, Lloyd’s 2007 hit ‘You’ is a sleek, rhythm and blues anthem that slides smoothly through the airwaves, an invitation to the dance floor and a nod to the reckless romance of youth. But as the beats percolate and the words spin into the fabric of the song, it becomes clear that this track is more than just its hook.

With features from the iconic Lil Wayne and a backdrop that merges Southern hip-hop with soulful undertones, ‘You’ brings to the fore a complex narrative of love, lust, and the transformative power of genuine connection. Within its catchy exterior lies a web of emotional vulnerability and a candid exploration of relational dynamics.

The Duality of Lloyd’s Persona: Player Turned Poet

The charisma in Lloyd’s delivery isn’t accidental; it privatizes a story we’re all familiar with, where the notorious player finds someone worth changing his game for. The contradiction between the smooth operator and the lovestruck individual serves as the pivot upon which the song turns.

While Lloyd confesses to a history of fleeting encounters (‘the boy got dollars, so women come frequent like flight mileage’), the crux of ‘You’ lies in the protagonist’s readiness to deviate from his usual path for someone who has captured his fancy more profoundly than ever before (‘I’m a playa, yeah, it’s true, but I change the game for you’).

Amidst the Laughter: Decoding the Song’s Hidden Sentiments

In an interplay of laughter and desire, the repeated line ‘Ha, ha, ha, ha, ha’ echoes like a mantra, or perhaps a defense mechanism. It reflects the innate human instinct to mask our true feelings with humor – or in this case, to dilute the depth of desire with laughter.

Yet, each ‘Ha’ reverberates with an unspoken truth, cracking the facade and revealing a sincere plea for love and connection beneath the surface (‘I’m in need of love’). The laughter merges the playful with the profound, an artistic device that calls attention to the raw honesty in Lloyd’s avowal.

Seduction in Syntax: The Power of ‘I Want You’

The declaration ‘She’s fine too, but I want you’ is a masterclass in desire contextualized. It crafts a sonic backdrop where choice supplants mere chance. Lloyd signals that amidst a world replete with options, his attention is undiverted, fixated on the one who stands out to him.

There is currency in the specificity of wanting, particularly in the often ambiguous realm of modern relationships. In framing his interest with direct language, Lloyd punctuates the track with an emotive certainty that resonates with listeners navigating the unpredictable tides of romance.

An Ode to Dedication: Throwing Away the Playbook

Moving beyond the pursuit of fleeting pleasures, ‘You’ unfolds as an ode to the abandoned playbook of the perennial bachelor. This unexpected commitment renders Lloyd’s appeal in the song both relatable and aspirational—reflecting the cultural zeitgeist that admires flexibility and sacrifice for love.

The theme of loyal devotion further materializes when he extends an invite to step away from the noise (‘So let’s dip up out of here’), symbolizing a deeper intent to cultivate something beyond the typical club fling.

When Verse and Vision Collide: The Resonance of ‘You’

Not only does Lloyd’s ‘You’ resonate due to its catchy melody and smooth rhythm, but the authentic emotion behind the lyrics connects with a universal audience. His collaboration with Lil Wayne adds a layer of cultural legitimacy, intertwining street cred with romantic earnestness.

The verse ‘You know I love you like cooked food; You know you fuckin’ wit’ a good dude’ roots the song in a homely yet urban imagery, knitting together comfort with credibility. This powerful alliance of love and relatability is what solidifies ‘You’ as an enduring anthem in Lloyd’s repertoire and the larger urban R&B landscape.

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