10:37 by Beach House Lyrics Meaning – Unraveling the Enigmatic Veil of Dream Pop
Lyrics
Like night disappeared
Caught in the atmosphere
Where you go, she casts no shadow
Still you know she’s near
Lie
Lie
Here she comes, all parts of everything
Stars in the motherhand
With the dark, thunder above you
Come to a song, we
Lie
Lie
Chances are
Ten, thirty seven
House made of the dawn
Disappears
Lie
Lie
In the vast expanse of music that stretches out like a nighttime sky, every so often a song shines through with the intensity and mystery of a celestial body, veiled in the gossamer threads of interpretation. Beach House’s track ’10:37′ from their 2015 album ‘Depression Cherry’ is a luminescent example of such a song—an enigmatic entry in their dream pop catalog that invites a deep dive into its submerged meanings.
The ethereal soundscape crafted by Victoria Legrand and Alex Scally is a hallmark of their style, yet ’10:37′ manages to stand distinctly in the corner of their universe, faintly illuminating a path for listeners to wander along in search of understanding its lyrical and emotional layers.
Unlocking Ethereal Echoes: An Introduction to ’10:37′
Upon first listen, ’10:37′ appears as an intimate, almost otherworldly whisper carried on the soft waves of Beach House’s signature sound. A track that doesn’t so much demand your attention as it does coalesce around the peripheries of your consciousness, gently tugging at the sleeve of your innermost sensibilities.
Laced with the languid strains of keyboard and guitar, ’10:37′ remains a remarkable specimen in Beach House’s poetic body of work. The track floats through the mind like a piece of modern art hanging in an empty gallery, full of unspoken emotion and complex simplicity.
Between The Lines: Dissecting The Dream-Like Lyrics
Legrand’s voice in ’10:37′ moves like a whispering shadow, hardly discernible in its softness, yet every word imprints itself onto the listener’s soul with purpose. ‘Chances are like night disappeared, caught in the atmosphere’ immediately sets a scene of transient fleetingness, the evanescent nature of opportunities or moments that dissipate as swiftly as they are perceived.
The repetition of ‘Lie’ in the lyrics adds a layer of mystique—it’s as if the song itself is aware of its enigmatic, unreachable heart, teasing the listener with a truth that is simultaneously obscured and laid bare.
Motherhand’s Embrace: The Song’s Hidden Meaning
One might argue that the arcane line ‘Here she comes, all parts of everything, stars in the motherhand’ embodies the core of ’10:37′. It has been posited that this lyric encapsulates the quintessence of the human experience—the collective and the individual, the celestial bound within the maternal, the universe encapsulated in a single entity.
Couched in Legrand’s reverberating tone, these words transcend their surface reading to suggest a profound interconnectedness of all existence. The image of the ‘motherhand’ might harken back to the idea of an ancestral guiding force, a universal caretaker or even the personification of fate itself.
A House Built at Dawn: Exploring Time and Space
The mystic image ‘Ten, thirty seven, House made of the dawn, Disappears’ is perhaps one of the most cinematically vivid and confounding phrases in the song. It evokes the idea of a structure, a safe haven, or a significant nexus of being that is so ephemeral it only exists at a specific, ungodly hour, offering sanctuary to those who find it before vanishing with the morning sun.
Within these lines lies an exploration of the temporal and the eternal, suggesting that some moments, certain truths, or profound connections exist only in fleeting instances that one must seize before they dissolve back into the intangible dawn.
Ephemeral Echoes: Unforgettable Lines That Linger
The hypnotic repetition of ‘Lie’ throughout the track is a drumbeat statement that feels impossible to shake. It reverberates long after the song has ended, a mantra that captures the false fronts we put up and the facades that life assumes.
The unforgettable lines of this song are like brushstrokes on a canvas, sparse and yet full of intent. Each lyric in ’10:37′ draws the listener deeper into contemplation, offering fragments of a dream left to puzzle together—a lyrical landscape that reflects the beauty of its ambiguity.
