A Crow Left Of The Murder by Incubus Lyrics Meaning – Decoding the Cryptic Anthems of Our Time
Lyrics
Ditch what I read
Behind what I heard
Look, find, free
Yet, do you get it?
Yet, do you get it?
From here on it’s instinctual
Even straight roads meander
Every piece contains a map
Of it all, it all
Evidence
March of the air
Pulse of the sea
Look, find, free
Yet, do you get it?
Yet, do you get it?
From here on it’s instinctual
Even straight roads meander
Every piece contains a map
Of, it all, it all
On a line indivisible
A crow left of the murder
Every piece contains a map
Of, it all, it all
Everything I wanted
Wanted to know
Everything I wanted
Wanted to see, to see
Unlearn me
Unlearn me
Do you get it yet?
Look, find, free
Do you get it yet?
Do you get it yet?
Do you get it yet?
Do you get it yet?
Do you get it yet?
Do you get it?
Incubus has long stood at the forefront of alternative rock, weaving intricate lyrics with a soundscape that defies simple categorization. ‘A Crow Left of the Murder’ is no exception, offering listeners a deep plunge into the heart of its own enigma. With a title that evokes stark visual imagery, the song is an invitation to an audial dissecting room where poetry and sound collide.
The track, part of the album sharing the same name, punches through rock’s fabric with its visceral energy, and yet, its words dance delicately with an openness to interpretation. Frontman Brandon Boyd’s pen works more like a painter’s brush on canvas than a writer’s on parchment. The resulting masterpiece? A lyrical riddle bathed in the glow of profound meaning and raw emotion.
Underneath the Murder of Crows: The Hidden Multitudes
At its core, ‘A Crow Left of the Murder’ taps into a rich vein of symbolism. Crows are often associated with mystery and transformation, but also with something seen as ‘left of the murder’—outside the collective, apart from the consensus. This phrase sets the tone for a daring intellectual and spiritual independence, a call to seek truth beyond the confines of societal norms and echo chambers.
The song’s insistence on ‘unlearning’ is profound. It pulls at the threads of preconceived narratives and learned behavior, urging a liberation from the holds of dogma and indoctrination. Boyd invites the listener to let go of what they have been told and instead embrace the freedom to find and release their own truths.
Meandering on the Straight Roads: Life’s Inevitable Twists
The notion that ‘even straight roads meander’ presents life as a journey full of unexpected turns, regardless of its perceived direction. While ostensibly nonchalant, this line seeps deep into the subconscious, suggesting that the most calculated plans can lead to unknown destinations.
It speaks to the unpredictability of life, the idea that the map we carry—a collection of personal experiences and beliefs—is not solely ours to control. Like the meandering roads, our lives are subject to change and flux, and ‘A Crow Left of the Murder’ embraces this universal truth with existential exuberance.
The Universe in a Grain of Sand: Finding the Map Within
Boyd repeatedly asserts that ‘every piece contains a map of it all,’ a sentiment echoing William Blake’s ability to see a world in a grain of sand. The perception of the microcosm within the macrocosm reinforces Incubus’s message of interconnectedness and the significance of every fleeting moment, every small piece of the larger puzzle.
The song empowers the listener to look inward, to find within themselves the key to understanding the outer world. The personal journey is not just introspective, it’s a means to grasp the tapestry of existence, hinting at the profound reality that we each hold a piece of the universe’s grand design.
Echoing Desires: What Do We Really Want to Know?
Boyd’s plea—’Everything I wanted, wanted to know’—is as much a personal confession as it is a universal query. It’s not just about amassing information, but about the deep-seated desire to understand, to see beneath the surface of things.
The yearning for knowledge and the ability to perceive truth influences much of the human experience. ‘A Crow Left of the Murder’ doesn’t just acknowledge this hunger; it amplifies it, reminding us of the importance of pursuing our own unique questions and the answers that quench our intellectual and spiritual thirst.
The Last Cry: Do You Get It Yet?
Unlocking Incubus’s cryptic message is akin to solving a puzzle with pieces that continuously evolve. ‘Do you get it yet?’ The song ends as it begins, with a challenge that is both a provocation and an invitation to explore. The question repeats, a mantra suggesting that understanding is not a destination, but a process.
In ‘A Crow Left of the Murder,’ Boyd and his bandmates aren’t offering solutions but rather pushing for a continual quest for clarity. The song’s existential refrain is a reminder that our search for meaning and for the essence of our desires is never finished; it is an endless journey that defines what it means to be human.
