All My Life by Run the Jewels Lyrics Meaning – The Anthem of the Modern Rebel


You can view the lyrics, alternate interprations and sheet music for Run the Jewels's All My Life at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

(Paul is dead)
One time for the pill and the reefer, man
One time for, one time for
One time for the pill and the reefer, man
One time for the, one, one-one-one

One time for the pill and the reefer, man
It’s the young black leader to the people, man
If you’re girl’s fine, nigga might eat her, man
I’m talkin’ middle of the mall like a pita, man
A Nigga sky high now like Jesus, man
And oh Lord this reefer so potent
Got an anti gravity, a nigga stay floatin’
This nigga rob me, bitch you must be jokin’
Like pow pow pow leave your chestplate open
One half the best tag team ever
Them other fellas all right, we better
Anybody disagree they jealous
And anybody don’t just motherfucking yellow (just yellow)
Fuck a boss I’m the goddamn owner
And I smell like YSL and marijuana
Don Draper with the paper might pull a slick caper
Secretary told me fuck you. I told her you gonna

And I been this way, shorty
(All my life)
And I been this way, bitch
(All my life)
And I been this way, shorty
(All my life)
And I been this way, bitch

(Go) sharp like knife
I bet a buck I’m stuck in the guts of the night
And I’m (ready on the right)
Please pass that already, alright
Get fetti, he’s steady on the mic what the fuck else can he do right?
Step armed heavy and he brought Mike
Never step light, no fair fights
We got the drugs y’all wanted
Take a suck on the tail of a comet
I’m so high you a hobbit
Dick level, please back up off it
Better off dead like Paul is
Your name don’t Ring, go Starrless
Me and Mike we a friend to the farmers
The weed run out, we might cop your whole harvest

And I been this way, shorty
(All my life)
And I been this way, bitch
(All my life)
And I been this way, shorty
(All my life)
And I been this way, bitch

And I been this way, shorty
And I been this way, bitch
(All my life)
And I been this way, shorty
And I been this way, bitch
(All my life)

Go

Full Lyrics

In a raw concoction of incisive lyrics and pummeling beats, Run the Jewels’ ‘All My Life’ emerges not just as a track but as a manifesto, hyping the listener into a state of pulsating vigor. Beyond the surface-level bravado and head-nodding rhythm lies a depth of lyrical ingenuity, resonating with the defiance and individualism of the digital age.

The duo, comprised of Killer Mike and El-P, has once again synthesized their unique blend of socio-political commentary and self-aggrandizement into a compact capsule of hip-hop excellence. At the heart of ‘All My Life’ thrives the essence of what it means to be uncompromisingly alive in today’s tumultuous times, a declaration inked into the very soul of contemporary music culture.

The Echoes of Yesterday Resounding in Today’s Struggle

Run the Jewels’ ‘All My Life’ is not merely a collection of words set to music—it’s a battle cry from the depths of lived experience. With each verse, the artists impart a dual homage: to the historical struggles that have sculpted the sphere of black leadership and to the personal tribulations that define individual odysseys.

Killer Mike’s delivery reflects a lineage of young black leaders, a mantle he’s claimed and respects profoundly. The relay between the personal and the political is seamless, as the lines shed light on the ongoing battles for representation, respect, and righteousness. This track isn’t just a moment, it’s a continuum of ‘fight’ celebrated and perpetuated through melody and rhyme.

A Riotous Celebration of Self-Ownership and Anti-Establishment

El-P’s verse, rife with defiant energy and a don’t-care attitude, serves as an audacious repudiation of the traditional corporate structure. When he equates himself to the ‘goddamn owner,’ it’s clear that Run the Jewels aspire beyond the constraints of the boss-employee dynamic, rejecting the corporate ladder in favor of self-made sovereignty.

This is a narrative that echoes throughout the artistic spheres, especially in hip-hop where entrepreneurship and ownership are increasingly paramount. Run the Jewels articulates a contemporary vision of liberation, one where self-worth trumps societal acknowledgment, and where being pigeonholed by conventional labels is an anathema.

The Intoxication of Fame and the Lure of Transcendence

With a nod to the indulgences that often accompany success, ‘All My Life’ interweaves metaphors of intoxication and levitation. The ‘reefer’ is not just a substance but a metaphor for elevation, a means of surpassing the mundane and touching the divine.

This psychedelic journey doesn’t just offer an escape; it symbolizes a broader surpassing of obstacles. Run the Jewels doesn’t just touch on bodily highs but rather a transcendence of spirit and situation—rising above adversity through the sheer force of will and confidence materialized in the aerial imagery of their lyrics.

Unearthing the Hidden Gem: A Commentary on Hip-Hop Royalty and Legacy

Amid the bombast and braggadocio, ‘All My Life’ undertakes a clever twist on hip-hop’s competitive nature. The mention of legends, with a tongue-in-cheek Beatles reference, walks the line between reverence and challenge, recognizing the hierarchy only to claim one’s rightful place within it.

Historical allusions connote a shrewd sense of self and history, bespeaking the knowledge that every new entrant in the annals of hip-hop is part of a larger continuum. In claiming their space beside the greats, Run the Jewels asserts the validity of their voice and the potential of their ongoing contribution to cultural lore.

Memorable Lines: The Wit and Prowess in Verbal Punches

The genius of ‘All My Life’ isn’t solely in its energetic performance but in the deft lines that cut sharp and deep. ‘Better off dead like Paul is’ serves as a standout bar—simultaneously honoring and usurping the legacy of one of music’s most storied bands, the Beatles.

Humor and gravitas balance on a knife-edge throughout the lyrics, crafting an engaging dialogue with the listener. These sorts of lines linger, inviting repeated listens and reflecting the art of wordplay that has long been a cornerstone of hip-hop. They challenge, wink, and swagger all at once—a testament to the enduring power and polyvalence of verse.

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