All the Time by Jeremih Lyrics Meaning – Decoding the Desires in a Rhythmic Confession
Lyrics
I hit you like, “What you sayin’?”
In the morning’s when I wanna fuck you, yeah
I hit you like, “What you sayin’?”
I-I-I could f- you all the time
I-I-I-I could f- you all the time
M-O-Ë-T
That’s what the fuck we be sippin’ (sippin’)
That’s what the fuck we drippin’ (drippin’)
My trap house still tippin’
Facetime when I’m gone
She gave me dome from a distance
And she love to climb on top
She love to walk off limping
Pimps up, hoes down
Legs up or toes down
Why she jock me? ‘Cause she knocked knee’d
And we got trees, so Mary go ’round
Gotta know I ate it
She so sweet now and later
I want that all the time, all the time
I mean, you all mines when it’s
Early in the morning’s when I think about you, yeah
I hit you like, “What you sayin’?”
In the morning’s when I wanna fuck you, yeah
I hit you like, “What you sayin’?”
I-I-I could f- you all the time
I-I-I-I could f- you all the time (uh)
P-p-pussy for breakfast, that’s how I start my day
My dick is a pen, it’s written all over her face
I put my tongue in her mouth, I make them pussy lips drool
She got that junk in the trunk, you know I like junk food
I tell her like this, life is good (good)
Your pussy better (better), but I put on her magnum (magnum)
Like a gold medal (medal)
And if it’s sweet then I’ma eat it ’til I get sugar diabetes
I’m a blood and she anemic, we perfect (perfect)
Early in the morning’s when I think about you, yeah (Tunechi)
I hit you like, “What you sayin’?”
In the morning’s when I wanna fuck you, yeah (oh yeah, I make her say)
I hit you like, “What you sayin’?” (Young Mula, baby)
I-I-I could f- you all the time
I-I-I-I could f- you all the time
Damn, damn lil’ momma you’re sticky-Icky-Icky
Got a nigga out feeling picky-Icky-Icky
Every time you put it on me, man, it leave me real trippy
Every time we on it, we keep it 50/50, uh
Don’t let the time ticky-Icky-Icky
While I’m snappin’ off your bra and biting on your bitties
(Head shots)
Feeling real tipsy, getting real freaky
And it’s getting real frisky
She never say no, damn, she so cold
Up and down that pole, she go, go (go, go, damn)
Fuck me like you hate me (yeah), kiss me like you miss me (yeah)
Anything I want to (yeah), swear she always lets me
Early in the morning’s when I think about you, yeah
I hit you like, “What you sayin’?”
In the morning’s when I wanna fuck you, yeah
I hit you like, “What you sayin’?”
I-I-I could f- you all the time
I-I-I-I could f- you all the time
Jeremih’s ‘All the Time’ slithers through the speakers with a provocative and passionate urgency that is both raw and refined. At its surface, the track may seem like a straightforward ode to sexual desire, but peeling back the layers reveals a labyrinth of emotion and yearning. It captures a snapshot of modern romance, underscored by a sultry tempo that aligns perfectly with the song’s intimate narrative.
Navigating between explicit content and subtle insinuations, Jeremih weaves his candid confessions with a mix of bravado and vulnerability. The result is a song that doesn’t just speak to the physiology of attraction but delves into the psychology of connection, exploring the depths of sensual dependency and all its complexities.
Through the Veil of Morning: The Song’s Daily Desires
The sun has barely risen, and already the mind races toward impassioned thoughts; such is the recurring theme of ‘All the Time.’ Jeremih’s lyrics open with the dawn, positioning desire as a constant companion from the moment consciousness resumes. This morning motif suggests a primal, unending yearning that refuses to be bound by the clock or societal decorum.
It’s not just any type of longing Jeremih describes—it’s a visceral and controlling need for physical intimacy. This repeated reference to morning moments reveals the song’s honest embodiment of human sexuality, where the impulses are as natural and expected as the sunrise itself.
Beneath the Sheets: A Symphony of Euphemisms
While the overt call for sexual encounters steals the spotlight, Jeremih’s wordplay dances elegantly around euphemistic language. ‘Pu-pu-pussy for breakfast,’ as crass as it may initially appear, serves as a provocative play on the essentialism of sex in the singer’s daily routine, with the same urgency and necessity as the first meal of the day.
His depiction of intimacy, with phrases such as ‘My dick is a pen, it’s written all over her face,’ carries the dual imagery of sexual conquest and an artist’s creativity. It’s a conflation of his libidinous pursuits with artistic expression, suggesting that there’s an art form in the act of lovemaking, a personal signature left within each passionate encounter.
A Deeper Thirst: The Hidden Meaning of ‘All the Time’
‘All the Time’ manages to harmonize lustful lyricism with an undercurrent of emotional starvation. Behind the bravado of sexual appetite lies a subtle quest for a different kind of nourishment—one that feeds the soul. Jeremih isn’t just singing about physical satisfaction; he’s also yearning for the connection and recognition that come with it.
Throughout the song, the artist’s portrayal of his own needs doesn’t exist in isolation; it’s contextualized by the response and engagement of his partner. This interplay underscores a mutual dependence that transcends mere physical interaction and taps into the shared human desire for a deep and comprehensive bond.
Anthems of Addiction: Memorable Lines that Stick
The gravitational pull of certain lines in ‘All the Time’ ensures they linger long after the track ends. Phrases such as ‘I could fuck you all the time’ and ‘I know you all mine’ resonate with an almost hypnotic quality, emphasizing the compulsive aspect of Jeremih’s affections.
This repetition isn’t just a lyrical device; it mirrors the obsessive nature of physical craving, how certain interactions imprint themselves on our psyche, creating a loop of longing that can be replayed endlessly, both in our heads and through our speakers.
The Toast to Sensual Spirits: Moet as Metaphor
Intoxicating and expensive, Moet champagne makes its appearance as a symbol of the lush life Jeremih narrates. In this context, ‘M-O-E-T’ spells out more than just a brand—it is a metaphor for the rich and heady experiences that he shares with his lover, effervescent and potent.
The choice of such a specific detail isn’t coincidental. It illustrates the artist’s desire to link the material opulence with the lavishness of the experiences he’s describing. There’s a luxury in the way he articulates his physical encounters, a form of hedonism that is both lyrical and lifestyle.
