Baby – Unveiling the Layers of Whimsy and Wanderlust


You can view the lyrics, alternate interprations and sheet music for Devendra Banhart's Baby at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. A Symphony of Chuckles: The Laughter That Binds
  5. Peeling the Everlasting Onion: Infinite Layers to Love
  6. Unwrapping the Seemingly Absurd: A Hidden Meaning in Banhart’s Words
  7. Immortalizing Connections: Milestones of Mirth
  8. The Iconic Refrain: ‘But Who Cares Where It’s Going’

Lyrics

Baby
I finally know what I’m going after
I’m learning to let in all the laughter
Holy Molly, you’re so funny
You crack me up, you crack me up

Look out
For dreams that keep returning
Cause magic ain’t no hand-me-down yearning
You have to feel it
You gotta want it
The way I want you, babe

Traveling by choo-choo train, yeah
We know where, we just don’t know when
Like some everlasting onion peeled by love

Never
Heard a better bad joke said out loud
You flip, flap and I wild out
Can you believe it? I can’t believe it
But it’s true

You’re giving
Eighty billion years of giggling
A whole new world to live in
But this one’s real, this one’s real
This one’s real

Like an old, tired kangaroo
You be one and I’ll be one too
Play it goofy or play it cool, well, I don’t mind

Everything that happened
You know it don’t mean a thing to us
‘Cause so much is going to happen
Because

You showed me
A sunset overflowing
But who cares where it’s going
As long as you’re next to me

Full Lyrics

In the rich tapestry of modern folk music, Devendra Banhart holds a special place, painting his lyrics with vibrant imagery and heartfelt emotion. His song ‘Baby’ manifests as an enchanting ode, an intimate conversation that unravels the beauty of connection, laughter, and the spontaneity of life.

Seemingly simple at first listen, ‘Baby’ draws listeners into a deeper reflection on love, life, and the whimsical journey that we participate in with our chosen partners. It’s about the magic of shared moments and the exhilarating uncertainty of where life’s ‘choo-choo train’ will take us next.

A Symphony of Chuckles: The Laughter That Binds

Banhart starts with a heartfelt declaration of understanding his pursuit, an epiphany led by the joyous laughter shared with a loved one. In a world that often stresses sobriety and seriousness, he champions the lighter side, suggesting that bliss can be found in the cacophony of chuckles and the smallest of amusing moments.

It’s about allowing oneself to be vulnerable, to let the guard down, and embrace the hilarity and nonsense that can, and does, occur in everyday interactions. This humor becomes a thread that sews two people closer, making ‘Holy Molly, you’re so funny’ not just an idle compliment but a profound recognition of the endearing human connection.

Peeling the Everlasting Onion: Infinite Layers to Love

Quickly, the song delves into a metaphor of an ‘everlasting onion,’ hinting at love as an entity that is continuously peeled back, layer after layer, revealing infinite depths. Just like peeling an onion can lead to tears, so too can love lead to emotional exposure and vulnerability — but it’s embraced as part of the journey.

The comparison to an everlasting onion also suggests a love without end, a process of discovery that, regardless of the occasional tear or sting, is ceaselessly rewarding. The imagery plants the idea that love and laughter have the power to renew the soul and the world we inhabit.

Unwrapping the Seemingly Absurd: A Hidden Meaning in Banhart’s Words

In ‘Baby,’ Banhart crafts a narrative around the art of treasuring the ridiculous. Lines like ‘Never heard a better bad joke said out loud’ illuminate the songwriter’s appreciation for the profoundly absurd, the little imperfections and unexpected turns that characterize our lives.

Yet, beneath this surface-level silliness lies a subtext about accepting life’s unpredictable nature. It’s an endorsement of enjoying the ride, cherishing the ‘bad jokes’, the flawed, and the banal — because in the collective mess of it all, we find the authenticity of our shared human experience.

Immortalizing Connections: Milestones of Mirth

The notion of an ‘eighty billion years of giggling’ compounds the theme of eternal companionship, a bond spanning beyond conceivable time, dedicated to joy and shared experience. It’s a testament that the moments of connection between people can feel immeasurable, echoing through the cosmos.

Banhart isn’t just singing about a fling or a fleeting romance; he’s contemplating a connection that resonates on a universal scale, lending a new, boundless world for two souls to inhabit – one that’s inexplicably and unmistakably real, even if it is anchored in laughter.

The Iconic Refrain: ‘But Who Cares Where It’s Going’

Therein lies one of the song’s most memorable lines: ‘But who cares where it’s going/As long as you’re next to me.’ This is the song’s heart, its central tenet of blissful nonchalance in the face of the unknown. Banhart encapsulates an entire philosophy of love where destinations are inconsequential compared to the companionship on the journey.

It’s a celebration of the present, a refusal to worry about the sunset’s destination, because the sunset itself is enough. It’s an endorsement of existence in the here and now, savoring the complexities and simplicities of life as they come, especially when shared with someone special.

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