Blood on the Dance Floor by Michael Jackson Lyrics Meaning – Unveiling the Enigmatic Tale of Danger and Seduction


You can view the lyrics, alternate interprations and sheet music for Michael Jackson's Blood on the Dance Floor at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Alone tonight
Me here tonight
‘Til it’s all right
Damn lover friend of mine

She got your number, she know your game
She put you under, it’s so insane
Since you seduced her, how does it feel
To know that woman is out to kill?

Susie got your number, and Susie ain’t your friend
Look who took you under with seven inches in
Blood is on the dance floor, blood is on the knife
Susie’s got your number, and Susie says it’s right

Susie says it’s, Su-Su says it’s
(Take my, take my money)
Susie got your, Su-Susie got your
(Throw my time away)
Blood is on, is on, blood is
(You’ve been talking garbage)
The dance floor, the dance the night
(You’re damn, damn good for me)

I never knew, but I was walking the line
“Come go with me,” I said I have no time
And don’t you pretend we didn’t talk on the phone
My baby cried, she left me standing alone

Welcome to Heartbreak Hotel
This is Heartbreak Hotel, it’s so evil
Heartbreak Hotel
This place is Heartbreak Hotel

10 years ago today
Dangerous, and Susie ain’t your friend
Dangerous, with seven inches in
Dangerous, blood is on the knife
Dangerous, and Susie says it’s right

A haunting ghostly treat, the foolish trickery
And spirits dancing in the night
But if you came to see the truth, the purity
It’s here inside a lonely heart

So just leave me alone, girl
Leave me alone
Leave me alone, girl
Leave me alone
Stop it, just stop dogging me around

It was blood on the dance floor, to enjoy that simple dance
It was blood on the dance floor, everything was on my side
It was blood on the dance floor, like it was love and true romance
It was blood on the
And I just can’t take it, the girl won’t break it

You’ve been, you’ve been, you don’t, you don’t, don’t
You don’t, you don’t, don’t mess with my baby
She don’t, she don’t, she don’t know it
She just, she just, mess with my baby

Full Lyrics

In an era defined by kinetic pop and pulsating beats, Michael Jackson’s ‘Blood on the Dance Floor’ etches an indelible mark with its haunting narrative and infectious rhythm. It is a song that melds groove with a storyline that both captivates and chills, encapsulating a dance of danger, deception, and desire.

Beyond its surface, the track is a complex tapestry of Michael’s artistry, woven with threads of personal strife, allegory, and an almost prophetic view of sensationalized media narratives. Delving into the heart of this hit reveals layers of meaning that transcend its time, illuminating the shadows where Jackson’s genius often danced.

The Allure of Danger: A Dance Floor Duel

Romanized by the allure of a femme fatale, ‘Susie’, a character with undeniable power, becomes a central figure in the narration. She’s more than a siren leading men to their demise; she’s a metaphor for the precarious nature of celebrity and the dangerous liaisons that often accompany fame.

Jackson weaves a tale of suspicion and imminent peril around every turn, every beat. The chorus doesn’t just catch you; it ensnares, with the image of blood—a visceral sign of consequence and a stark red warning that the physical dance floor of life harbors unseen battles.

Seduction’s Bitter Aftertaste: The Emotional Bloodshed

Even as we move our feet to the rhythm, the words paint a picture of seduction giving way to betrayal. Jackson’s vocal delivery, tortured and intense, drags the listener through an emotional gauntlet. It’s here in the climactic refrains that he reveals the emotional bloodshed synonymous with treachery.

The song isn’t simply about the literal blood one might imagine on a dance floor after a violent act; it’s about the metaphorical bleeding heart, the internal struggles and the painful aftermath of relationships gone awry. Each stanza delves deeper into the psyche of a narrator cornered by his choices and consequences.

A Visceral Cry: Memorable Lines That Haunt

‘Blood is on the dance floor, blood is on the knife’ is more than a haunting lyric; it’s the pivotal moment of reckoning. These lines serve as a gruesome crescendo that elevates the song from catchy pop to a narrative of cautionary darkness.

This refrain, both a hook and a psychological pivot, encapsulates the entire essence of the song. It’s memorable because it shocks, it resonates, and it forces one to confront the underlying threats that lurk beneath seemingly innocent encounters.

The Hidden Meaning Behind Susie’s Seven Inches

The reference to ‘seven inches in’ has been a source of intrigue and speculation. Far from arbitrary, these words could symbolize the deep wounds inflicted upon the soul, echoing the depth to which betrayal, media scrutiny, or personal demons can penetrate one’s being.

In understanding Michael’s often cryptic artistic language, one recognizes that ‘Susie’ and her seven inches could equally represent the incessant cuts at his privacy and the sensationalism that plagued his existence. It is an opaque yet revealing hint at the personal being laid bare in public spectacle.

A Lonely Heart’s Desperate Plea for Solitude

The entreaty, ‘So just leave me alone, girl / Leave me alone,’ resonates with a sense of overwhelming exhaustion. It is a pleading for respite, and in the context of Michael’s own life, a metaphor for his constant battle with the invasive press and the relentless public eye.

These lyrics echo the sentiment of one hunted by the specter of fame. It’s a cry for peace, a demand for personal space – a theme that ran rife throughout Jackson’s life and one that audiences felt, heard, and, in the depths of their fandom, understood to be a part of the star’s tragic soliloquy.

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