Brave New World – A Labyrinth of Modern Anxieties


You can view the lyrics, alternate interprations and sheet music for Iron Maiden's Brave New World at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Clash of Natural Purity and Modern Corruption
  5. An Ominous Foreshadowing of Fall from Grace
  6. Unveiling the Song’s Hidden Meanings
  7. A Lament for Lost Kings and Queens
  8. Hauntingly Memorable Lines That Echo Through Time

Lyrics

Dying swans, twisted wings
Beauty not needed here
Lost my love, lost my life
In this garden of fear
I have seen many things
In a lifetime alone
Mother love is no more
Bring this savage back home

Wilderness, house of pain
Makes no sense of it all
Close this mind, dull this brain
Messiah before his fall
What you see is not real
Those who know will not tell
All is lost, sold your souls
To this brave new world

A brave new world
In a brave new world
A brave new world
In a brave new world
In a brave new world
A brave new world
In a brave new world
A brave new world

Dragon kings, dying queens
Where is salvation now?
Lost my life, lost my dreams
Rip the bones from my flesh
Silent screams, laughing here
Dying to tell you the truth
You are planned and you are damned
In this brave new world

A brave new world
In a brave new world
A brave new world
In a brave new world
In a brave new world
A brave new world
In a brave new world
A brave new world

A brave new world
In a brave new world
A brave new world
In a brave new world
In a brave new world
A brave new world
In a brave new world
A brave new world

Dying swans, twisted wings
Bring this savage back home

Full Lyrics

Iron Maiden, known for their epic narratives and deep-rooted lyrical content, plunge into socio-political commentary in ‘Brave New World’, a title that resonates with Aldous Huxley’s dystopian novel. Far beyond mere adaptation, the track, woven with a rich tapestry of metaphors, thrums on a frequency reaching into the core of human angst that burgeons amidst the advancement of a new era.

The song’s poignant lyricism snarls with disillusionment—an opposition to the misleading allure of a ‘Brave New World’. With strobes of literary references and existential undertones, this musical piece serves as a clarion call to discern the systems that seek to shape us, challenging listeners to ponder the reality lying beneath the varnish of so-called progress.

The Clash of Natural Purity and Modern Corruption

The recurring imagery of ‘dying swans’ and ‘twisted wings’ evokes a stark contrast between the innate beauty of nature and the deforming pressures of contemporary society. Iron Maiden lashes out at the artificiality that encroaches upon the limpid streams of pure existence. It’s a grim reminder of the price paid in the name of advancement: the loss of organic love and life.

The song punctuates the agony of what’s left behind, striking a chord with those who mourn a simpler past where ‘mother love’—a metaphor for unconditional, natural affection—prevails. The phrase ‘bring this savage back home’ reveals a longing for reconnection with primal innocence, urging introspection on what constitutes the true essence of humanity.

An Ominous Foreshadowing of Fall from Grace

As ‘Wilderness, house of pain’ blankets the senses, there’s a descent into the fragmented psyche of a modern savior. The Iron Maiden opus crashes against the walls of organized religion and messianic archetypes, wrapping the listener in a cloak of skepticism about leaders who were once revered but now face their proverbial fall.

The ominous line ‘Messiah before his fall’ suggests a disillusionment with past heroes, perhaps disillusionment with technology itself as the new messiah, leading to a cultural wilderness where ‘close this mind, dull this brain’ seems to be the mantra. The music grows increasingly tenacious, cresting on waves of disbelief at the erosion of individual thought in society’s margins.

Unveiling the Song’s Hidden Meanings

‘What you see is not real, Those who know will not tell’—the song drips with secrets and concealed truths, a potent reminder of history’s shrouded narratives and the dark underbelly of information control. The band leverages irony and allegory to pull back the veil on a world constructed on the bones of those who dared to know too much.

Iron Maiden crafts a sonic labyrinth, wherein ‘all is lost’ and the ‘souls’ of society are traded for comfort within the ‘brave new world’. This phrase is offered up like a mocking toast to the Faustian bargains struck in the name of progression at the expense of authenticity and liberty.

A Lament for Lost Kings and Queens

In the echoing chambers of ‘Dragon kings, dying queens,’ the song summons the ghosts of forgotten legacies and forlorn power. This dirge for those who wore the crowns of old-world majesty before falling into obscurity is an elegy that resonates on a personal and political level—lament reborn with each note.

Iron Maiden doesn’t just sing of the demise of individual dreams but reflects on the eradication of cultural identities and the homogenization of the human spirit. They weave a tapestry of despair at the hands of a new regime, a ‘brave new world’ where salvation might as well be a bygone myth.

Hauntingly Memorable Lines That Echo Through Time

The crescendo climbs to ‘Silent screams, laughing here, Dying to tell you the truth’, a line that’s a time capsule, preserving the silent agony that suffuses the fabric of society. Each laugh masks a scream, painting a visceral portrait of humanity’s struggle to voice the inherent truth amid the roar of collective pretense.

In the bid to be heard, ‘You are planned and you are damned’ is the guttural declaration of humanity’s orchestrated existence—a damning verdict on a preordained life within the constructs of the new world order. Iron Maiden ensures these words linger, haunting and substantial—indeed, they ‘Bring this savage back home.’, calling the listener to reclaim the savage truth of their existence.

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