Coconut – Exploring The Depths Of Surreal Storytelling Through Song

You can view the lyrics, alternate interprations and sheet music for Fever Ray's Coconut at
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Lure of the Dream World in Music
  5. The Quest for Escape and Transformation
  6. Tactile Lyrics: The Reality of the Unseen in ‘Coconut’
  7. Fire in the Bungalow: The Hidden Meaning Behind Disquiet
  8. Lay Back With a Big Cigar: Embracing What We Are


He came back one day and
Told me stories that I now dream of
(Oh, oh, oh, oh)

Open atmosphere
Take me anywhere
Take me there
(Oh, oh, oh, oh)

We have water mouth
Sand in pockets and a strained household
(Oh, oh, oh, oh)

When the night falls
There is fire in the bungalow

Lay back with a big cigar
Lay back we are where we are
Lay back with a big cigar
Lay back this is where we are

Full Lyrics

Karim Dreijer, known artistically as Fever Ray, has always been a purveyor of the enigmatic and the surreal. With ‘Coconut,’ a track from the self-titled album Fever Ray, the artist plunges listeners into a dreamscape where stories are not merely told but felt, and where the boundaries of consciousness are as malleable as the sand in one’s pockets.

The song, though seemingly simple in its lyrical construction, carries beneath its surface a weighty amalgam of symbolism and emotional undercurrents. Through uncanny melodies and Dreijer’s distinct timbre, ‘Coconut’ becomes an artifact not just of auditory experience, but of personal introspection and dreamlike wanderings.

The Lure of the Dream World in Music

Dreijer makes it clear from the beginning that we’re not here for a straightforward narrative. When the subject in the song speaks of the stories that now inhabit their dreams, we’re not just crossing into the realm of fantasy—we’re being invited into an intimate space where the subconscious and waking life blur. It’s a landscape where music is not just heard but experienced in a tactile, visceral way.

In ‘Coconut,’ dreams become a motif, a canvas for Dreijer to paint strange, yet compelling scenes that lure listeners into a state of half-awareness. It’s an auditory hallucination where familiarity and foreignness coalesce, creating a bridge between what we recognize and what we can’t quite place.

The Quest for Escape and Transformation

The appeal to ‘take me anywhere, take me there’ is a yearning for transcendence, a chant for escape from the mundane. Even in these sparse lines, Dreijer invokes the human desire for transformation—the elemental wish to shed one’s skin and emerge in a place where the rules are rewritten, where being is entirely fluid.

Moreover, this openness to atmospheric change could allude to the transformative power of music itself. Fever Ray often toys with the idea of music as a vehicle for personal metamorphosis, and ‘Coconut’ can be seen as an ode to this transformative journey, where the destination could be anywhere the music takes us.

Tactile Lyrics: The Reality of the Unseen in ‘Coconut’

Fever Ray’s ‘Coconut’ lavishes in physicality through lyrics that are conspicuously tactile. The mention of ‘water mouth’ and ‘sand in pockets’ isn’t arbitrary; it’s an invocation of the sensory experiences that anchor us to the tangible world even as our minds travel to the intangible one of dreams and stories.

These lyrics attest to Dreijer’s skill in using physical sensations to evoke emotional states. They create a contrast between the solidity of the everyday and the fleeting nature of dreamscapes, highlighting the coexistence of, and tension between, the two.

Fire in the Bungalow: The Hidden Meaning Behind Disquiet

The phrase ‘fire in the bungalow’ carries with it a sharp contrast. On one hand, there’s an intrinsic cosiness to the word ‘bungalow’ that suggests safety and domesticity. But paired with ‘fire,’ it conjures a sense of danger and volatility. This peculiar mixture of comfort and unrest is staple Fever Ray, illustrating the dualities that the artist loves to dissect.

The ‘fire’ could symbolize a disruptive force within the sanctuary of home or self. In Dreijer’s world, equilibrium is not a static state but one of constant flux. The fire may destroy, but it may also purge and renew. Thus, ‘Coconut’ nudges us to find meaning in chaos and seek transformation through upheaval.

Lay Back With a Big Cigar: Embracing What We Are

The repetition of ‘Lay back with a big cigar’ is a seductive mantra that invites surrender. The directive to ‘lay back’ is an acceptance of the moment, a letting go of control. It’s an acceptance of ‘we are where we are’—a line that encapsulates the existential surrender to one’s current state or situation.

In this surrender, there’s a veiled empowerment. By accepting where we are, Fever Ray implies a potential for embracing the full spectrum of existence, from our wild dreams to the gritty reality of our ‘strained household.’ The song, then, becomes an ode to embracing the entirety of our experience, the comfort and the fire alike.

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