Come Down by Bush Lyrics Meaning – Navigating the Clouds of Emotional Highs and Lows
Lyrics
She cut me right back down to size
Sleep the day, let it fade
Who was there to take your place
No one knows, never will
Mostly me, but mostly you
What do you say, do you do
When it all comes down
‘Cause I don’t wanna come back
Down from this cloud
It’s taken me all this time to find out what I need yeah
I don’t wanna come back
Down from this cloud
It’s taken me all this, all this time
There is no blame only shame
When you beg you just complain
The more I come, more I try
All police are paranoid
So am I, so’s the future
So are you, be a creature
What do you say do you do when it all comes down
‘Cause I don’t wanna come back
Down from this cloud
It’s taken me all this time to find out what I need, yeah yeah yeah
I don’t wanna come back
Down from this cloud
It’s taken me all this, all this time
Love and hate, get it wrong
She cut me right back down to size
Sleep the day, let it fade
Who was there to take your place
No one knows, never will
Mostly me, but mostly you
What do you say, do you do
When it all comes down
‘Cause I don’t wanna come back
Down from this cloud
It’s taken me all this time to find out what I need, yeah yeah yeah
‘Cause I don’t wanna come back
Down from this cloud
It’s taken me all this, all this time
Come down
I don’t wanna come back
Down from this cloud, this cloud, this cloud
This cloud, this cloud, this cloud, this cloud
This cloud, this cloud
Gavin Rossdale and his post-grunge sensation, Bush, stepped onto the music scene draped in the heavy fabrics of raw emotion and introspective lyricism. ‘Come Down,’ a standout track from their critically acclaimed album ‘Sixteen Stone,’ simulates an emotional rollercoaster ride, drawing listeners into a world where love, hate, and the human condition entangle in an inseparable weave.
The gritty texture of ‘Come Down’ captures a sentiment that pierces the veil of euphoria, revealing a stark contrast between the highs of elation and the inevitable pull of reality below. Through a poignant dissection of the lyrics, this examination seeks to unravel the threads of meaning spun throughout this haunting melody.
Struggling Against Gravity: The Eternal Fight to Stay Afloat
The song’s chorus professes a desperate plea to maintain a transcendent state, a resistance to the gravity of normalcy. Rossdale’s repeated lines, ‘I don’t wanna come back down from this cloud,’ spears through the heart of the human ordeal – the relentless desire for an escape, a break from the mundane, and the fear of losing that momentary bliss.
The metaphorical ‘cloud’ becomes a sanctuary, symbolizing a space above the fray where clarity and purity might exist, free from the tangle of life’s complexities. But as with most human experiences, such a reprieve is fleeting, a temporary solace that begets an inevitable descent.
The Stinging Duality of Relationships Exposed in Verse
‘Love and hate, get it wrong / She cut me right back down to size,’ Rossdale belts out, hinting at the pain and confusion of relationships. This depiction suggests an intimacy volatile enough to elevate one to the skies and then, without warning, cut through the connection, leaving one to plummet.
The song encapsulates the moment of falling – not just in love, but from the grace of a relationship held in high esteem. The lines create a vivid imagery where love is not just a sweet surrender, but a battleground of power, disillusionment, and self-awareness.
Exploring the Labyrinth of the Self and the Other
The reflective tone in ‘Come Down’ emphasizes a recurring theme of self versus other. ‘Mostly me, but mostly you,’ Rossdale sings, surreptitiously balancing the scales of blame and identity. This conveys the confusion in allocating responsibility, both in personal growth and in relational fallout.
The enigmatic lyrics cast a shadow over the simplicity of self-reflection by insinuating that understanding the self is paradoxical and fraught with the specter of another’s influence. It also touches upon the universally complex nature of human relationships, where the boundaries between the individual and the societal are often blurred.
The Paranoia of Policing Emotions and The Future
Amid ‘Come Down,’ we encounter the reflection of inner turmoil and societal pressure: ‘The more I come, more I try / All police are paranoid.’ As the song oscillates between states of being, it hints at the concept of emotional policing, an internal struggle regulating the highs and lows one allows oneself to experience.
Moreover, this paranoia extends into a fear of the future held by ‘I,’ ‘So’s the future,’ suggesting a collective anxiety about what lies ahead. The term ‘creature’ plays as an invitation to embrace the chaos, to morph into something that both endures and transcends these perennial fears.
Memorable Lines: Capturing the Lingering Echoes in the Mind
It isn’t solely the overall message of ‘Come Down’ that ensnares the listener—it’s the poetic lacerations found in its memorable lines. ‘Sleep the day, let it fade’ is a resonant call to numbing indifference, a shield against the relentless passage of time and the change it brings.
This line unfolds a dual imagery: one of respite through sleep but also the melancholy of surrendering to loss. It’s in these succinct, piercing phrases that Bush manages to seize the bittersweet process of enduring and evolving in life’s torrent.
