Control by Playboi Carti Lyrics Meaning – Behind the Enigma of Love and Chaos

You can view the lyrics, alternate interprations and sheet music for Playboi Carti's Control at Lyrics.org.

Lyrics

Where my Carti fans at?
One of the most loyal, most dedicated fanbases I’ve seen in a while
They wait patiently, patiently, patiently, patiently
I had to damn near sell my soul for this information
The illuminati owns a part of me
What I also found out, Kanye West is executive producer
Along with Matthew Williams who work at Givenchy
So maybe that will make sense, some of the pictures he been postin’ recently
That’s reason why he said he got a gift for y’all
Nigga, he’s Santa
That’s the gift, nigga
Okay? This year been horrible
And to be honest, from what I’m hearin’
Expect a blessing (yeah)

Ha (what? What? Ayy)
Ooh (what? What? Slatt)
Ha (what? What? What? What? What? Yeah)
Ooh (what? What? What? What? What?)

Ever since I met you, ooh (what? What? What? Oh yeah)
Ever since I met you, ooh (what? What? What?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)

Bitch, I’m not a stalker (oh, slatt)
But baby, I always watch you (what? Ooh)
I only want the best for you (what? What?)
I cure your love like a doctor
Tell me what you want me to do (woah, yeah)
Tell me what you want me to do (slatt)
I can wear a business suit and speak proper (proper)
Or I can put a hundred niggas on and buy them choppers (choppers)
See, ’round my parts of town, that’s how we get down (what?)
I’m from Fulton County, lil’ bitch, that’s no cap now (yeah)
I went to school with some robbers and some killers
And half of them niggas dead or in jail
But fuck it, they my niggas (yeah)

Basically, what I’m sayin’ is, I can’t change, but
But for you, I would do things and (ooh)
Maybe one day I’d get on my knees and give you a diamond ring, uh
All sorts of things, yeah (yeah)
All sorts of things, yeah (oh)
I’ll sort some things out
Ooh, you got me turned out

Ha (what? What? Ayy)
Ooh (what? What? Slatt)
Ha (what? What? What? What? What? Ayy)
Ooh (what? What? What? What? What? What?)

Ever since I met you, ooh (what? What? What? Oh yeah)
Ever since I met you, ooh (what? What? What?)
Girl, I been losin’ control (ayy)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (for you)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (for you)
Girl, I been losin’ control (what?)
Girl, I been losin’ control (what?)

At a fleeting glance, ‘Control’ may seem like a straightforward serenade wrapped in the avant-garde cloak that defines Playboi Carti’s aesthetic. Yet, peeling back the layers of Carti’s visceral performance, punctuated by ad-libs and dark, moody synths, reveals a labyrinth of emotional complexity and raw reflection on personal transformation and attachment.

Beyond just a simple love song, ‘Control’ serves as a pulsating diary entry, a collision of the intimate and the chaotic that defines Carti’s world. Below, we dissect the churning undercurrents of this seeming sonic anarchy, in an attempt to grasp the profound statements hiding within the track’s deceptively murky waters.

The Voice of a Torn Soul: Distorted Intimacy in Carti’s Palette

Carti’s robotic, yet spirited vocal delivery encapsulates a multifaceted romance narrative. It frames a tale of gravitational pull towards a lover and the subsequent submissive spiral into love’s consuming depths. The song’s core sentiment, the idea of losing control, swirls in this digital mirage as Carti paints a picture of unguarded yearning.

Yet, amid this susceptibility lies a rugged truth of self-preservation — an instinctive fear of vulnerability and a simultaneous longing for genuine connection. Straddling this dichotomy, Carti invites us into a heart that is both yielding to desire and waging a war within himself against the possibility of hurt and the loss of identity in the clutches of love.

The Dissonance of Desire: A Reflection on Carti’s Roots and Relationships

In ‘Control’, Carti isn’t just speaking to a lover—he’s conversing with his past, the streets of Fulton County, where the somber tales of robbers and killers are as commonplace as they are tragic. This acknowledgment of his origins threads into the narrative, illustrating that even in the throws of passion and intimacy, one cannot simply relinquish their formative history.

The backdrop of violence and survival underscores each profession of love, granting the track a grittier, more authentic edge. Within this context, the song becomes a dichotomous ode to the loves he knows: the street toughened relationships formed in his youth, and the all-consuming romantic love that now beckons his surrender.

A Heart in Conflict: Decoding the Mantra of ‘Control’

Playboi Carti’s lyrical repetition—one of his signature techniques—of ‘Girl, I been losin’ control’ is not merely a catchy hook but a deep-seated confession. It’s a hypnotic mantra that reflects the inner turmoil of someone struggling between self-identity and adaptation for the sake of a cherished other.

In the throes of this internal tug-of-war, each echo of the phrase stands out as a raw plea, a reminder to both himself and the listener, of how ardor can lead one to the brink, blurring lines between submission and the sacrifice it entails.

Duality Within Chaos: The Hidden Meaning Behind Carti’s Verses

Carti’s mention of having to ‘sell his soul’ and his ties to the ‘illuminati’ at the song’s beginning isn’t just shock value—it’s emblematic of the sacrifices and transformations artists undergo in the public eye. Referencing Kanye West and Matthew Williams, figures associated with status and fashion, Carti alludes to a larger narrative of commercial control and artistic integrity.

Such a confession paints the track not just as a tale of love but as a complex commentary on the daunting shift from individual to icon and the simultaneous personal struggle to hold on to authenticity in an industry and a world that constantly demands change and conformity.

The Pain and Poetry of Carti’s Language: Memorable Lines That Resonate

In dissecting ‘Control’s’ most memorable lines, one must pause at ‘I went to school with some robbers and some killers / And half of them niggas dead or in jail / But fuck it, they my niggas.’ This verse, with its stark and blunt delivery, highlights the preciousness of loyalty amidst chaos and the pain of losing those closest to you, whether to the streets or simply through the passage of time.

Arguably, it is in his bold declaration, ‘But for you, I would do things and / Maybe one day I’d get on my knees and give you a diamond ring,’ we find Carti’s raw nerve. It underscores the song’s ultimate message: in love and life, surviving the chaos only holds meaning when there’s someone worth wielding control for.