MEH by Playboi Carti Lyrics Meaning – Decoding the Enigma of Hip-Hop’s Eccentric Virtuoso


You can view the lyrics, alternate interprations and sheet music for Playboi Carti's MEH at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

What?
What?
What?

Fuck her up, fuck her up (yeah)
Fuck her up (yeah), fuck her up (yeah, yeah)
Fuck her up, fuck her up
Fuck her up, fuck her up
All these niggas talkin’ ’bout me (me)
All these niggas dressin’ like me (me)
Niggas tryna disrespect me (me)
Bitch, that’s gon’ come with a fee (fee)
I grab a bitch I fuck on for free (bih)
I grab the bitch, I fuck on, she a freak (what?)
I got this Rick Owens, yeah, for free (bitch, yeah)
I got this bottega, yeah, for free (yeah)
I’m rockin’ on Givenchy, yeah, for free (Givenchy)
This shit not on sale, I’m not cheap (what?)
Got a brand new Aventador (what?)
And it’s not leased (bih)
Rockstar shit but I’m not Machine Gun
And I feel like I’m the only Rockstar, the only one
The only one, the only one
The chosen one, the chosen one
My bitch got her nails done, uh
My bitch got her hair laced (slatt)
But I only take her to tour dates (bih)
I’m a Rockstar, bitch, I can’t date
I can’t tell if I love her
Johnny cage, beat it up under covers (slatt)
Gotta have a rubber
Or I’m in trouble (slatt)
Heard you had a bag, but you fumbled (yeah)
All my opps dead
But I’ma continue to be humble
Oh yeah (slatt)

What? (slatt, slatt, slatt)
What? (slatt, slatt, slatt)
What? (slatt, slatt, slatt)
What? (slatt, slatt, slatt)

Full Lyrics

In a realm where repetition can transmute into a hypnotic trap and brevity conveys volumes, Playboi Carti’s ‘MEH’ materializes as a perplexing mosaic of modern hip-hop culture. With deconstructed cadences and Carti’s signature baby-voice aesthetic, the track becomes an exploration of the genre’s boundaries and the self amidst a landscape of clones, critics, and opulence.

Diving into the barren simplicity of ‘MEH,’ one may discover a deeper resonance with the contemporary psyche of a generation. Carti’s curt repetitions, flex culture references, and apparent disinterest mask a nuanced critique of identity in the digital age and the cost of individualism in the rap ethos.

Behind the Seemingly Simple Refrain

Carti’s ostensible disinterest, expressed through the titular interjection ‘MEH,’ manifests as a provocative challenge to both his detractors and imitators. This isn’t just another trap anthem; it’s a calculated dismissal, a statement that transcends the need for verbosity to denote value.

The track’s minimalist approach belies the pressures of fame and the struggle for authenticity. The essence of ‘MEH’, with its muddy beats and Carti’s nonchalant delivery, constructs an anti-manifesto, disposing of grandiose self-aggrandizement for a jaded confession veiled in the apparel of indifference.

The Fashionable Monologue: Identity in Luxury Threads

As Carti lists luxury brands like trophies—Rick Owens, Bottega, Givenchy—the symbolism extends beyond mere flex culture. These are not just brands; they are the armor of identity in a culture that equates self-worth with material possession and aesthetic mimicry.

Far from a shallow parade of wealth, the repeated affirmation of obtaining these items ‘for free’ underscores a detachment from the materialism that he’s expected to espouse. It isn’t about possession—it’s about being seen, respected, and emulated in a world where the superficial often reigns supreme.

The Enigmatic Declaration of Lone Stardom

Amidst an era where every rapper claims the ‘Rockstar’ status, Carti sets himself apart as ‘the only Rockstar, the only one.’ This isn’t just braggadocio; it’s an assertion of singularity in an industry cluttered with carbon copies, a defiance against the tide of homogeneity.

‘I can’t tell if I love her,’ Carti raps, a line which might seem offhand but reverberates with ambiguity about his own relationships in a life populated by fleeting connections and transactional love. His dissociation from conventional romance, juxtaposed against his description of pulling a ‘Johnny Cage,’ suggests a more profound commentary on the hollow victories of ceaseless conquests.

A Subtle Juxtaposition: Humility Amongst Giants

Contradictions run rampant in Carti’s verses, where opulence and braggadocio coexist with proclamations of humility. ‘All my opps dead / But I’ma continue to be humble’ represents that dichotomy, a reminder that despite his colossal standing, he understands the fleeting nature of success.

There is a juxtaposition of triumph and mortality within these lines; victories come and go, adversaries fall, yet Carti’s thriving doesn’t allow him to disengage from the human experiences of reflection and keeping one’s ego in check.

The Hidden Meaning Within the Chaotic Cadence

There is a deliberate artistry in the cacophony of Carti’s ‘What?’s and ‘slatt’s. These exclamations are not verbal fillers but percussive elements that punctuate his narrative. They offer the audience a glimpse into the chaotic inner workings of a mind burdened by the need to maintain an authentic self amidst widespread emulation and scrutiny.

These sounds, while seemingly nonsensical, craft a rhythm that embodies the dissonance of Carti’s experiences—affluence interwoven with apathy, and the search for genuine connections in a realm dominated by the artificial. Carti’s ‘MEH’ is more than mere indifference; it’s a reflection of the complexities that lurk beneath the polished facade of celebrity.

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