Dangerous by Michael Jackson Lyrics Meaning – Unraveling the Allure of Seductive Perils
Lyrics
I knew right then and there
There was something different
About this girl
The way she moved
Her hair, her face, her lines
Divinity in motion
As she stalked the room
I could feel the aura
Of her presence
Every head turned
Feeling passion and lust
The girl was persuasive
The girl I could not trust
The girl was bad
The girl was dangerous
I never knew but I was
Walking the line
Come go with me
I said I have no time
And don’t you pretend we didn’t
Talk on the phone
My baby cried
She left me standing alone
She’s so dangerous
The girl is so dangerous
Take away my money
Throw away my time
You can call me honey
But you’re no damn good for me
She came at me in sections
With the eyes of desire
I fell trapped into her
Web of sin
A touch, a kiss
A whisper of love
I was at the point
Of no return
Deep in the darkness of
Passion’s insanity
I felt taken by lust’s
Strange inhumanity
This girl was persuasive
This girl I could not trust
The girl was bad
The girl was dangerous
I never knew
But I was living in vain
She called my house
She said you know my name
And don’t you pretend
You never did me before
With tears in her eyes
My baby walked out the door
She’s so dangerous
The girl is so dangerous
Take away my money
Throw away my time
You can call me honey
But you’re no damn good for me
Dangerous
The girl is so dangerous
I have to pray to god
‘Cause I know how
Lust can blind
It’s a passion in my soul
But you’re no damn lover
Friend of mine
I can not sleep alone tonight
My baby left me here tonight
I cannot cope ’til it’s all right
You and your manipulation
You hurt my baby
And then it happened
She touched me
For the lips of
A strange woman
Drop as a honeycomb
And her mouth was
Smoother than oil
But her inner spirit and words
Were as sharp as
A two-edged sword
But I loved it
‘Cause it’s dangerous
Dangerous
The girl is so dangerous
Take away my money
Throw away my time
You can call me honey
But you’re no damn good for me
Dangerous
The girl is so dangerous
Take away my money
Throw away my time
You can call me honey
But you’re no damn good for me
Dangerous
The girl is so dangerous
Take away my money
Throw away my time
You can call me honey
But you’re no damn good for me
Dangerous
The girl is so dangerous
I have to pray to god
’cause I know how
Lust can blind
It’s a passion in my soul
But you’re no damn lover
Friend of mine
Amidst a discography replete with sonic masterpieces and lyrical complexity, Michael Jackson’s ‘Dangerous’ stands out as a thrilling narrative of seduction and risk. It’s a song that dives deep beneath the surface of attraction, examining the perilous dance between desire and the potential for ruin.
Jackson, with his signature blend of pop and rhythm, weaves a tale that reflects not only personal anecdotes but also the universal experience of being drawn to what might ultimately harm us. Let’s peel back the layers of this charged ballad and explore the narrative that Michael Jackson crafts through ‘Dangerous’.
Temptation’s Choreography: The Lure of the Forbidden
From the very first verse, Jackson sets the stage—a metaphorical spotlight illuminating the siren as she enters, her divine-like movements captivate the entire room. Consider the juxtaposition of her celestial attributes with the grounded truth of human frailty. Here, the ‘dangerous’ woman is both temptation incarnate and a mirror to our own susceptibility to charmers who walk amongst us.
The obsessive detail paid to her physicality, ‘Her hair, her face, her lines,’ suggests an allure that transcends the physical; it pulls listeners into a sensory experience, leaving us to ponder the magnetic pull of those we sense could unravel us.
A Symphony of Warnings: The Foreboding Admonition in the Chorus
The chorus is Jackson’s repetitive cautionary mantra. An echo chamber reminding us that danger often wears a pleasurable disguise—’Take away my money, throw away my time’. These lines don’t just speak of individual loss; they universally acknowledge our timeless dance with risk.
Here, Jackson’s clever use of rhythm reinforces the sense of falling deeper into this dangerous liaison, the beat moving with a sense of urgency and eventual descent.
Web of Deceit: The Hidden Meaning in Jackson’s Narrative
Beyond the overt narrative of a dangerous woman lies a more profound rumination on the very nature of desire and its consequences. Jackson taps into the primal, exploring how pursuit of the forbidden alters our rationality, making us prey to the very emotions we prize as humans.
Moreover, the song extends beyond romantic entanglement to critique the broader enticements of fame and fortune. How many have succumbed to the ‘sections’ of ambition, only to be trapped in ‘webs of sin’?
The Fall From Innocence: A Journey to the Edge of Sanity
As the lyrics unfold, so does the narrative arc of innocence corrupted. The listener is lured along with the protagonist, falling ‘at the point of no return’. Jackson’s voice serves as a vessel of vulnerability and introspection, as he describes being ensnared by forces he knows he should evade—and yet, is unequivocally drawn to.
It is clear that the battle between head and heart is at the crux of ‘Dangerous’. The juxtaposition of ‘lust’s strange inhumanity’ against the almost religious invocation to resist temptation frames an internal warfare as old as time.
Echoes of Timelessness: The Song’s Most Memorable Lines
‘But you’re no damn good for me.’ These words, potent in their simplicity, reverberate through the heart of ‘Dangerous’. It’s a recognition of knowing better but being paralyzed by desire—a universal struggle packaged in a poignant lyrical confession.
Perhaps the most gripping lines come towards the end, as Jackson delves into biblical allegory to illustrate the razor’s edge between ecstasy and agony. References to ‘the lips of a strange woman’ and a mouth ‘smoother than oil’, dovetailing with ‘inner spirit and words as sharp as a two-edged sword’, paint an illustrious picture of the eternal gamble of succumbing to seduction.
