Dear Maria Count Me In by All Time Low Lyrics Meaning – Unveiling the Odes to Hope, Hustle, and Dreams


You can view the lyrics, alternate interprations and sheet music for All Time Low's Dear Maria Count Me In at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

I got your picture, I’m coming with you
Dear Maria, count me in
There’s a story at the bottom of this bottle
And I’m the pen

When the lights go off
I wanna watch the way you take the stage by storm
The way you wrap those boys around your finger
Go on and play the leader

‘Cause you know it’s what you’re good at
The low road for the fast track
Make every second last

‘Cause I got your picture, I’m coming with you
Dear Maria, count me in
There’s a story at the bottom of this bottle
And I’m the pen

Make it count
When I’m the one who’s selling you out
‘Cause it feels like stealing hearts
Calling your name from the crowd

Doesn’t that mean you’ll be the show girl of the home team
I’ll be the narrator
Telling another tale of the American dream

I see your name in lights
We could make you a star
Girl, we’ll take the world by storm
It isn’t that hard

‘Cause I got your picture, I’m coming with you
Dear Maria, count me in
There’s a story at the bottom of this bottle
And I’m the pen

Make it count
When I’m the one who’s selling you out
‘Cause it feels like stealing hearts
Calling your name from the crowd, whoa

Ha, ha

Take a breath, don’t it sound so easy?
Never had a doubt, now I’m going crazy
Watching from the floor
Take a breath and let the rest come easy
Never settle down ’cause the cash flow leaves me
Always wanting more

‘Cause I got your picture, I’m coming with you
Dear Maria, count me in
There’s a story at the bottom of this bottle
And I’m the pen

Make it count
When I’m the one who’s selling you out
‘Cause it feels like stealing hearts
Calling your name from the crowd

‘Cause I got your picture, I’m coming with you
Dear Maria, count me in
There’s a story at the bottom of this bottle

Full Lyrics

In the dynamic world of pop-punk, All Time Low’s infectious track ‘Dear Maria, Count Me In’ resonates as both an anthem and a confessional. Since its release, the song has ridden the waves of mainstream success and alternative acclaim, carrying with it not just a catchy tune but a narrative that sparks the imagination and wrestles with the glamour of the spotlight.

Drifting beyond the surface of a seemingly straightforward serenade, ‘Dear Maria, Count Me In’ embodies the visceral aspirations of youth, the hunger for fame, and the intoxicating scent of a dream close enough to grasp. We dive into the anatomy of this track, dissecting not just the lyrics but the desires and hidden meanings intricately woven into the very fabric of its stanzas.

A Toast to Aspirations: Unbottling the Story

The chorus echoes like a battle cry, ‘I got your picture, I’m coming with you, Dear Maria, count me in,’ a clear invocation of alliance and shared ambition. The protagonist isn’t just an observer but an active participant in the narrative of Maria, the song’s muse and emblem of stardom. The story isn’t just told; it spills from a bottle, suggesting that the journey to recognition is as intoxicating and fluid as it is unpredictable.

This metaphor of the bottle serves as an anchor throughout the track, symbolizing both the intoxication of success and perhaps the crutch on which the dreams of many lean. It’s an ever-present reminder that the path to glory is marred by the comfort of vices and the temptation to get lost in the haze of the night.

The Siren’s Call: Maria’s Magnetic Allure

The chorus isn’t simply catchy; it reveals the magnetic allure of Maria, who ‘takes the stage by storm’ and wraps ‘boys around her finger.’ There’s power in her performance, an unspoken control over her audience. She is a siren of modern times, enchanting those who witness her, including the narrator, who is seduced by her command of the crowd and her evident destiny for the limelight.

Maria’s character embodies the archetype of the showgirl, one who’s adept at playing the leader, a maestro of her own fate. Her presence isn’t just felt, it’s monumental—in a way, she’s a personification of the dream itself: captivating, effortless, and just out of reach.

The High Stakes Game: When Selling Out is Stealing Hearts

Underlying the adrenaline rush of the song is a darker thread, voiced in the line ‘Make it count when I’m the one who’s selling you out.’ Here lies a provocative admission of guilt and fame’s Faustian bargain. To sell out, one might betray others or, more subtly, their own principles in the pursuit of an elusive ideal. It’s a stark reminder of the ethical tightrope individuals often walk on their ascent to fame and fortune.

This line also proposes an intriguing paradox: while the act of selling out is often criticized, here it is likened to ‘stealing hearts.’ The role of the narrator becomes increasingly complex, as if navigating a game where the rules of right and wrong blur in the face of ambition and desire.

Anthem of the Dreamers: Narrating the American Dream

All Time Low propels listeners into the saga of modern daydreamers and hustlers aspiring to the American Dream. The song becomes their soliloquy, with lines like ‘telling another tale of the American Dream’ framing the pursuit of stardom as a narrative cherished and chased by the masses. It encapsulates the sparkle of fame as not just a personal goal but a cultural obsession, woven deeply into the fibers of American identity.

The protagonist’s assertion that he’ll become the narrator of this grand tale elevates his role from mere participant to a chronicler of progress, a testament to the value placed on those who ‘make it.’ The imagery is bold and clear: names in lights, taking the world by storm—ambitions not for the faint of heart.

Unforgettable Echoes: The Lines that Stay

Some songs are known to carve their lyrics into the psyche of an entire generation, and ‘Dear Maria, Count Me In’ accomplishes just that. The line ‘There’s a story at the bottom of this bottle, and I’m the pen’ endures, encapsulating the dual role of oneself as both creator and messenger of one’s life story. It eloquently suggests that while fate may offer the ink, it is we who script our narratives.

Moreover, the interplay of ‘watching from the floor’ and ‘never settling down’ captures the very essence of those who chase success—they are at once spectators of others’ triumphs and relentless seekers of their own. Even as the cash flow proves evasive, the insatiable appetite for ‘more’ becomes a chorus for the ambitious and the restless.

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