Disciple by Slayer Lyrics Meaning – Unveiling the Anthem of Discontent


You can view the lyrics, alternate interprations and sheet music for Slayer's Disciple at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Drones since the dawn of time
Compelled to live your sheltered lives
Not once has anyone ever seen
Such a rise of pure hypocrisy
I’ll instigate I’ll free your mind
I’ll show you what I’ve known all this time

God hates us all, God hates us all
You know it’s true God hates this place
You know it’s true he hates this race

Homicide-suicide
Hate heals, you should try it sometime
Strive for peace with acts of war
The beauty of death we all adore
I have no faith distracting me
I know why your prayers will never be answered

God hates us all, God hates us all
God hates us all, God hates us all
Yeah, he fuckin’ hates me

Pessimist, terrorist targeting the next mark
Global chaos feeding on hysteria
Cut throat, slit your wrist, shoot you in the back fair game
Drug abuse, self abuse searching for the next high
Sounds a lot like hell is spreading all the time
I’m waiting for the day the whole world fucking dies

I never said I wanted to be God’s disciple
I’ll never be the one to blindly follow

Man made virus infecting the world
Self-destruct human time bomb
What if there is no God would you think the fuckin’ same
Wasting your life in a leap of blind faith
Wake the fuck up can’t ignore what I say
I got my own philosophy

I hate everyone equally
You can’t tear that out of me
No segregation separation
Just me in my world of enemies

I never said I wanted to be God’s disciple
I’ll never be the one to blindly follow
I’ll never be the one to bear the cross-disciple

I reject this fuckin’ race
I despise this fuckin’ place

I reject this fuckin’ race
I despise this fuckin’ place

I reject this fuckin’ race
I despise this fuckin’ place

I reject this fuckin’ race
I despise this fuckin’ place

Full Lyrics

Slayer’s ‘Disciple’, a track seething with the raw, unbridled energy characteristic of the legendary thrash metal band, delves deep into the psyche of disillusionment and rebellion. The song, which comes off of their 2001 album ‘God Hates Us All’, encapsulates the turbulent era of its release, reflecting a society grappling with existential angst and a pronounced disillusionment with the divine.

Through a meticulous examination of the lyrics, ‘Disciple’ emerges not merely as a scream into the void, but a carefully constructed critique of societal norms, organized religion, and a call to personal autonomy. This song is a mosaic of dissent, pieced together with Slayer’s signature sonic ferocity and lyrical profundity.

The Crescendo of Anarchy: Breaking Down ‘Disciple’s’ Rage

From its opening salvo, ‘Disciple’ sets a tone of defiance. The first verse acts as a clarion call, with the band acknowledging a collective history of ‘drones’ forced into ‘sheltered lives’ and exposing the ‘pure hypocrisy’ of societal constructs. This is more than a snapshot of rebellion; it’s a historical analysis citing the perpetual cycle of conformity as an enemy of free thought.

As the chorus thunders in with ‘God hates us all,’ a sentiment repeated like a mantra, it underscores a narrative of divine abandonment that has long haunted humanity’s search for meaning. However, Slayer’s iteration of this despair is not without purpose; it’s an indictment of blind devotion and a decrying of the notion that malevolence must have meaning simply because it is woven by the divine.

A Symphony of Contradictions: The Paradoxical Quest for Peace

‘Hate heals, you should try it sometime,’ Kurt Cobain may have intoned that ‘hate your enemies, save your friends,’ but Slayer’s suggestion runs deeper, probing into the irony of a world where war is a path to peace and death is romanticized. These lines evoke the duality of human nature and the absurdism of finding tranquility through violence—a sentiment that resonates with the futility and chaos of our times.

Therein lies the sharp critique of organized belief systems that Slayer paints with their lyrical brush. The ‘beauty of death’ that ‘we all adore’ is a stark metaphor for the self-destructive tendencies of humanity, pointing to a perverse fascination with the end rather than a celebration of life.

In the Eye of a Cultural Hurricane: Global Chaos and Personal Anarchy

‘Global chaos feeding on hysteria’—these words encapsulate the zeitgeist of the early 21st century, where fear was a commodity and society seemed to be on the brink of unraveling. By touching upon terrorism, self-destruction, and substance abuse, Slayer is providing a commentary on the maladies that afflict society, suggesting that perhaps the end times are not a future event, but a present reality.

Rejecting the notion of being ‘God’s disciple’, the band cements its stance on autonomy over blind allegiance. This is not just a denouncement of religious faith; it’s a wider call to reject the fatalistic narrative imposed by society, an exploration of what would happen if the human race removed the divine from the equation entirely.

The Hidden Meaning: A Reflection on Universal Hatred and Equality

‘I hate everyone equally’ might be one of the most striking oxymorons in heavy metal lyricism. Slayer manages to weave a philosophy of equality into their narrative of contempt; hatred without discrimination. This line serves as a bizarre form of unity, a twisted egalitarian principle that stands in stark contrast to a world riven with divisions.

In this context, ‘no segregation, no separation’ becomes an antithetical approval of universality in disdain. It’s a line that builds a world free of prejudice, yet ironically founded on a universal misanthropy that negates the usual barriers of race, creed, and class.

Memorable Lines: The Enduring Echo of Disdain

‘I despise this fuckin’ place’—the song’s conclusion is a vehement repudiation of the world as it stands. These lines are not just memorable for their confrontational bluntness; they encapsulate the culminating sentiment of a song that has journeyed through the depths of societal and existential critique.

Repeated for emphasis, this avowal is not one of hopelessness but of steadfast rejection, a conscious choice to refuse the current state of affairs. In ‘Disciple’, Slayer doesn’t seek to offer solutions but rather to validate the feelings of those who see the world through a lens of skepticism and who choose to opt out of a race they never agreed to join.

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