Feelings Mutual by LIL UZI VERT Lyrics Meaning – Unraveling the Raw Emotions Behind the Bars
Lyrics
Want you to know something very important
Before I even start this song
Something very important before I even start this song
I can’t feel no more, nooooo
I can’t feel no more
I told myself that I wasn’t gonna pop no pills nomore
No, I can’t feel no more
I can’t
I can’t feel, no
I can’t feel, I can’t feel
I can’t feel, my body’s numb
It because I am so hurt
I feel the pain in the rain
Tell me when is my time and where
Not my first merry-go-round
Not my first merry-go-round yeah
Living life just with a curse, before I go in a hearse
Told you that I love you first
Told you that I love you first, ooh
Now a days I gotta swerve you
I took you out of the fur boots
Back then I saw no one but you
Gave you my racks and I splurged too
Calling my phone and I curved you
Hope this song really don’t hurt you
AP froze, time so slow, yeah, hit reverse
Margiela all on my coat, got buttons but leaving it open
So they can all see my shirt, Rick Owens all on my shirt
I can’t believe I made it out the dirt
That was back then when my pockets was hurt
Pockets so stuffed that them shits still be hurtin’
Walk with the Goyard, they say its a purse
Louis stuffed on me it look like a curatin
My main girl a doctor, my side girl a nurse
They keep on talkin’ (woah)
They keep on talkin’ (they hatin)
All these girls up in the club, why you lookin at Vert?
I am not worried because when my niggas come
They gonna need a white curtain
Her boyfriend hate my Bad and Boujee verse
She gave me head so I called her a nerd
I can’t feel, no
I can’t feel, I can’t feel
I can’t feel, my body’s numb
It because I am so hurt
I feel the pain in the rain
Tell me when is my time and where
Not my first merry-go-round
Not my first merry-go-round yeah
Living life just with a curse
Before I go in a hearse
Told you that I love you first
Told you that I love you first, oo
Now a days I gotta swerve you
I took you out of the fur boots
I’m doing fine now, I’m doing fine now
No I do not need nobody now
No I do not need nobody now
No girl don’t make a sound
You don’t wanna argue about body count
You don’t wanna talk about body count
You don’t wanna talk about body count
What is all this fighting all about
It’s the bodies that I’m finding out
It’s the bodies I don’t know about
So many bodies like a murder trial
You used to say that it’s word of mouth
But I love you so you’re bonding out
But I love you so you’re bonding out
Grandma and Mom love you now
I’m so high I ain’t coming down
I’m so high I ain’t coming down
I’m so high I ain’t coming down
Hate me then, but they love me now
Love me then, but they hate me now
It don’t matter, got a baby now
I’m so numb
I can’t feel, no
I can’t feel, I can’t feel
I can’t feel, my body’s numb
It because I am so hurt
I feel the pain in the rain
Tell me when is my time and where
Not my first merry-go-round
Not my first merry-go-round yeah
Living life just with a curse
Before I go in a hearse
Told you that I love you first
Told you that I love you first, oo
Now a days I gotta swerve you
I took you out of the fur boots
I’m doing fine now, I’m doing fine now
No I do not need nobody now
No I do not need nobody now
I’m doing fine now, I’m doing fine now
No I do not need nobody now
No I do not need nobody now
I can’t feel
As LIL UZI VERT delivers ‘Feelings Mutual,’ he ushers listeners into a tumultuous realm of heartbreak and numbness, masterfully shading his narrative with melancholy and extravagance. The track, a part of his larger oeuvre, ‘Luv Is Rage 2,’ reflects an artist at a crossroads of personal turmoil and material success.
Through a cascade of candid lyrics and evocative beats, Uzi articulates a saga of pain and self-realization, where the pursuit of stardom coincides with the costs of love’s labor lost. What follows is a deep dive into the psyche of a man wrestling with his newfound alienation and the opulence that fails to heal his wounds.
The Numbing Effect: Reflecting on Uzi’s Emotional Shutdown
Uzi’s chilling refrain, ‘I can’t feel no more,’ operates as more than a declaration of emotional fatigue; it’s a gripping realization that the barriers he’s constructed for survival in the game have rendered him insensible to life’s textures. Each repetition is a hammer-strike against the walls of vulnerability, revealing the high costs of stardom: a sensory deprivation that leaves him grasping for something real among the simulacra of success.
Within the cold recitation of his numbing, there’s a duality of lament and badge of honor. While noting his past dependency on pills—an attempt to escape the pressure—he simultaneously acknowledges this newfound numbness as a preservation method. The cycle of addiction to avoidance unveils a deeper layer of self-preservation, hinting at Uzi’s battle with the aftereffects of rapid fame.
Riding the Merry-Go-Round of Fame: Cyclical Struggle of Success
‘Not my first merry-go-round,’ Uzi reflects, a line seething with the irony of repeat heartache and struggle despite a façade of novelty. Each rotation brings him face-to-face with a familiar enemy—pain—reminding that even the carousel of fame and fortune circles back to its origin: hurt.
This cycled return speaks volumes of how the artist perceives his achievements: a looped journey where highs are inevitably coupled with lows. Uzi exposes the repetitive nature of his experiences, suggesting a weariness with the circuitry of life in the limelight. What seems like a dream to the observer becomes a predictable pattern of tribulation to the one riding the horse.
The Hidden Meaning: Shifting Through Personal Evolution
Amidst the hedonistic bravado and bravura of luxury mentioned throughout the song, Uzi unexpectedly pivots to chronicling a poignant evolution. From needing people and material attachments, reflected in ‘gave you my racks and I splurged too,’ to a declaration of self-sufficiency: ‘No I do not need nobody now.’ It’s a testament to personal change, unearthing the hidden growth beneath the surface of what seems like stoic indifference.
The artist’s journey isn’t solely about overcoming heartbreak, but also about outgrowing a past self tethered to external validation. Uzi shifts from chasing a panacea in possessions and partners to a sober stance of standing alone. This is the esoteric core of the track, not immediately apparent—Uzi’s silent battle with his former shadow, making way for a newer understanding of self.
The Reverb of Memorable Lines: Uzi’s Lyrical Hooks
‘Hope this song really don’t hurt you,’ Uzi raps, suggesting a reluctant self-awareness and empathy that cuts against the grain of his seemingly indifferent persona. Even as he navigates his own desensitized state, there is an unresolved tension in causing pain to another—a byproduct of personal survival.
The memorable line echoes Uzi’s internal struggle between shielding himself and an unspoken wish to not inflict the same numbing pain upon others. This tension provides a gripping hook, anchoring listeners to the emotional cadences of Uzi’s journey through a landscape of frayed connections.
Layered Symbolism: Accessories as Emotional Armors
Uzi’s lyrics frequently invoke a dazzling array of status symbols—Margiela coats, Rick Owens shirts, Goyard and Louis Vuitton bags—yet they symbolize more than wealth. These objects emerge as armors, masking the undercurrent of vulnerability. The mention of ‘buttons but leaving it open / So they can all see my shirt,’ reflects an intentional exposure, hinting at the depth beneath the exterior gloss.
In this musical tapestry, every accessory doubles as metaphor—a tool of distraction from emotional rawness. The deliberate fashion decisions are akin to emotional choices; a narrative interplay between revealing and concealing one’s true feelings. Thus, Uzi’s sartorial choices resonate with his quest for genuine human connection, albeit shrouded by the trappings of his superstar identity.
