Ps & Qs by LIL UZI VERT Lyrics Meaning – Dissecting the Swagger of Hip-Hop’s Melodic Enigma

You can view the lyrics, alternate interprations and sheet music for LIL UZI VERT's Ps & Qs at Lyrics.org.

Lyrics

(Yeah, yeah, yeah) Ooh
My money, yeah (yeah, yeah, yeah)
Haha, yeah (yeah, yeah, yeah)
I ain’t gone lie (yeah, yeah, yeah)
This song right here slick hatin'(ooh, ooh)(yeah, yeah, yeah)
So

Yeah, I took what’s yours (yeah)
So I made her mine
Yeah, I took what’s yours (yeah)
So I made her mine (mine)
Jump in the Porsche, ride with the nine (yeah)
I changed your life, now you gon’ ride (yeah)
Ooh, sing it (sing it)
He ain’t got no money, yeah (what?)
Ooh, sing it (sing it)
He ain’t got no money, yeah
Ooh, sing it (sing it)
He ain’t got no money, yeah (what?)
Ooh, sing it (sing it)
He ain’t got no money, yeah

Yeah
She had a nigga that was on the music scene (what, thought he was me?)
Had a nigga, thought he was going straight to the league (yeah, straight to the D)
Yeah, fuck with my baby I swear that, that nigga gone bleed
Yeah, she left that boy and ride for me (yeah)
Stay on my P’s and my Q’s, yeah (what?)
Stay on my Q’s and my P’s (yeah)
‘Cause that could happen to me, yeah
Bring that girl to the big league, yeah (yeah)
Diamonds that’s all on my teeth, yeah
Diamonds that’s all on my teeth, yeah (what?)
Put my girl in that new Chanel (yeah)
And I got her a new weave
Said, put my girl in that new Chanel
And I got her a new weave
Like, haha, oh well, now your girl with me
Like, Austin was holding her up, yeah (damn)
Um, boy, please
Like bye-bye, Austin, hello to Lil Uzi

Yeah, I took what’s yours (yeah)
So I made her mine
Yeah, I took what’s yours (yeah)
So I made her mine (mine)
Jump in the Porsche, ride with the nine (yeah)
I changed your life, now you gon’ ride (yeah)
Ooh, sing it (sing it)
He ain’t got no money, yeah (what?)
Ooh, sing it (yeah) (sing it)
He ain’t got no money, yeah
Ooh, sing it (sing it)
He ain’t got no money, yeah (what?)
Ooh, sing it (sing it)
He ain’t got no money, yeah

Yeah-yeah, yeah, yeah, yeah, yeah (yeah)
Yeah-yeah, yeah, yeah, yeah, yeah (bye-bye, yeah)
Yeah-yeah, yeah, yeah, yeah, yeah
Yeah-yeah, yeah, yeah, yeah, yeah

Yeah
Watch out for my doors (wait watch out for a sec’, nigga, woo, woo)
Lambo that bitch roar (skrrt, vroom)
Tell my girl that the world could be yours (yeah)
Yeah, number one rule, don’t listen to whores (shh-shh, don’t listen to them baby)
Yeah, no, you’ve never lived this life before
Yeah, more money than your last man, of course
Yeah, drivin’ in that foreign (skrrt)
Yeah, where you thought you was goin’ in that Ford? (Where?)
I took what’s yours, yeah (yeah)
I made her mine (what?)
I made her mine, yeah (yeah)
I took what’s yours (I took her)
I made her mine, yeah (yeah)
I took what’s yours (yeah)
I made her mine, yeah
I took what’s yours

Yeah, I took what’s yours (yeah)
So I made her mine
Yeah, I took what’s yours (yeah)
So I made her mine (mine)
Jump in the Porsche, ride with the nine (yeah)
I changed your life, now you gon’ ride (yeah)
Ooh, sing it (sing it)
He ain’t got no money, yeah (what?)
Ooh, sing it (yeah) (sing it)
He ain’t got no money, yeah
Ooh, sing it (sing it)
He ain’t got no money, yeah (what?)
Ooh, sing it (sing it)
He ain’t got no money, yeah

Stay on my P’s and my Q’s, yeah
Stay on my Q’s and my P’s (my P’s)
Stay on my P’s and my Q’s, yeah
Stay on my Q’s and my P’s( my P’s)

Lil Uzi Vert’s track ‘Ps & Qs,’ tucked within the swelling waves of his discography, stands out as a sonic spiral staircase dipping into the complex corridors of modern love, ownership, and street-smart consciousness. It’s a song that stretches beyond its bouncy melody and delves deep into the psychology of relationships and competitive posturing within the sphere of hip-hop bravado.

Each verse and hook in ‘Ps & Qs’ operates as a warped mirror, reflecting themes of materialism, romantic conquests, and the relentless pursuit of success, rigged with Uzi’s unmistakable signature blend of charisma and rhythmic dexterity. As we parse through the lyrics, we unravel a narrative that doubles as a cautionary tale and a trophy case of personal victories.

Ownership Transcending Materialism: More Than Just a ‘Porsche and a Nine’

Lil Uzi Vert claims trophies and territories, but the true conflict seems to be within the realm of love and loyalty. The line ‘I took what’s yours, I made her mine’ might first come off as possessive, perhaps even patriarchal, but might Uzi be intimating a deeper narrative where emotional connection supersedes the mere physical possession?

If the Porsche and the firearm are symbols of material success and protective aggression, the underlying statement is of taking control, not just of tangible assets but of the direction in life and love. By ‘changing her life,’ Uzi becomes a catalyst for transformation – not just stealing a girl, but also offering a new set of possibilities.

Versus Versace: The Language of Luxury in Uzi’s Lexicon

Luxury brands like Chanel weave through the stanzas, symbolizing the allure and status symbols that come with success. ‘Put my girl in that new Chanel,’ isn’t just a flex on fashion; it’s a testament to uplifting those in your circle with your ascent.

He peppers in potent signifiers – diamonds on teeth, a new weave – creating an aesthetic of affluence. Lil Uzi Vert doesn’t just rap about luxury; he embodies it, represents it, and redistributes it as a method of solidifying status and building legacy.

Navigating the Maze of Fame: Heeding ‘Ps & Qs’ as Survival

The repetitive mantra ‘Stay on my P’s and Q’s’ resounds as a pillar of the song’s thematic structure. The phrase, harking back to meticulousness and alertness, becomes a survival strategy in the capricious world of fame where any misstep can lead to downfall or worse, irrelevancy.

Uzi elevates this turn of phrase to a code of conduct, a relentless reminder of the vigilance needed in a game where the rules are as volatile as the players. This cutthroat environment where ‘that could happen to me’ recognizes the fickle nature of success – where today’s victor can easily become tomorrow’s victim.

A Hidden Ballad Within the Bravado: Decoding Uzi’s Melodic Disguise

Listen closely to the harmonic ‘ooh, sing it,’ like a call and response in a modern-day Greek chorus. Uzi uses melody as a tool to inject what is essentially a ballad’s longing amidst the presumed posturing. The ‘sing it’ lines resonate deeper, illuminating the symbiotic link between the need for validation and the haunting insecurity of being unworthy.

This juxtaposition of melody and message suggests that beneath the chest-thumping lies a universal quest for acceptance, set to the tune of monetary comparisons and statements of worth – a nuanced cry out from the heart wrapped in the trappings of success.

Lines That Linged: Memorable Phrases Worthy of Replay

Within ‘Ps & Qs’, certain lines command attention and linger long after the last beat drops. ‘Jump in the Porsche, ride with the nine’ conjures a vivid image of the ride-or-die ethos, while ‘She left that boy and ride for me’ encapsulates the switch of allegiance, whether it be in love or loyalty.

These lyrical snapshots serve as crown jewels of the narrative, encapsulating the gritty essence of the track and offering the listener a vantage point to Uzi’s world where the laws of attraction and power play out in real-time to a pulsating soundtrack.