Gravity – Unraveling the Emotional Pull of Love and Liberation


You can view the lyrics, alternate interprations and sheet music for Sara Bareilles's Gravity at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Caught in Love’s Orbit: The Emotional Gravitational Pull
  5. The Chains of Affection: Subtleties of Control in Love’s Embrace
  6. Untangling The Paradox: The Struggle for Self-Assertion
  7. The Hidden Meaning: A Metaphor for Letting Go
  8. Echoes of Resilience: The Memorable Lines that Define the Struggle

Lyrics

Something always brings me back to you
It never takes too long
No matter what I say or do
I’ll still feel you here ’till the moment I’m gone

You hold me without touch
You keep me without chains
I never wanted anything so much than to drown in your love
And not feel your reign

Set me free, leave me be
I don’t want to fall another moment into your gravity
Here I am, and I stand
So tall, just the way I’m supposed to be
But you’re on to me and all over me

Oh, you loved me ’cause I’m fragile
When I thought that I was strong
But you touch me for a little while
And all my fragile strength is gone

Set me free, leave me be
I don’t want to fall another moment into your gravity
Here I am, and I stand
So tall, just the way I’m supposed to be
But you’re on to me and all over me

I live here on my knees as I try to make you see
That you’re everything I think I need here on the ground
But you’re neither friend nor foe though I can’t seem to let you go
The one thing that I still know is that you’re keeping me down
You’re keeping me down, eh ooh
You’re on to me, on to me, and all over

Something always brings me back to you
It never takes too long

Full Lyrics

In the pantheon of heartrending ballads that encapsulate the human condition, few have managed to pierce through the soul as deftly as Sara Bareilles’s ‘Gravity.’ Released on her 2007 album ‘Little Voice,’ this emotionally charged song has become a touchstone for those wrestling with the complexities of desire, attachment, and self-liberation.

Through the rawness of its lyrics and the fragility in Bareilles’s delivery, ‘Gravity’ evokes a deeply personal yet universally resonant journey. It’s the tale of a soul caught in the undertow of a love that’s both nurturing and suffocating, a force that feels inescapable yet implores the need for release.

Caught in Love’s Orbit: The Emotional Gravitational Pull

The song’s opening lines, ‘Something always brings me back to you. It never takes too long,’ speak to the inexorable force that love exerts, likening it to gravity’s unyielding grip. Love, like gravity, is a natural phenomenon that one cannot easily resist or escape. Bareilles conveys that no matter how far she strays, the emotional tie to her beloved will reel her back in, with an almost cosmic certainty.

The gravity in the song serves as a metaphor for the connection that binds two people together despite their best efforts to stay apart. It is tender yet tenacious, comforting yet constricting, and it captures the paradox of wanting both nearness and distance from the object of one’s affection.

The Chains of Affection: Subtleties of Control in Love’s Embrace

Bareilles crafts a delicate dichotomy with lyrics such as ‘You hold me without touch / You keep me without chains.’ The mere absence of physical restraints does not equate to freedom, for emotional bonds can be just as compelling. The singer expresses a yearning to be submerged in love, to ‘drown in your love,’ yet she also yearns not to feel the reign or control that comes with it.

This intangible tether described is a testament to the power of emotions over physicality. It’s indicative of a relationship where the grip is psychological and the restraint is self-imposed—a reminder that the bonds of love are often not visible to the naked eye but are felt deeply within the soul.

Untangling The Paradox: The Struggle for Self-Assertion

In the chorus, Bareilles asserts her independence and self-esteem with ‘Here I am, and I stand, so tall, just the way I’m supposed to be.’ It’s a moment of clarity and empowerment, a statement of her inherent worth and strength. Yet, the veneer of confidence is thin, as the lyrics quickly reveal her vulnerability: ‘But you’re on to me and all over me.’

Despite her best efforts to establish autonomy, the presence of the other person looms large, overwhelming her and infringing upon the very essence of her being. She’s pleading for emancipation from the gravitational pull, the feeling of being emotionally engulfed by the other person’s influence, even as she stands firm in her own identity.

The Hidden Meaning: A Metaphor for Letting Go

‘Set me free, leave me be. I don’t want to fall another moment into your gravity.’ In these lines lies the song’s core message—an appeal for liberation from the forces that bind. The hidden meaning is not just about escaping another person’s emotional grip, but also about the inner battle to release oneself from the shackles of dependency.

Gravity serves as both ally and adversary, a force that Bareilles is pleading with and rebelling against. It’s a complex narrative of acknowledging one’s own weaknesses—the fragility uncovered when in the throes of a consuming relationship—and the aspiration to overcome them.

Echoes of Resilience: The Memorable Lines that Define the Struggle

As the song approaches its denouement, Bareilles delivers a powerful statement of struggle and resilience: ‘I live here on my knees as I try to make you see / That you’re everything I think I need here on the ground.’ The imagery is potent, depicting the artist as supplicatory yet tenacious, caught between the humility of her emotional state and her pursuit of realization and respect.

She captures a poignant truth about human nature: how often we concede to seeking validation from others, defining our own self-worth through their perception, yet ultimately knowing that true empowerment comes from detaching and recognizing our own gravity. It is the moment of revelation that even as she is kept down, she possesses the strength to rise.

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