Hacker by Death Grips Lyrics Meaning – Decoding the Cyber Age Anarchy and Disruption


You can view the lyrics, alternate interprations and sheet music for Death Grips's Hacker at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Goin’ back to Tangier
With some Jordans and a spear
Post-Christian shit
Post chicken or the egg addiction shit
Pass the sherm stick
Neo-reality
Be the freak you wanna see
Just don’t follow me
I’m on a journey to
The center of three
Grab your fucking chain and drag you through the bike lane
While everybody’s like no

I got this pregnant snake
Stay surrounded by long hairs
A plethora of maniacs
And spiral stairs
Make your water break
In the apple store
Sink or swim, who fucking cares
Cut the birth cords
Press send
Yeah thick
Gaga can’t handle this shit

Headed for the Sammy Davis wing
Throw up a black hole at the entrance of linens n things
On the way
Never call it a day
Visit Tesla’s grave for the ninth time today
Still on the way
Bigger wigs

(When you come out your shit is gone)
I’m in your area
I know the first three numbers
I’m in
When you come out
Your shit is gone

You’ll catch a jpeg to the head
Über reach
You’re an intern
On Wikileaks
Most loved therefore most hated
Come and knock on the door we’ve been waiting for you
Game changer
Reclusive aggressive
Yingin and yanging noided
Info warrior jack the hacker
The rolling stoner
Profit on disaster

My existence is a
Momentary lapse of reason
Got the DNA of gothic lemons
Shred it thirteen times
Out of eleven
Your bad ideas are the ATM
Shed my skin
Leave it for the homeless
To sleep it
Prodigal, fuck that nautical
Teachin’ bitches how to swim

I’m in your area
I know the first three numbers
I’m in
(Teachin’ bitches how to swim)

Now backstroke
Through your k-hole
Don’t run
Ya might slip
The table’s flipped now we got all the coconuts bitch

Burmese babies under each arm
Screamin’ beautiful songs
The cray cray ultra contrarion
Havin’ conversations
With your car alarm
When you come out
Your shit is gone
Soon your crew will be servin’ sandwiches named after me
Vietnamese style fool, please
Front row at the mass games

Untraceable by name
You speak of us in certain circles you will be dethroned or detained
Gone

I’m in your area
I know the first three numbers
I’m in

Full Lyrics

Like a punch to the face, Death Grips’ ‘Hacker’ thrashes into the consciousness with an insistent, jarring energy that refuses to be ignored. It’s a challenge to the uninitiated, a cypher begging to be decoded. From the cryptic opening line to its abrasive climax, ‘Hacker’ encapsulates the band’s ability to marry the esoteric with the visceral, painting a picture of modern dystopia through a collage of sonic chaos and fragmented lyricism.

This article isn’t just an exploration; it’s an arcane excavation into the fractured psyche that drives ‘Hacker’. Each verse, reference, and manic delivery contributes to crafting a universe within which Death Grips operates, imparting lessons on technology, society, and the nature of disruption. Now let’s weave through the digital bramble to unearth the messages lurking in this track’s hyper-speed beats and mercurial flows.

Neo-Reality Prophets: Deciphering ‘Hacker’s’ Introduction

‘Goin’ back to Tangier with some Jordans and a spear’ – from this very first line, Death Grips blurs eras and iconographies, juxtaposing archaic imagery with modern cultural totems. This initial salvo suggests a return to origins, armed with contemporary tools, as if navigating today’s urban landscape requires a warrior’s resolve. The ‘post-Christian shit’ evokes a departure from traditional morality, a world where all taboos are void, and new codes are written in the midst of chaos.

Significantly, ‘Hacker’ is positioned as the concluding track of ‘The Money Store’, serving as a climax and a summary to the album’s themes of consumerism, technology, and rebellion. Death Grips doesn’t just operate within these concepts; they tear them apart and play with their entrails. The song’s structure and delivery, a frenetic crescendo of digital punk energy, underscores the message that the old paradigms are being dissected and reassembled in unpredictable ways.

Cyberpunk Storytelling: The Spiral Stairs of ‘Hacker’

The imagery within ‘Hacker’ is sprawling and cyberpunk at its core – an Apple store becomes a birthing room for disaster, ‘Vietnamese style fool, please’ could be a nod to globalization’s homogenizing feast. It’s a disorganized rebellion against the sanitized consumer temples where humans, or ‘long hairs’, are just maniacs in a digital bazaar. The verses are labyrinths themselves, filled with spiraling stairs, suggesting infinite recursion in an environment of overload, both informational and sensory.

Meanwhile, the ‘pregnant snake’ and ‘long hairs’ paint a scene of calculated foreboding, reminding us that behind the bright glow of our screens lurk forces waiting to strike. Every action in the digital space – pressing send, posting images, leaking information – is fraught with unforeseen consequences. Death Grips layers these images to create a nauseating sense of vertigo as the listener confronts the vertiginous reality of a digitized, hyper-connected, and yet deeply fragmented society.

The Oracular Lines: Profound Sound Bites in ‘Hacker’

Few phrases in ‘Hacker’ stand as enigmatic rallying cries: ‘The table’s flipped now we got all the coconuts bitch’ is a victorious declaration that the underdogs have usurped the bounty, creating a new order. ‘Your bad ideas are the ATM’ suggests that in the digital age, even the misplaced thoughts and failed concepts have value, to be cashed in by those who can exploit their viral potential.

Then there’s ‘I know the first three numbers’ – an ominous, intrusive assertion of the breach. It echoes the haunting proximity of those who lurk just beyond our digital curtains, sometimes just a password away from upending our lives. These lines stick with listeners long after the song ends, not only as ear worms but as provocations, reminding us of the constant presence of unwanted watchers in the shadow-web of our interconnected existence.

Unleashing Anarchy: The Hidden Meanings Behind ‘Hacker’

To truly understand ‘Hacker’, one must recognize the symbolism of the hacker archetype. Death Grips presents ‘Jack the hacker’, an icon of subversion, a disruptor rooted in technology’s underbelly. This figure represents the dichotomy of today’s digital warrior – both a champion for transparency and an agent of chaos. ‘Hacker’ isn’t just a song; it’s an acknowledgment of the power of the anonymous, decentralized individuals who can shape, shake, and shatter the digital landscape.

Moreover, the track insinuates the double-edged sword of recognition and anonymity. ‘Most loved therefore most hated’ encapsulates the enigma of internet fame, where one’s value is often directly proportional to one’s visibility – a visibility that can easily convert into vulnerability. The line ‘Untraceable by name’ then becomes a defiant statement of slipping through the cracks of the establishment, of existing in the eye of the hurricane without being sucked into its destructive core.

The Cray Cray Ultra Contrarian: Dissecting the Social Commentary

Amidst the fevered pitch of ‘Hacker’, Death Grips comments on the very nature of opposition and the unpredictable form it takes in a society fueled by extremities. The ‘cray cray ultra contrarian’ is the embodiment of counterculture’s unpredictable shockwave, the individual who dances with their car alarm – a confounding but unmistakable signal of alarm. It is a challenge to complacency, a call to awake from the stupor of routine.

Ultimately, ‘Hacker’ realizes itself as an anti-anthem for those who reject the predefined narratives, those who operate in the interstices and shout from the margins. It’s not gentle, it’s not forgiving – it’s a relentless declaration that the ‘sandwiches named after me’ will bear the names of the disruptors, the hackers, and the heretics. The Death Grips ethos crystallizes in this track as a rejection of passive consumption, and an embrace of active, albeit chaotic, creation and redefinition.

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