I Wanna Get Better by Bleachers Lyrics Meaning – Delving Into the Depths of Personal Rebirth


You can view the lyrics, alternate interprations and sheet music for Bleachers's I Wanna Get Better at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

(I wanna get)

Hey, I hear the voice of a preacher from the back room
Calling my name and I follow just to find you
I trace the faith to a broken down television
And put on the weather
And I’ve trained myself to give up on the past ’cause
I frozen time between hearses and caskets
Lost control when I panicked at the acid test

I wanna get better

While my friends were getting high and chasing guys down parkway lines
I was losing my mind
‘Cause the love, the love, the love, the love, the love
That I gave wasted on a nice face
In a blaze of fear I put a helmet on a helmet
Counting seconds through the night and got carried away
So now I’m standing on the overpass screaming at the cars

(Hey, I wanna get better)

I didn’t know I was lonely ’til I saw your face
I didn’t know I was broken ’til I wanted to change
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)

I go up to my room and there’s guys on the ceiling
Cut out their pictures and I chase that feeling
Of an eighteen year old who didn’t know what loss was
Now I’m a stranger
And I miss the days of a life still permanent
Mourn the years before I got carried away
So now I’m standin’ on the overpass, screaming at the cars

(Hey, I wanna get better)

I didn’t know I was lonely ’til I saw your face
I didn’t know I was broken ’til I wanted to change
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)

Better, ’cause I’m sleeping in the back of a taxi
I’m screaming out my bedroom window
Even if its gonna kill me, whoa-oh

(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)

I woke up early this morning before my family
From this dream where she was trying to show me
How a life can move from the darkness
She said to get better

So I put a bullet where I shoulda put a helmet
And I crash my car ’cause I wanna get carried away
So now I’m standing on the overpass screaming at the cars

(Hey, I wanna get better)

I didn’t know I was lonely ’til I saw your face
I didn’t know I was broken ’til I wanted to change
(Get, get, get, get, I wanna get)
(Get, get, get, get, I wanna get)

Full Lyrics

Delving through the raucous chords and pulsing beats of Bleachers’ anthemic hit ‘I Wanna Get Better’, we uncover a piercing narrative that transcends the traditional confines of pop rock. The song, a gut-punch of emotional transparency and raw aspiration, serves as a rallying cry for personal betterment amidst the backdrop of chaos and confusion.

Jack Antonoff, the mastermind behind Bleachers, orchestrates a journey of self-discovery, capturing the essence of hopeful desperation that is universally relatable. This labyrinthine look into the lyrics reveals not just a story of growth and recovery, but also striking commentary on the human condition.

The Preacher and The Television: Symbols of Guided Self-Reflection

The opening lines immediately present us with an image of a preacher’s voice, perhaps a metaphor for the internal moral compass or counsel we seek during turmoil. The ‘broken down television’, possibly symbolizes the defunct state of our ordinary coping mechanisms, the channels through which we once understood our lives now static and lifeless.

In these symbols, Antonoff ushers us into the core of self, to places where our faith in ourselves has been shattered, compelling the listener to acknowledge the often dysfunctional means through which we pursue solace and understanding.

Struggling against the Currents of Past and Love

Frozen in time ‘between hearses and caskets’, the lyrical protagonist is caught in the liminal space between death and what follows, a stark rendition of being held captive by the past. Here Antonoff sings of the demanding process of letting go, with an urgency that transcends into a form of self-preservation.

The thematic element of love as a wasted endeavor – ‘the love that I gave wasted on a nice face’ – touches on a universal feeling of disillusionment, having invested emotions in unworthy vessels, an act that often leaves one stranded and seeking redemption.

The Overpass as a Pulpit: A Call to Consciousness

Arguably, the overpass serves as a recurring platform throughout the song, a literal and metaphorical high ground from which the protagonist screams for change. It’s a call to consciousness, both to the self and the impersonal traffic below, unintentionally echoing the isolation felt by everyone at some point.

Such imagery paints a picture of a person at the brink, a point of no return where the only option left is to project their desire for transformation into the void, hoping that the echo will somehow materialize into reality.

The Revelation of Loneliness and the Catalyst of Desire

It’s a revelation to the protagonist ‘I didn’t know I was lonely ’til I saw your face’, sparking a realization of deep-seated feelings that had previously gone unnamed. What follows – ‘I didn’t know I was broken ’til I wanted to change’ – is a powerful acknowledgment that recognizing one’s own fragmentation is the first step towards healing.

This desire to change becomes the guiding light out of loneliness and brokenness, offering a glimmer of optimism that change is not only necessary but also within reach. The repeated cry ‘I wanna get better’ is the mantra grounds this transformative journey.

Deciphering the Visual Metaphors: Idols and Dreams

Antonoff’s lyrical tapestry weaves in the image of idols on the ceiling, perhaps emblematic of the dreams and aspirations we chase or the figures of success we long to emulate. The leap from these dreams to the recognition of ‘what loss was’ encapsulates the sobering transition from the naivety of youth to the rugged terrain of adulthood.

The final stanza, where ‘she was trying to show me how a life can move from the darkness’, alludes to the potential guiding figures or moments of realization that pierce through the shadows of despair. These moments act as catalysts for rebirth, shedding light on the power of dreams and the stirring we feel when we yearn to rise from melancholy into something better, something whole.

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